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| Diary of an Antibody | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | August 12, 2002 | |||
| Recorded | 2002 | |||
| Genre | Indie pop | |||
| Length | 33:31 | |||
| Label | Shinkansen Records [1] | |||
| Producer | Ian Catt [2] | |||
| Fosca chronology | ||||
| ||||
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |   [3] |
Diary of an Antibody is the second album by the English indie pop band Fosca. [3] It was released on August 12, 2002.
AllMusic wrote that Fosca "once again prove why their new wave-inspired sound, while often inspired by the sounds of yesterday, are fresh and exciting, without the slightest hint of sounding contrived." [3] Exclaim! wrote that "they have a well-coiffed, well-dressed singer (Dickon Edwards), all the right synth-heavy instrumentation and campy subject matter, but somehow the final result doesn't have the punch that it should." [4] Scram Magazine called the album "precious and arch London pop." [5]
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Fosca was a British band, combining indie pop songwriting with synthpop instrumentation. Initially, the band was formed by bassist Peter Theobalds and Orlando guitarist/lyricist Dickon Edwards plus Orlando drummer David Gray, before settling into being a vehicle for Edwards and his songs. Over the next decade, Edwards fronted several lineups of the band including guitarist Charley Stone. They released a total of three studio albums between 2000-2008. The band was named after the protagonist in Stephen Sondheim's Passion based upon the translation of Lawrence Venuti of the novel Fosca by Iginio Ugo Tarchetti, 1869. They received press coverage from The Independent.
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Open Here is the sixth studio album by the English rock band Field Music. Released by Memphis Industries on 2 February 2018, the album combines elements of alternative rock and chamber pop, and includes a wider range of musical instruments than previous Field Music albums, predominantly featuring flutes, horns, and string instruments. The band attempted to create a unique instrumental combination for each song; Field Music's David and Peter Brewis felt more confident about expanding the range of instruments on the album, after having made a film soundtrack with an orchestra just before the recording of Open Here began.
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