| Did She Mention My Name? | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | January 1968 | |||
| Recorded | December 1967 | |||
| Genre | Folk | |||
| Length | 36:42 | |||
| Label | United Artists | |||
| Producer | John Simon | |||
| Gordon Lightfoot chronology | ||||
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Did She Mention My Name? is Canadian singer Gordon Lightfoot's third studio album, released in 1968 on the United Artists label. The album marked Lightfoot's first use of orchestration. [1]
"Black Day in July" was written by Lightfoot to inform people about racial strife in the United States. Lightfoot stated that he wrote the song "as a newspaper man would write an article." [2] The song was covered by The Tragically Hip for the 2003 Lightfoot tribute album, Beautiful: A Tribute to Gordon Lightfoot.
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |   [3] |
In his AllMusic review, critic Richie Unterberger praised the album, writing "Though a tad more erratic than his earlier efforts, his songwriting remained remarkably consistent. His characteristically bright, uplifting outlook became more diverse as well ..." [3]
All compositions by Gordon Lightfoot
Beatles for Sale is the fourth studio album by the English rock band the Beatles. It was released on 4 December 1964 in the United Kingdom on EMI's Parlophone label. The album marked a departure from the upbeat tone that had characterised the Beatles' previous work, partly due to the band's exhaustion after a series of tours that had established them as a worldwide phenomenon in 1964. Beatles for Sale was not widely available in the US until 1987, when the Beatles' catalogue was standardised for release on CD. Instead, eight of the album's fourteen tracks appeared on Capitol Records' concurrent release, Beatles '65, issued in North America only.
Gordon Meredith Lightfoot Jr. was a Canadian singer-songwriter and guitarist who achieved international success in folk, folk-rock, and country music. Credited with helping to define the folk-pop sound of the 1960s and 1970s, he has been referred to as Canada's greatest songwriter, having several gold and multi-platinum albums and songs covered by some of the world's most renowned musical artists. Lightfoot's biographer Nicholas Jennings said, "His name is synonymous with timeless songs about trains and shipwrecks, rivers and highways, lovers and loneliness."
Folk rock is a fusion genre of rock music with heavy influences from pop, English and American folk music. It typically combines elements of folk and rock music together, it arose in the United States, Canada, and the United Kingdom in the mid-1960s. In the U.S., folk rock emerged from the folk music revival. Performers such as Bob Dylan and the Byrds—several of whose members had earlier played in folk ensembles—attempted to blend the sounds of rock with their pre-existing folk repertoire, adopting the use of electric instrumentation and drums in a way previously discouraged in the U.S. folk community. The term "folk rock" was initially used in the U.S. music press in June 1965 to describe the Byrds' music.
"Norwegian Wood (This Bird Has Flown)", otherwise known as simply "Norwegian Wood", is a song by the English rock band the Beatles from their 1965 album Rubber Soul. It was written mainly by John Lennon, with lyrical contributions from Paul McCartney, and credited to the Lennon–McCartney songwriting partnership. Influenced by the introspective lyrics of Bob Dylan, the song is considered a milestone in the Beatles' development as songwriters. The track features a sitar part, played by lead guitarist George Harrison, that marked the first appearance of the Indian string instrument on a Western rock recording. The song was a number 1 hit in Australia when released on a single there in 1966, coupled with "Nowhere Man".
Lightfoot! is the debut album by Canadian singer-songwriter Gordon Lightfoot. Although it was recorded in December 1964, the album was not released until January 1966 on the United Artists label.
The Way I Feel is the second studio album by Canadian singer-songwriter Gordon Lightfoot, originally released in 1967 on the United Artists label.
What We Did on Our Holidays is the second studio album by the English folk rock band Fairport Convention, released in 1969. It was their first album to feature singer-songwriter Sandy Denny. The album also showed a move towards the folk rock for which the band became noted, including tracks later to become perennial favourites such as "Fotheringay" and the song traditionally used to close live concerts, "Meet on the Ledge".
Psychedelic folk is a loosely defined form of psychedelia that originated in the 1960s. It retains the largely acoustic instrumentation of folk, but adds musical elements common to psychedelic music.
Back Here On Earth is Canadian singer Gordon Lightfoot's fourth studio album, released in 1968 on the United Artists label.
Sit Down Young Stranger is Canadian singer Gordon Lightfoot's sixth original album and his best-selling original album. Shortly after its 1970 release on the Reprise Records label, it was renamed If You Could Read My Mind when the song of that title reached #1 on the RPM Top Singles chart in Canada and #5 on the Billboard Hot 100 in the US. The album itself reached #12 on the Billboard 200 chart. In Canada, the album was on the charts from April 18, 1970, to November 27, 1971. It peaked at #8 on March 13, 1971 after an earlier peak at #12 on June 20, 1970. Its last 24 weeks were spent in the 90s, except for two appearances at #88 and one at #100.
"Canadian Railroad Trilogy" is a story song that was written, composed, and first performed in 1966 by Canadian singer-songwriter Gordon Lightfoot, who released his original recording of it in 1967. The song was commissioned by the Canadian Broadcasting Corporation (CBC) to celebrate the Canadian Centennial in 1967. "Canadian Railroad Trilogy" describes the building of the trans-Canada Canadian Pacific Railway, the construction work on which was completed in 1885. The CPR was incorporated in 1881 and merged with the Kansas City Southern Railway in 2023 to form the Canadian Pacific Kansas City.
Sunday Concert is Canadian singer Gordon Lightfoot's first solo live album, released in 1969 on the United Artists label. Lightfoot's last recording for United Artists, it was also his first live album and until the release of a live DVD in 2002 remained Lightfoot's only officially released live recording. The album was recorded at Massey Hall in Toronto.
A Painter Passing Through is the eighteenth studio album by Canadian singer Gordon Lightfoot, released in 1998 on Reprise Records. It was his first album of original music in five years after Waiting for You, which had been his first since 1986's East of Midnight. Well-known record producer Daniel Lanois makes a guest appearance on the album. A Painter Passing Through is a live studio album.
Blind Joe Death is the first album by American fingerstyle guitarist and composer John Fahey. There are three different versions of the album, and the original self-released edition of fewer than 100 copies is extremely rare.
"Tell Me (You're Coming Back)" is a song by the English rock band the Rolling Stones, featured on their 1964 self-titled album (subtitled and often called England's Newest Hit Makers in the US). It became the first A-side single written by Jagger/Richards to be released, although not in the United Kingdom. The single reached number 24 in the United States (becoming their first top 40 hit there) and the top 40 in several other countries.
"Stop Messin' Round" is a song first recorded by English blues rock group Fleetwood Mac in 1968. It was written by the group's principal guitarist and singer Peter Green, with an additional credit for manager C.G. Adams. The song is an upbeat 12-bar blues shuffle and is representative of the group's early repertoire of conventional electric blues. The lyrics deal with the common blues theme of the unfaithful lover and share elements with earlier songs.
Richard P. Havens, 1983 is a 1968 double album set by folk rock musician Richie Havens featuring a combination of studio recordings and live material recorded in concert during July 1968. The album combined original material with several of the covers for which Havens was known. Notable songs include the singles "Stop Pushing and Pulling Me" and "Indian Rope Man", the latter of which has been multiply covered under its own name and in retooled identity as "African Herbsman." The genre-bending album was critically and commercially well-received, reaching #80 on the Billboard "Pop Albums" chart. Initially released on the Verve label, it has been reissued multiple times in various formats, including by Verve subsidiary Verver Forecast/PolyGram and Australian label Raven Records. It has also been compiled with albums Mixed Bag and Something Else Again in multi-cd set Flyin' Bird: The Verve Forecast Years on the Hip-O Select/Universal label.
"Cod'ine" is a contemporary folk song by the singer-songwriter Buffy Sainte-Marie. Considered one of the earliest anti-drug songs, Sainte-Marie wrote the piece after becoming addicted to codeine which she had been given for a bronchial infection. She recorded it for her debut album, It's My Way! (1964).
"I Knew I'd Want You" is a song by the folk rock band the Byrds, written by band member Gene Clark, and first released as the B-side to their 1965 debut single, "Mr. Tambourine Man". It was also later included on their debut album, Mr. Tambourine Man.
Close is a solo album by American rock musician Sean Bonniwell, credited under the moniker T. S. Bonniwell, who had been the creative force behind the innovative garage rock band The Music Machine. The album was released on August 4, 1969, by Capitol Records. It marked a total departure from Bonniwell's rebellious protopunk period with The Music Machine, to a soft rock crooning style. In addition, the album blended folk rock and orchestrated influences, and was inspired by Bonniwell's stints in the pre-Music Machine groups, the Wayfarers and the Ragamuffins, along with his desire to be more poetically inclined. The song,"Where Am I to Go", was released as a single ahead of the album, but failed to chart. Like its attendant single, Close was also somewhat commercially unsuccessful, and was the last recording by Bonniwell for the next 20 years.
