A mandolin is a stringed musical instrument in the lute family and is generally plucked with a pick. It most commonly has four courses of doubled strings tuned in unison, thus giving a total of eight strings. A variety of string types are used, with steel strings being the most common and usually the least expensive. The courses are typically tuned in an interval of perfect fifths, with the same tuning as a violin. Also, like the violin, it is the soprano member of a family that includes the mandola, octave mandolin, mandocello and mandobass.
Giovanni Battista Draghi, usually referred to as Giovanni Battista Pergolesi, was an Italian Baroque composer, violinist, and organist, leading exponent of the Baroque; he is considered one of the greatest Italian musicians of the first half of the 18th century and one of the most important representatives of the Neapolitan school.
Muzio Filippo Vincenzo Francesco Saverio Clementi was an Italian-British composer, virtuoso pianist, pedagogue, conductor, music publisher, editor, and piano manufacturer, who was mostly active in England.
Francis Edward Bache was an English organist and composer.
Johann Joachim Quantz was a German composer, flutist and flute maker of the late Baroque period. Much of his professional career was spent in the court of Frederick the Great. Quantz composed hundreds of flute sonatas and concertos, and wrote On Playing the Flute, an influential treatise on flute performance. His works were known and appreciated by Bach, Haydn and Mozart.
The viola d'amore is a 7- or 6-stringed musical instrument with sympathetic strings used chiefly in the baroque period. It is played under the chin in the same manner as the violin.
The trio sonata is a genre, typically consisting of several movements, with two melody instruments and basso continuo. It originated in the early 17th century and was a favorite chamber ensemble combination in the Baroque era.
This article is about music-related events in 1825.
A variety of musical terms are encountered in printed scores, music reviews, and program notes. Most of the terms are Italian, in accordance with the Italian origins of many European musical conventions. Sometimes, the special musical meanings of these phrases differ from the original or current Italian meanings. Most of the other terms are taken from French and German, indicated by Fr. and Ger., respectively.
Francesco Maria Veracini was an Italian composer and violinist, perhaps best known for his sets of violin sonatas. As a composer, according to Manfred Bukofzer, "His individual, if not subjective, style has no precedent in baroque music and clearly heralds the end of the entire era", while Luigi Torchi maintained that "he rescued the imperiled music of the eighteenth century", His contemporary, Charles Burney, held that "he had certainly a great share of whim and caprice, but he built his freaks on a good foundation, being an excellent contrapuntist". The asteroid 10875 Veracini was named after him.
Antonio Francisco Javier José Soler Ramos, usually known as Padre Antonio Soler, known in Catalan as Antoni Soler i Ramos was a Spanish composer whose works span the late Baroque and early Classical music eras. He is best known for his many mostly one-movement keyboard sonatas.
The Symphony No. 5 in D major/D minor, Op. 107, known as the Reformation, was composed by Felix Mendelssohn in 1830 in honor of the 300th anniversary of the Presentation of the Augsburg Confession. The Confession is a key document of Lutheranism and its Presentation to Emperor Charles V in June 1530 was a momentous event of the Protestant Reformation. This symphony was written for a full orchestra and was Mendelssohn's second extended symphony. It was not published until 1868, 21 years after the composer's death – hence its numbering as '5'. Although the symphony is not very frequently performed, it is better known today than when it was originally published. Mendelssohn's sister, Fanny Mendelssohn Hensel, chose the name Reformation Symphony.
Georg Anton Benda was a composer, violinist and Kapellmeister of the classical period from the Kingdom of Bohemia.
The mandora or gallichon is a type of 18th- and early 19th-century lute, with six to nine courses of strings. The terms were interchangeable, with mandora more commonly used from the mid-18th century onwards.
Joseph Haydn wrote as many as 123 trios for the unusual combination of baryton, viola and cello, and three further trios for baryton, cello and violin are considered part of the series. As Sisman notes, they are the “most intensively cultivated genre” of Haydn’s early career.
The colascione is a plucked string instrument from the late Renaissance and early Baroque periods, with a lute-like resonant body and a very long neck. It was mainly used in southern Italy. It has two or three strings tuned in fifths.
Jan Jiří Benda, also Johann Georg Benda, was a Bohemian violinist and composer active in Germany.
Dismas Hataš was a Bohemian composer and violinist of the early classical period.
Hickford's Long Room was a public concert room in London, which ran from April 1713 until 1787; it became known as Rice's Rooms from 1788. Harrison's date of 1779 is not correct. It was paid for on a subscription basis to those who could afford to patronize the arts, such as the nobility. The 1922 Groves noted that "most of the great performers, both vocal and instrumental, who visited England, gave their concerts there." The room became a place to see successful musicians play, including Francesco Scarlatti, Francesco Geminiani, Gluck in 1746, Mozart (1765), Francesco Maria Veracini, Pietro Castrucci and Matthew Dubourg. For a time in the 1740s and 50s, it was the only concert room of note in the West End of London.
