Don Pedro (play)

Last updated

Don Pedro is a tragic play by the British writer Richard Cumberland. It was first staged at the Haymarket Theatre in July 1796. [1]

Tragedy form of drama based on human suffering that invokes an accompanying catharsis or pleasure in audiences

Tragedy is a form of drama based on human suffering that invokes an accompanying catharsis or pleasure in audiences. While many cultures have developed forms that provoke this paradoxical response, the term tragedy often refers to a specific tradition of drama that has played a unique and important role historically in the self-definition of Western civilisation. That tradition has been multiple and discontinuous, yet the term has often been used to invoke a powerful effect of cultural identity and historical continuity—"the Greeks and the Elizabethans, in one cultural form; Hellenes and Christians, in a common activity," as Raymond Williams puts it.

Play (theatre) form of literature intended for theatrical performance

A play is a form of literature written by a playwright, usually consisting of dialogue or singing between characters, intended for theatrical performance rather than just reading. Plays are performed at a variety of levels, from Broadway, Off-Broadway, regional theater, to Community theatre, as well as university or school productions. There are rare dramatists, notably George Bernard Shaw, who have had little preference as to whether their plays were performed or read. The term "play" can refer to both the written texts of playwrights and to their complete theatrical performance.

Kingdom of Great Britain constitutional monarchy in Western Europe between 1707–1801

The Kingdom of Great Britain, officially called simply Great Britain, was a sovereign state in western Europe from 1 May 1707 to 31 December 1800. The state came into being following the Treaty of Union in 1706, ratified by the Acts of Union 1707, which united the kingdoms of England and Scotland to form a single kingdom encompassing the whole island of Great Britain and its outlying islands, with the exception of the Isle of Man and the Channel Islands. The unitary state was governed by a single parliament and government that was based in Westminster. The former kingdoms had been in personal union since James VI of Scotland became King of England and King of Ireland in 1603 following the death of Elizabeth I, bringing about the "Union of the Crowns". After the accession of George I to the throne of Great Britain in 1714, the kingdom was in a personal union with the Electorate of Hanover.

Related Research Articles

The Banishment of Cicero is a 1761 tragedy play by the British writer Richard Cumberland. It follows the downfall and death of the Roman orator Marcus Tullius Cicero. David Garrick declined to stage the play, so Cumberland instead had it published. After this Cumberland switched to writing generally much lighter works, mostly comedy.

The Natural Son is a comedy play by the British writer Richard Cumberland. It was first staged at the Drury Lane Theatre in London in December 1784. The play is notable for the return of the popular character Major O'Flaherty from Cumberland's 1771 play The West Indian.

<i>The Fashionable Lover</i> play written by Richard Cumberland

The Fashionable Lover is a comedy play by the British writer Richard Cumberland. It was first staged at the Drury Lane Theatre in London in January 1772. A sentimental comedy, it follows the adventures of Augusta Aubrey after she leaves her ward's house and is nearly seduced by the villainous Lord Abberville.

The Walloons is a comedy play by the British writer Richard Cumberland. It was first staged at the Covent Garden Theatre in April 1782. The character of Father O'Sullivan was widely believed to be based on Father Thomas Hussey an Irish-born Priest with whom Cumberland conducted secret talks in an attempt to secure a peace agreement between Britain and Spain during the American War of Independence.

The Impostors is a comedy play by Richard Cumberland. It was first performed at the Drury Lane Theatre in January 1789. The plot closely resembled that of The Beaux' Stratagem by George Farquhar.

The Battle of Hastings is a 1778 play by the English writer Richard Cumberland. It is a tragedy set around the Battle of Hastings in 1066. It was staged at the Drury Lane Theatre in October 1778 by Richard Brinsley Sheridan. Sheridan later mocked Cumberland's sensitivity to criticism by modelling the character Sir Fretful Plagiary, in his 1779 play The Critic, after him.

The Lord of the Manor is a comic opera by the British soldier and playwright John Burgoyne. It was first staged at the Drury Lane Theatre in December 1780. It was written by Burgoyne for his lover the actress Susan Caulfield.

Richard Coeur de Lion: An historical romance is a 1786 semi-opera with an English text by John Burgoyne set to music by Thomas Linley the Elder. It was first staged at Drury Lane Theatre in October 1786. It was a translation of Michel-Jean Sedaine's opera Richard Coeur-de-lion about the life of the English Monarch Richard I with the ending significantly changed. The work was a major success and ran for 43 performances and was revived seven times before the end of the century. By contrast a rival version staged at the Covent Garden Theatre at the same time was a failure.

False Impressions is a 1797 melodramatic comedy play by the British playwright Richard Cumberland. It was first staged at the Covent Garden Theatre in November 1797. Much of the plot resembles Cumberland's 1795 novel Henry. Algernon has to pretend to be a servant to restore his good name.

The Note of Hand, or Trip to Newmarket is a 1774 comedy play by the British writer Richard Cumberland. A farce it was the final play performed by David Garrick at the Drury Lane Theatre before his retirement. The play mocked some of the leading Whig politicians of the era such as Charles Fox and the Duke of Devonshire. This may have been the cause of Cumberland's dispute with Richard Brinsley Sheridan who was a Whig. Sheridan went on to create a character closely based on Cumberland in the 1779 play The Critic.

The Eccentric Lover is a comedy play by the British writer Richard Cumberland. It was first performed at Covent Garden Theatre on 30 April 1798.

First Love is a 1795 sentimental comedy play by the British playwright Richard Cumberland. It was first performed at the Drury Lane Theatre in May 1795. Frederick Mowbray becomes the protector of Sabrina Rosny after her abandonment by Lord Sensitive.

The Last of the Family is a comedy play by the British writer Richard Cumberland. It was first staged at Drury Lane Theatre on 8 May 1797 as a benefit performance for the actor John Bannister.

The Box-Lobby Challenge is a comedy play by the British writer Richard Cumberland. It was first staged at the Haymarket Theatre in February 1794. It is a farcial comedy of manners set amongst the working class.

The Jubilee is a 1769 play by the British playwright and actor-manager David Garrick. It was based on his Shakespeare Pageant which he had originally planned to stage during the Shakespeare Jubilee in Stratford-upon-Avon until heavy rain forced it to be abandoned. It was first performed at the Drury Lane Theatre on 14 October 1769 and proved a major success, running for ninety performances. This allowed Garrick to recoup much of the money he had spent on the Jubilee celebrations.

The Princess of Parma is a 1778 play by the British playwright Richard Cumberland. It was originally staged at Kelmarsh Hall in Northamptonshire. No copy of the work is known to survive.

The Mysterious Husband is a play by the British writer Richard Cumberland. It is a Domestic drama with a tragic ending, first performed in 1783. Along with several other Cumberland plays it was influenced by the 1768 gothic play The Mysterious Mother by Horace Walpole.

The Carmelite is a tragic play by the British writer Richard Cumberland. It was first staged at the Drury Lane Theatre on 2 December 1784. The play's hero Saint-Valori disguises himself as a Carmelite. The play enjoyed some success, and was later staged a theatre in Belfast where Wolfe Tone saw it in 1791.

The Country Attorney is a 1787 comic play by the British writer Richard Cumberland. It was first performed at the Haymarket Theatre on 7 July 1787. The play was reworked and much of it used again by Cumberland for the 1789 play The School for Widows.

Clementina is a tragic play by the Irish writer Hugh Kelly. It was first staged at Covent Garden Theatre in February 1771. The plot follows a young Italian woman Clementina's marriage to Rinaldo despite her father's opposition to the wedding as he had wished her to marry Palermo. It ends with Palmero killing Rinaldo, and Clementina committing suicide in her despair.

References

  1. Nicoll p.79

Bibliography