The Natural Son is a comedy play by the British writer Richard Cumberland. It was first staged at the Drury Lane Theatre in London in December 1784. The play is notable for the return of the popular character Major O'Flaherty from Cumberland's 1771 play The West Indian.
The Fashionable Lover is a comedy play by the British writer Richard Cumberland. It was first staged at the Drury Lane Theatre in London in January 1772. The original Drury Lane cast included James William Dodd as Lord Aberville, Thomas King as Mortimer, Spranger Barry as Aubrey, Samuel Reddish as Tyrrel, Astley Bransby as Bridgemore, Robert Baddeley as Doctor Druid, Francis Godolphin Waldron as Napthali, John Burton as La Jeunesse, John Moody as Colin Macleod, Ann Street Barry as Augusta Aubrey and Elizabeth Hopkins as Mrs. Bridgemore.
The Impostors is a comedy play by Richard Cumberland. It was first performed at the Drury Lane Theatre in January 1789. The plot closely resembled that of The Beaux' Stratagem by George Farquhar.
The Note of Hand, or Trip to Newmarket is a 1774 comedy play by the British writer Richard Cumberland. A farce it was the final play performed by David Garrick at the Drury Lane Theatre in London before his retirement. The Irish premiere took place at the Capel Street Theatre in Dublin on 10 March 1774. The original London cast included John Palmer as Revell, Samuel Cautherley as Rivers, Thomas Jefferson as Elder Rivers, John Moody as O'Connor MacCormuck, William Palmer as Francis, James William Dodd as Sapling, James Wrighten as Putty and Susan Greville as Mrs Cheveley.
First Love is a 1795 sentimental comedy play by the British playwright Richard Cumberland. It was first performed at the Drury Lane Theatre in May 1795. Frederick Mowbray becomes the protector of Sabrina Rosny after her abandonment by Lord Sensitive.
A Word to the Wise is a 1770 comedy play by the Irish writer Hugh Kelly. It was his second work after the 1767 hit False Delicacy. Kelly was known as a supporter of the government, and an opponent of the radical John Wilkes. During the second performance of the play a riot broke out amongst Wilkes' supporters at the Drury Lane Theatre and the play was subsequently withdrawn. When it was published instead Kelly wrote a long introduction defending himself and complaining about political prejudice. It was the first play performed at The Theatre, Leeds when it was opened on 24 May 1771. It was later staged by the American Company in North America.
Busiris, King of Egypt is a 1719 tragedy by the British writer Edward Young. It is set in Ancient Egypt during the reign of Busiris. It was considered a success, enjoying a good run and was subsequently published by Jacob Tonson. The work was dedicated to the Duke of Newcastle who as Lord Chamberlain oversaw the theatres.
The Revenge is a 1721 tragedy by the British writer Edward Young, set in a mostly undefined region of 16th-century Africa under Spanish rule. It concerns the character of Zanga, an African prince who becomes cruel after his experiences in slavery. Although initially it did not enjoy the same success as his previous play Busiris, King of Egypt, it later became a much-revived work during the eighteenth century particularly popular because of the Othello-like role of the Moorish character Zanga. John Philip Kemble revived the work briefly in 1798 before Edmund Kean in 1815 did so with great success and it became part of his repertoire.
Elmerick, or Justice Triumphant is a 1740 tragedy by the British writer George Lillo. It was performed posthumously following his death the year before. It portrays the assassination of Gertrude of Merania, the consort of Andrew II of Hungary, and the play is part of the so-called Bánk bán tradition.
The Christian Hero is a 1735 tragedy by the British writer George Lillo. It is based on the life of Skanderbeg who led a rebellion against the Ottoman Empire in the fifteenth century. Two years earlier William Havard had written Scanderbeg, another work based on his life.
Scanderbeg, A Tragedy is a 1733 tragedy by the British writer William Havard. It is based on the life of Skanderbeg who led a rebellion against the Ottoman Empire in the fifteenth century. Another play about him George Lillo's The Christian Hero was produced two years later.
Art and Nature is a 1738 comedy play by the British writer James Miller. The play received a rough reception from what Miller described a "faction" in the Drury Lane audience, and its run was not extended beyond a single night. He described its subsequent publication as an attempt to vindicate himself.
The Coffee House is a 1738 comedy play by the British writer James Miller, written as an afterpiece. After being performed at Drury Lane, it was published later that year with some alterations to the play's original text.
Mustapha is a 1739 tragedy by the British writer David Mallet. It is based on Mustafa, the son of Ottoman ruler Suleiman the Magnificent.
Agamemnon is a 1738 tragedy by the British writer James Thomson. It is based on the story of Agamemnon from Greek Mythology.
Tancred and Sigismunda is a 1745 tragedy by the British writer James Thomson. It is inspired by one of the story's from Giovanni Boccaccio's The Decameron.
The Foundling is a 1748 comedy by the British writer Edward Moore.
High Life Below Stairs is a 1759 comedy play by the British writer James Townley. An afterpiece, it premiered at Drury Lane on a double bill with a revival of Dryden's The Mourning Bride. A popular hit, it was frequently revived.
Love the Cause and Cure of Grief is a 1743 tragedy by the British writer Thomas Cooke. It is a revised version of Cooke's earlier published but unperformed play The Mournful Nuptials.
The Non-Juror is a 1717 comedy play by the British writer Colley Cibber. It is inspired by Molière's 1664 work Tartuffe.
