Diamond Stingily | |
---|---|
Born | 1990 (age 33–34) Chicago, United States |
Parent | Byron Stingily (father) |
Family | Byron Stingily Jr. (brother) |
Diamond Stingily (born 1990) is an American artist and poet. Stingily's art practice explores aspects of identity, iconography and mythology, and childhood. Stingily lives and works in New York City.
Stingily grew up in Chicago, Illinois. As a child, Stingily spent much of her time at her mother's hair salon in West Chicago. [1] Her father, Byron Stingily, is an R&B and house-music singer and her brother, Byron Stingily Jr., is a professional football player. [2]
Stingily studied creative writing at Columbia College. [3]
Stingily has exhibited at numerous galleries and museums, including the Institute of Contemporary Art (Miami), Greene Naftali Gallery, Kunstverein München, Wattis Institute for Contemporary Arts, Queer Thoughts, Art Basel Statements, Museum of Contemporary Art Detroit, and the New Museum in New York City. [4] [5] [6] Stingily is a published author and holds a podcast-style radio show at Know Wave called The Diamond Stingily Show. [7]
Stingily's earliest project Forever in our Hearts opened at Egg in Chicago in 2014. [8] The project simulated the artist's own death through a funeral arrangement and obituary. The show took place in a storefront display window. Accompanying the display, Stingily wrote an obituary-inspired poem that only existed online and in-print behind the window display. Egg is a project-based space in Chicago founded by artist Puppies Puppies and Forrest Nash (founder of art blog Contemporary Art Daily). [9]
In 2015, Stingily collaborated with artist Martine Syms in Syms' video work Notes on Gestures (2015). [10] Stingily was featured as the central actor in the video which examined body language, reaction GIFs, and the phrase, "Everybody wanna be a black woman but nobody wanna be a black woman." [11] Stingily stayed in New York after their collaboration.
After moving to New York Stingily began creating and showing her Kaas works in group exhibitions such as The End of Violent Crime at Queer Thoughts and Denude at Ramiken Crucible. [12]
'Love, Diamond,' Kaas, and Elephant Memory
Stingily published her first book through Dominica imprint titled, Love, Diamond. The book is a "reprint of the artist's first diary written as an 8-year-old" growing up in Chicago. [13] Stingily has kept most of her journals since she began writing at an early age and was encouraged to write by her grandmother. [14] She has performed readings with fellow artists and writers Justin Allen, Rindon Johnson, Juliana Huxtable, and Andrew Durbin. [15]
Stingily's first solo exhibition, titled Kaas, opened at Queer Thoughts in New York in May 2016. [16] The show featured a number of sculptures made of Kanekalon hair, knockers, barrettes, and beads that referenced both Kaa (the snake character made famous in Rudyard Kipling's The Jungle Book) and Medusa's head of snakes. [17] Later that year, Stingily's second solo exhibition, titled Elephant Memory, opened at Ramiken Crucible in New York. [18] On view were larger and more elaborate Kaas sculptures, used doors with locks, baseball bats, telephone cords, and a video work obstructed by a chain-link fence. The exhibition, "teased out issues of racial violence," in America, specifically Stingily's hometown of Chicago and New York. [19]
In 2017, Artists Space invited Stingily and artist Rindon Johnson to read from recent works alongside artists Justin Allen and Deborah Willis. [20]
Stingily was included in the New Museum's group show Trigger: Gender as a Weapon and a Tool [21] . Stingily created her largest Kaas sculpture-to-date, a hair braid piece that pierced through four floors of the museum. [22] Stingily also showed artwork through Queer Thoughts at FIAC in 2017. [23] Her third solo exhibition, titled Surveillance, opened at Ramiken Crucible in Los Angeles, California in late 2017. [24]
In November 2017, Stingily was selected by Forbes magazine for the prestigious '30 Under 30' in the Arts and Culture section. [25]
Stingily's work was exhibited in the 2018 New Museum Triennial Songs for Sabotage [26] . Her first solo museum exhibition was held at the Institute of Contemporary Art in Miami in 2018. [27] [28] . Subsequent solo presentations were held at Kunstverein München and the Wattis Institute for Contemporary Arts in 2019. [29] [30]
Themes and critical reception
Stingily's work explores various themes of racial identity and femininity, memory and childhood, iconography, surveillance and paranoia as well as freedom. Much of her work is in direct response to her "social and economic background" growing up in West Chicago.
Critics have reviewed her first two exhibitions favorably. Curator Johanna Fateman writes in Artforum that Diamond's work, "reflects on the normalization and replication of brutal scripts and systems using perfect, pervasive materials." [31] California-based curator Hanna Girma notes that "Stingily courageously navigates between consolation and discomfort, personal and shared memory. Her work celebrates youthful perception, black creativity and resilience while simultaneously thrusting the viewer into their current disposition, with its fear of contact, normalized violence and ancestral hardship." [32]
Solo exhibitions
Selected group exhibitions
The New Museum of Contemporary Art is a museum at 235 Bowery, on the Lower East Side of Manhattan in New York City. It was founded in 1977 by Marcia Tucker.
Barbara Rossi was an American artist, one of the original Chicago Imagists, a group that in the 1960s and 1970s turned to representational art. She first exhibited with them at the Hyde Park Art Center in 1969. She is known for meticulously rendered drawings and cartoonish paintings, as well as a personal vernacular. She worked primarily by making reverse paintings on plexiglass that reference lowbrow and outsider art.
Carolyn Christov-Bakargiev is an Italian-American writer, art historian and exhibition maker who served as the Director of Castello di Rivoli Museo d'Arte Contemporanea in Turin in 2009 and from 2016 to 2023. She was also the founding Director of Fondazione Francesco Federico Cerruti from 2017 to 2023. She was Edith Kreeger Wolf Distinguished Visiting Professor in Art Theory and Practice at Northwestern University (2013-2019). She is the recipient of the 2019 Audrey Irmas Award for Curatorial Excellence. She is currently Honorary Guest Professor at FHNW University of Applied Sciences and Arts Northwestern, Switzerland. She has lectured widely at art and educational institutions and Universities for the Arts, including the Goethe University, Frankfurt; Harvard University, Cambridge; MIT, Boston; Jawaharlal Nehru University, New Dehli; Cooper Union, New York; The Courtauld Institute of Art, London; Monash University, Melbourne; Di Tella University, Buenos Aires; Northwestern University, Chicago, and UNITO, Università di Torino, Turin.
Jordan Wolfson is an American visual artist who lives in Los Angeles. He has worked in video and film, in sculptural installation, and in virtual reality.
Nicole Eisenman is a French-born American artist known for her oil paintings and sculptures. She has been awarded the Guggenheim Fellowship (1996), the Carnegie Prize (2013), and has thrice been included in the Whitney Biennial. On September 29, 2015, she won a MacArthur Fellowship award for "restoring the representation of the human form a cultural significance that had waned during the ascendancy of abstraction in the 20th century."
Simone Leigh is an American artist from Chicago who works in New York City in the United States. She works in various media including sculpture, installations, video, performance, and social practice. Leigh has described her work as auto-ethnographic, and her interests include African art and vernacular objects, performance, and feminism. Her work is concerned with the marginalization of women of color and reframes their experience as central to society. Leigh has often said that her work is focused on “Black female subjectivity,” with an interest in complex interplays between various strands of history. She was named one of the 100 most influential people in the world by Time magazine in 2023.
Lauren Cornell is an American curator and writer based in New York. Cornell is the Chief Curator of the Hessel Museum of Art and the Director of the Graduate Program at the Center for Curatorial Studies, Bard College. Previously, she was a curator at the New Museum and was the executive director of their affiliate Rhizome (2005-2012).
Juliana Huxtable is an American artist, writer, performer, DJ, and co-founder of the New York–based nightlife project Shock Value. Huxtable has exhibited and performed at a number of venues including Reena Spaulings Fine Art, Project Native Informant, Artists Space, the New Museum, the Museum of Modern Art, Portland Institute for Contemporary Art, and Institute of Contemporary Arts. Huxtable's multidisciplinary art practice explores a number of projects, such as the internet, the body, history, and text, often through a process she calls "conditioning." Huxtable is a published author of two books and a member of the New York City–based collective House of Ladosha. She is on the roster of the talent agency Discwoman, a New York based collective and talent agency that books DJs for parties and events around the world. She previously lived and worked in New York City, and has been based in Berlin since 2020.
Camille Henrot is a French artist who lives and works in Paris and New York.
Candida Alvarez is an American artist and professor, known for her paintings and drawings.
Kaari Upson was an American artist. The bulk of Upson’s career was devoted to a single series titled The Larry Project – paintings, installations, performances, and films inspired by a collection of one man's personal items she found in 2003. The Larry Project was exhibited at the Hammer Museum in Los Angeles in 2008, as part of their program Hammer Projects. Her work resides in the public collections of the Whitney Museum of American Art, the Museum of Contemporary Art, Los Angeles, and the Institute of Contemporary Art, Boston and is known for exploring themes of psychoanalysis, obsession, memory, and the body. She had lived and worked in Los Angeles.
Dora Budor is a Croatian artist who lives and works in New York. She has exhibited extensively throughout the U.S. and Europe.
Jordan Casteel is an American painter. Her landscapes and figurative portraits utilize gestural brushwork and often bold color choices. She typically paints portraits of friends and family members as well as neighbors and strangers in her surrounding community. Casteel lives and works in the Catskill Mountain region and Harlem, New York.
Institute of Contemporary Art, Miami, also known as ICA Miami, is a contemporary art museum located in the Miami Design District in Miami, Florida, United States.
Lydia Ourahmane is a multi-disciplinary artist based in Algiers and Barcelona.
Krist Gruijthuijsen is a Dutch curator and art critic who has been serving as Director of KW Institute for Contemporary Art in Berlin, Germany, since July 2016. At KW, he has curated exhibitions with, among others, Hanne Lippard, Ian Wilson, Adam Pendleton, Ronald Jones, Hiwa K, Willem de Rooij, Beatriz González, David Wojnarowicz, Hreinn Friðfinnsson, and Hassan Sharif.
The Fondazione Sandretto Re Rebaudengo is a non-profit contemporary arts institution based in Turin, Italy, founded by arts collector Patrizia Sandretto Re Rebaudengo in 1995.
Young Joon Kwak is an artist and musician based in Los Angeles. Much of their work focuses on queer bodies, how they have been represented in art history, and how they form communities. They have exhibited and performed at art museums around the world. Kwak is the lead singer in the band Xina Xurner, and a founding member of the collective Mutant Salon.
Jamillah James is an American curator. She is the Manilow Senior Curator at the Museum of Contemporary Art Chicago.
Andra Ursuța is a Romanian-American sculptor who has lived and worked in New York since 2000. Ursuța is known for her nihilistic portrayal of the human condition, confronting issues such as patriotism, violence against women, and the “expulsion of ethnic groups”. Ursuța's work is held in public collections worldwide.