The Melbourne International Animation Festival (MIAF) is an annual animation festival held in Melbourne since 2001. [1] [2] Supported by the Australian Centre for the Moving Image, the Australian Film Commission and the Melbourne City Council, it is Australia's largest animation event. Over the course of the festival more than 200 films from over 30 separate countries are shown. Highlights of the festival include many guest artists and visiting animators, from both local and abroad. It was moved from the Australian Centre for the Moving Image to Treasury Theatre in 2019 due to the Australian Centre for the Moving Image being temporarily shut down for large-scale renovations. [3]
Year | Length | Dates | Location |
---|---|---|---|
2001 | 6 days | 26 June 2001 to 1 July 2001 [4] | Treasury Theatre [5] |
2002 | 6 days | 25 June 2002 to 30 June 2002 [6] | Treasury Theatre [7] |
2003 | 6 days | 24 June 2003 to 29 June 2003 [8] | Australian Centre for the Moving Image [9] |
2004 | 6 days | 22 June 2004 to 27 June 2004 [10] | Australian Centre for the Moving Image |
2005 | 6 days | 21 June 2005 to 26 June 2005 [11] | Australian Centre for the Moving Image |
2006 | 6 days | 20 June 2006 to 25 June 2006 [12] | Australian Centre for the Moving Image |
2007 | 6 days | 19 June 2007 to 24 June 2007 [13] | Australian Centre for the Moving Image |
2008 | 7 days | 16 June 2008 to 22 June 2008 [14] | Australian Centre for the Moving Image |
2009 | 7 days | 22 June 2009 to 28 June 2009 [15] | Australian Centre for the Moving Image |
2010 | 9 days | 19 June 2010 to 27 June 2010 [16] | Australian Centre for the Moving Image |
2011 | 8 days | 19 June 2011 to 26 June 2011 [17] | Australian Centre for the Moving Image |
2012 | 8 days | 17 June 2012 to 24 June 2012 [18] | Australian Centre for the Moving Image |
2013 | 11 days | 20 June 2013 to 30 June 2013 [19] | Australian Centre for the Moving Image |
2014 | 11 days | 19 June 2014 to 29 June 2014 [20] | Australian Centre for the Moving Image |
2015 | 8 days | 21 June 2015 to 28 June 2015 [21] | Australian Centre for the Moving Image |
2016 | 8 days | 19 June 2016 to 26 June 2016 [22] | Australian Centre for the Moving Image |
2017 | 8 days | 18 June 2017 25 June 2017 [23] | Australian Centre for the Moving Image |
2018 | 10 days | June 14, 2018 to June 23, 2018 [24] | Australian Centre for the Moving Image |
2019 | 10 days | July 12 to July 21, 2019 [25] | Treasury Theatre [26] |
Year | Best of the Fest | Best Australian Film | Best International Student Film | Best Australian Student Film |
---|---|---|---|---|
2016 | Velodrool - Sander Joon (Estonia) | Hound by Georgia Kriss (Australia) | Switch Man - Hsun-Chun Chuang, Shao-Kuei Tung (Taiwan) | The Good, The Bad & The Noodley - Essington College (Australia) [27] |
2017 | N/A | N/A | N/A | N/A |
2018 | After All – Michael Cusack (Australia) | After All – Michael Cusack (Australia) Lost Property Office – Daniel Agdag (Australia) | The Potion Controversy – Oscar Stockdale (UK) | Welcome To Shmeven 11 – Dru Shaw (Australia) [28] |
2019 | Per Tutta La Vita – Roberto Catani (France) | Sohrab And Rustum – Lee Whitmore (Australia) Lost And Found – Andrew Goldsmith, Bradley Slabe and Lucy Hayes (Australia) | Strawberry Bums: Invasion Of The Snubgrubs – Jeremy Sullivan (USA) | Olga's Self Insert Fanfiction – Ella Sanderson, Georgette Stefoulis (Australia) [29] |
2020 | Event cancelled | Event cancelled | Event cancelled | Event cancelled |
The National Science and Media Museum, located in Bradford, West Yorkshire, is part of the national Science Museum Group in the UK. The museum has seven floors of galleries with permanent exhibitions focusing on photography, television, animation, videogaming, the Internet and the scientific principles behind light and colour. It also hosts temporary exhibitions and maintains a collection of 3.5 million pieces in its research facility.
Federation Square is a venue for arts, culture and public events on the edge of the Melbourne central business district. It covers an area of 3.2 ha at the intersection of Flinders and Swanston Streets built above busy railway lines and across the road from Flinders Street station. It incorporates major cultural institutions such as the Ian Potter Centre, Australian Centre for the Moving Image (ACMI) and the Koorie Heritage Trust as well as cafes and bars in a series of buildings centred around a large paved square, and a glass walled atrium.
Krome Studios Melbourne, originally Beam Software, was an Australian video game development studio founded in 1980 by Alfred Milgrom and Naomi Besen and based in Melbourne, Australia. Initially formed to produce books and software to be published by Melbourne House, a company they had established in London in 1977, the studio operated independently from 1987 until 1999, when it was acquired by Infogrames, who changed the name to Infogrames Melbourne House Pty Ltd.. In 2006 the studio was sold to Krome Studios.
ACMI, formerly the Australian Centre for the Moving Image, is Australia's national museum of screen culture including film, television, videogames, digital culture and art. ACMI was established in 2002 and is based at Federation Square in Melbourne, Victoria.
Perth Festival, named Perth International Arts Festival (PIAF) between 2000 and 2017, and sometimes referred to as the Festival of Perth, is Australia's longest-running cultural festival, held annually in Western Australia. The program features contemporary and classical music, dance, theatre, performance, literature and ideas, visual arts, large-scale public works. The main events of the festival take place every year, from February to March and the film program now known as Lotterywest Films runs from November to April, as part of the Perth Festival.
The Melbourne Cinémathèque is a non-profit membership-based film society screening programs year-round, dedicated to presenting the history of world cinema on the big screen in carefully curated retrospectives. It screens at ACMI in Melbourne.
The Australian International Documentary Conference (AIDC) is an Australian conference for the promotion of documentary, factual and unscripted screen content, regarded as one of two major national conferences for filmmakers.
The culture of Melbourne, the capital of the Australian state of Victoria, encompasses the city's artistic, culinary, literary, musical, political and social elements. Since its founding as a British settlement in 1835, Melbourne has been culturally influenced by European culture, particularly that of the British Isles. During the 1850s Victorian gold rush and in the decades that immediately followed, immigrants from many other parts of the world, notably China and the Americas, helped shape Melbourne's culture. Over time, Melbourne has become the birthplace of a number of unique cultural traits and institutions, and today it is one of the world's most multicultural cities.
Gideon Obarzanek is an Australian choreographer, director and performing arts curator. He was Artistic Associate with the Melbourne Festival (2015–2017), co-curator and director of 'XO State' at the inaugural Asia-Pacific Triennial of Performing Arts (2015–2017). Obarzanek was appointed Chair of the Melbourne Fringe Festival in 2015 and Strategic Cultural Engagement Manager at Chancellery at the University of Melbourne in 2018.
Sadia Sadia is a Canadian-born British installation artist, known for her audiovisual media work, incorporating sound and images, both still and moving.
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Katrina Anne-Marie Sedgwick is the CEO and director of the Australian Centre for the Moving Image.
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Melbourne International Games Week is the largest game professional and consumer communication and networking platform in Asia Pacific, hosted by Creative Victoria. It comprises a confluence of events for three areas of interest, business, consumer and industry.
Chauka, Please Tell Us the Time is a documentary film co-directed by Kurdish-Iranian refugee Behrouz Boochani and Netherlands-based Iranian filmmaker Arash Kamali Sarvestani released in 2017. It was shot by Boochani from inside Australia's Manus Island detention centre in Papua New Guinea. The whole film was shot over six months on a smartphone, which had to be kept secret from the prison authorities.
The Melbourne Queer Film Festival (MQFF) is an annual LGBT film festival held in Melbourne, Victoria, Australia in November. Founded in 1991, it is the largest queer film event in the Southern Hemisphere, in 2015 attracting around 23,000 attendees at key locations around Melbourne.
The Freeplay Independent Games Festival is Australia's longest-running and largest independent games festival, first established in 2004. The Festival celebrates fringe artists and game makers, and highlights grassroots developers and art games. It gathers artists, designers, programmers, writers, gamers, creators, games critics, games academics and students to celebrate the art form of independent games and the culture around them.
North of Blue is a 2018 American animated feature film directed, produced and animated by Joanna Priestley with a score by Jamie Haggerty. It is an abstract, experimental film that was inspired by the winter landscapes of the far north.
The Catacombs of Solaris is a 2016 video game by Australian independent developer Ian MacLarty. Described as a "maze that plays with your perception of 3D space on a 2D screen", Catacombs is an art game that exploits the use of perspective to create an illusion of space. Praised for its experimental approach to perception and space, the game won the Freeplay Award at the 2018 Freeplay Independent Games Festival, and was showcased in several art and festival exhibits including by the Australian Centre for the Moving Image. In 2021, a revised version of the game with additional features titled The Catacombs of Solaris Revisited was published by the developer.