Categories | Literary and cultural magazine |
---|---|
First issue | 1888 |
Final issue | 1943 |
Country | Slovenia |
Language | Slovene |
Dom in svet ("Home and World") was a Catholic cultural and literary journal published in Slovenia.
Dom in svet was published from 1888 to 1943. [1] Its long-running rivalry with the national-liberal journal Ljubljanski zvon was a major feature of Slovenian cultural life in the late 19th and early 20th centuries; historian Péter Krasztev describes the "clear-cut distinction between liberal and conservative" the pair of journals produced as "striking and uncharacteristic of the region". [2]
Dom in svet was founded in 1888 by the conservative Catholic editor Frančišek Lampe. It opposed both naturalist and avant-garde experimentations with Modernism, especially the Decadent movement, attacking Slovene and other Slavic writers whom they saw as their regional representatives, such as Anton Aškerc and Jaroslav Vrchlický. Instead the editorial line "steadily opposed the loosening of literary form and insisted on Christian-national and Pan-Slavic values". [2] Nonetheless, it was diligent in reporting on Modernism and foreign literature: it published discussions of l'art pour l'art and the works of Schopenhauer and Tolstoy in its first few years in print, and in 1901 published a thorough review (by Lampe) of the past 20 years of European literature. [2]
Its editorial line remained conservative and opposed Modernism up to the early 20th century, under the influence of the integralist Catholic theologian Anton Mahnič. [3] It assumed a more liberal direction in 1914, under the new editorship of Izidor Cankar, a prominent liberal Catholic essayist and art historian. Under Cankar, the journal reviewed art from more aesthetic perspective, and helped the Slovene Catholic establishment shed some of its anti-intellectual reputation. [4] During the 1920s and 1930s, the journal adopted a moderate and liberal conservative stance, although it maintained a relatively open editorial policy towards other currents of Slovene Catholicism, especially the Christian left. In these two decades, the journal became one of the most progressive attitudes towards literature in Slovenia, becoming a platform for expressionist and modernist experiments. It also published numerous translations from foreign languages, especially of Catholic authors such as Paul Claudel, Georges Bernanos, Miguel de Unamuno, G. K. Chesterton and T. S. Eliot.
A major split in the journal took place in 1937, when the Christian Socialist author and thinker Edvard Kocbek published an essay entitled "Reflections on Spain" (Premišljevanja o Španiji), where he sharply criticized the role of Catholic high clergy in the Spanish Civil War, especially its support of the pro-Fascist uprising of the general Francisco Franco. The essay provoked a huge controversy in the Catholic public opinion in Slovenia, which ended in the resignation of the editor of the journal, France Koblar. [5] Kocbek and his circle left Dom in svet, establishing a new journal, called Dejanje ("Action"). The scandal seriously damaged the reputation of the journal.
After the invasion of Yugoslavia and subsequent Italian occupation of Ljubljana in April 1941, Dom in svet was the only major Slovenian literary journal to continue publication. [6] After the Nazi German occupation of the Province of Ljubljana in September 1943, it too ceased to be published. [1]
All issues of the journal are freely available online on the Digital Library of Slovenia.
In addition to those already mentioned, other writers that contributed to Dom in svet included the historian Simon Rutar; the intellectual Bogdan Radica; the poets France Balantič, Miran Jarc, Joža Lovrenčič, Janez Remic, Anton Vodnik, Jože Udovič, and Božo Vodušek; the writers France Bevk, Fran Saleški Finžgar, Franc Ksaver Meško, and Ivan Pregelj; the playwrights France Kunstelj and Stanko Majcen; the literary critics Jakob Šolar and France Vodnik; the literary historians Tine Debeljak and Ivan Grafenauer; the theologian Aleš Ušeničnik; the political theorist Andrej Gosar; the politicians Janez Evangelist Krek and Evgen Lampe; the musician and essayist Marij Kogoj; the ethnologist Rajko Ložar; and the art historian Vojislav Mole.
France Prešeren was a 19th-century Romantic Slovene poet whose poems have been translated into many languages.
Ivan Cankar was a Slovene writer, playwright, essayist, poet, and political activist. Together with Oton Župančič, Dragotin Kette, and Josip Murn, he is considered as the beginner of modernism in Slovene literature. He is regarded as the greatest writer in Slovene, and has sometimes been compared to Franz Kafka and James Joyce.
Josip Murn, also known under the pseudonym Aleksandrov was a Slovene symbolist poet. Together with Ivan Cankar, Oton Župančič, and Dragotin Kette, he was regarded as one of the beginners of modernism in Slovene literature. After France Prešeren and Edvard Kocbek, Murn was probably the most influential Slovene poet of the last two centuries.
Oton Župančič was a Slovene poet, translator, and playwright. He is regarded, alongside Ivan Cankar, Dragotin Kette and Josip Murn, as the beginner of modernism in Slovene literature. In the period following World War I, Župančič was frequently regarded as the greatest Slovenian poet after Prešeren, but in the last forty years his influence has been declining and his poetry has lost much of its initial appeal.
Edvard Kocbek was a Slovenian poet, writer, essayist, translator, member of Christian Socialists in the Liberation Front of the Slovene Nation and Slovene Partisans. He is considered one of the best authors who have written in Slovene, and one of the best Slovene poets after Prešeren. His political role during and after World War II made him one of the most controversial figures in Slovenia in the 20th century.
France Balantič was a Slovene poet. His works were banned from schools and libraries during the Titoist regime in Slovenia, but since the late 1980s he has been re-evaluated as one of the foremost Slovene poets of the 20th century.
Ljubljanski zvon was a journal published in Ljubljana in Slovene between 1881 and 1941. It was considered one of the most prestigious literary and cultural magazines in Slovenia.
Janez Trdina was a Slovene writer and historian. The renowned author Ivan Cankar described him as the best Slovene stylist of his period. He was an ardent describer of the Gorjanci Ridge and of the Lower Carniolan region of Slovenia. Trdina Peak, the highest peak of Gorjanci Ridge, situated on the border between southeastern Slovenia and Croatia, was named for him in 1923.
Dušan Pirjevec, known by his nom de guerre Ahac, was a Slovenian Partisan, literary historian and philosopher. He was one of the most influential public intellectuals in post–World War II Slovenia.
Janko Kos is a Slovenian literary historian, theoretician, and critic.
Sodobnost is a Slovenian literary and cultural magazine, established in 1933. It is considered the oldest of currently existing literary magazines in Slovenia. Although Sodobnost has traditionally been a magazine focused on cultural and literary issues, it nowadays covers a wide range of current affairs. It is part of the Eurozine editorial project.
Izidor Cankar was a Slovenian author, art historian, diplomat, journalist, translator, and liberal conservative politician. He was one of the most important Slovenian art historians of the first part of the 20th century, and one of the most influential cultural figures in interwar Slovenia.
Alojzij Kuhar was a Slovenian and Yugoslav politician, diplomat, historian and journalist. Together with Izidor Cankar and Franc Snoj, he was an important exponent of the liberal conservative fraction of the Slovene People's Party.
France Vodnik (1903–1986) was a Slovenian literary critic, essayist, translator and poet from Ljubljana. He was mostly active in the interwar period, when Slovenia was part of the Kingdom of Yugoslavia. He was the younger brother of the poet and critic Anton Vodnik.
Anton Vodnik was a Slovenian poet, art historian, and critic. He was one of the most notable representatives of Slovene Catholic expressionism in the interwar period.
Spomenka Hribar is a Slovenian author, philosopher, sociologist, politician, columnist, and public intellectual. She was one of the most influential Slovenian intellectuals in the 1980s, and was frequently called "the First Lady of Slovenian Democratic Opposition", and "the Voice of Slovenian Spring" She is married to the Slovenian Heideggerian philosopher Tine Hribar.
Kresnik is a literary award in Slovenia awarded each year for the best novel in Slovene of the previous year. It has been bestowed since 1991 at summer solstice by the national newspaper house Delo. The awards ceremony is normally held on Rožnik Hill above Ljubljana where the winner is invited to light a large bonfire. The winner also receives a financial award.