Plot
Lance Poole, a Shoshone veteran of the Civil War and Medal of Honor recipient, returns to his home in Medicine Bow, Wyoming, where the mostly white townspeople resent the fact that Poole and his father own a large and valuable piece of land. A doctor refuses to treat Poole's father, who dies, and Poole is unable to even buy a drink at the local saloon. Bigoted attorney Verne Coolan exploits a loophole in a homesteading law to strip Poole of his property. Poole turns to a female lawyer Orrie Masters for help but she fails to acquire the necessary petition signatures that they need to overturn the law.
Coolan organizes sheepherders and attempts to expel Poole by force. Shoshone tribesmen fight by Poole's side, using his cabin for a fort. Masters summons the U.S. Cavalry to create a truce, but they side with Coolan and the town. Poole kills Coolan but is seriously wounded at the Shoshone barricade.
Poole grants the responsibility for the surviving women and children to the only surviving male child, who leads them away from the barricade and presumably in the direction of the reservation. Afterward, Poole wears his Civil War sergeant major uniform and walks out to the cavalry commander and his former lawyer. The commander salutes Poole first, as that is the custom when greeting a Medal of Honor recipient. Poole then dies from his wounds.
Reception
According to MGM records, the film earned $1,349,000 in the U.S. and Canada and $747,000 overseas, resulting in a profit of $25,000. [1]
Critical response
Bosley Crowther called the movie a "whopping action film". He notes "Devil's Doorway, like the Twentieth Century-Fox picture of a few months back, Broken Arrow , is a Western with a point of view that rattles some skeletons in our family closet. Robert Taylor may strike you as a rather peculiar choice to play a full-blooded Indian, but give the man credit for a forceful performance. Indeed, his is the only role that is not a stereotype. However, the other players give good performances even though they represent characters that are as much a part of the Western film formula as horses and sagebrush." [2]
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