Deviation | ||||
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Studio album by | ||||
Released | 1984 | |||
Studio | Stargem Studios, Nashville, Tennessee | |||
Genre | Americana, bluegrass, folk, folk rock | |||
Length | 32:13 | |||
Label | Rounder | |||
Producer | Béla Fleck | |||
Béla Fleck chronology | ||||
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Source | Rating |
Allmusic | ![]() ![]() ![]() ![]() ![]() |
Deviation is an album by American banjoist Béla Fleck, released in 1984. It was recorded with the second classic line-up of the New Grass Revival, consisting of Béla Fleck, Sam Bush, John Cowan and Pat Flynn. [2] [3] The album was dedicated to the memory of Steve Goodman.
All tracks written by Béla Fleck, except where noted.
Special Guests:
Charles Samuel Bush is an American mandolinist who is considered an originator of progressive bluegrass music. In 2020, he was inducted into the International Bluegrass Music Hall of Fame as a member of New Grass Revival.
The Telluride Sessions is an album recorded by five acoustic-music instrumentalists under the name Strength in Numbers and released in 1989 on MCA Records Nashville. The five members are: Sam Bush, Jerry Douglas, Béla Fleck, Mark O'Connor, and Edgar Meyer. The album is progressive bluegrass with jazz inflections, but also adds elements from classical music. O'Connor, Fleck, and Meyer further developed this genre in their compositions for orchestra and chamber music.
New Grass Revival was an American progressive bluegrass band founded in 1971, and composed of Sam Bush, Courtney Johnson, Ebo Walker, Curtis Burch, Butch Robins, John Cowan, Béla Fleck and Pat Flynn. They were active between 1971 and 1989, releasing more than twenty albums as well as six singles. Their highest-charting single is "Callin' Baton Rouge", which peaked at No. 37 on the U.S. country charts in 1989 and was a Top 5 country hit for Garth Brooks five years later.
John Cowan is an American soul music and progressive bluegrass vocalist and bass guitar player. He was the lead vocalist and bass player for the New Grass Revival. Cowan became the band's bassist in 1972 after the departure of original bassist Ebo Walker and was noted as being the only member of New Grass Revival not to come from a bluegrass background.
Hold to a Dream is the eighth album by the progressive bluegrass band New Grass Revival, released in 1987. The lead-off single "Unconditional Love" reached number 44 on the Billboard Hot Country Singles & Tracks chart. In 1988, "Can't Stop Now" reached number 45.
The New Nashville Cats is a country album by Mark O'Connor, in conjunction with a variety of other musical artists. O'Connor selected a group of over fifty Nashville musicians, many of whom had worked with him as session musicians. The album was intended to "showcase the instrumental side of the Nashville recording scene". It was awarded two Grammys: Best Country Instrumental Performance for O'Connor, and Best Country Collaboration with Vocals for Vince Gill, Ricky Skaggs, and Steve Wariner's performance in "Restless". This song also charted at #25 on Hot Country Songs in 1991.
"Callin' Baton Rouge" is a country music song written by Dennis Linde. It was originally recorded by The Oak Ridge Boys on their 1978 album Room Service, and was later recorded by New Grass Revival on their 1989 album Friday Night in America, and more famously by Garth Brooks on his 1993 album In Pieces. Brooks' rendition, the fifth single from the album, reached a peak of number two on the U.S. country singles charts in 1994. The number one spot was occupied by "She's Not the Cheatin' Kind" by Brooks & Dunn.
Friday Night in America is the ninth and final studio album by progressive bluegrass band New Grass Revival, released in 1989. The album includes the single "Callin' Baton Rouge", the band's only Top 40 hit on Hot Country Songs. Both it and "Do What You Gotta Do" were later released as singles by Garth Brooks: the former in 1993 from his album In Pieces, and the latter in 2000 from his album Sevens.
Live is a live album by New Grass Revival, recorded June 3, 1983, during the first bluegrass festival in France, Toulouse Bluegrass Festival, in Toulouse, and released in 1984. It was the first New Grass Revival album to include Béla Fleck and Pat Flynn.
On the Boulevard is the sixth studio album by the progressive bluegrass band New Grass Revival, released in 1984. It is the first of four studio albums from the group's last lineup.
Anthology is a 1990 compilation album by progressive bluegrass band New Grass Revival.
Grass Roots: The Best of New Grass Revival is a compilation album by the progressive bluegrass band New Grass Revival, released in 2005.
New Grass Revival is the seventh studio album by the progressive bluegrass band New Grass Revival, released in 1986.
Best of New Grass Revival is a 1994 compilation album by progressive bluegrass band New Grass Revival. The cuts feature the 1981–1989 lineup of the band. A second compilation was released in 2005 under the title Grass Roots: The Best of the New Grass Revival featuring this lineup as well as earlier band members.
Double Time is an album by American banjoist Béla Fleck, released in 1984.
Inroads is an album by American banjoist Béla Fleck, released in 1986.
Daybreak is a compilation album by American banjoist Béla Fleck. His next compilation, Places which was released in 1988, Fleck continued to merge his bluegrass roots with forays into other genres, which turned into his Flecktones project in the 90's.
Drive is an album by American banjoist Béla Fleck. The album was produced toward the end of Fleck's New Grass Revival career and before the Flecktones were formed and included an all-star list of bluegrass performers.
Places is a compilation album by American banjoist Béla Fleck, recorded in 1988. It marks Fleck's last record with Rounder Records, subsequent label change to Warner Bros. Records and soon birth of the Flecktones, who would release their debut album in 1990.
Natural Bridge is an album by American banjoist Béla Fleck, released in 1982. Bela Fleck was a young bluegrass player whose work with such bands as Spectrum and the New Grass Revival pushed the envelope of bluegrass tradition and contributed to the development of the New Acoustic movement spearheaded by mandolinist David Grisman, guitarist Tony Rice, and others. Influenced by Bill Keith and Tony Trischka, he moved the banjo sound much further than anyone could imagine.