Dirk de Bruyn | |
|---|---|
| Born | 14 October 1950 Dordrecht, Netherlands |
| Nationality | Dutch Australian |
| Occupation(s) | Filmmaker, academic |
| Known for | Experimental animation, expanded cinema, trauma in film |
| Academic background | |
| Alma mater | Deakin University, RMIT University, Philip Institute |
Dirk de Bruyn (born 14 October 1950) is an Australian experimental filmmaker, animator and academic. He was born in 1950 in Dordrecht, Netherlands and immigrated to Australia in 1958. He is known for his contributions to expanded cinema, trauma and memory in film, and avant-garde animation. He served as Associate Professor and Head of Screen and Design at Deakin University in Melbourne.
Since the 1970s, de Bruyn has produced work in animation, film performance, and installation art. [1] His practice explores themes of trauma, memory, and the materiality of the moving image. He was ranked third in the Melbourne Independent Filmmakers' Top 50 Australian Independent Film Heroes (2007). [2]
In January 1986, a program of de Bruyn's short films was presented at the Museum of Modern Art in New York as part of its Cineprobe series. [3]
In 2013, the Film-Philosophy Conference in Amsterdam hosted a panel titled Trauma/Memory/Expanded Cinema: The Films of Dirk de Bruyn. [4]
Full retrospective programs of his films have been screened at:
De Bruyn served as Head of Screen and Design at Deakin University (2017–2019). His research interests include:
Dirk de Bruyn's expanded cinema performances engage the aesthetics of process through multi-screen abstract films and live manipulations. [29] They include: