Richard Hurst (died 1805) was a British stage actor. [1]
He appeared in a number of London and provincial theatres during a lengthy career. From 1765 to 1780 he was a member of the Drury Lane company under the management of David Garrick and then Richard Brinsley Sheridan. [2] In 1769 he appeared in Garrick's The Jubilee , a celebration of William Shakespeare.
Henry Giffard (1694–1772) was a British stage actor and theatre manager.
Sarah Hamilton was an Irish stage actress and singer of the eighteenth century.
William Hamilton was an Irish stage actor of the eighteenth century.
Richard Winstone (1699-1787) was a British stage actor of the eighteenth century.
John Sowdon was an Irish stage actor, singer and theater manager in the eighteenth century.
James Rosco was a British stage actor. His name is also written as James Roscoe.
Thomas Barry (1743–1768) was an Irish stage actor and theatre manager.
Thomas Griffith (1680-1744) was an Irish stage actor and theatre manager.
Luke Sparks (1711–1768) was an Irish stage actor of the eighteenth century.
John Whitfield (1752–1814) was a British stage actor.
James Fearon (1746–1789) was a British stage actor.
Elizabeth Bennett (1714-1791) was a British stage actress. For twenty six years she was part of the regular company of Drury Lane under David Garrick specialising in portraying maids, gossips, and mistresses.
Maria Smith born Maria Harris aka Mrs Smith was a British stage actress of the late eighteenth century.
Thomas Caulfield (1766–1815) was a British stage actor who after a period in London's West End spent the later part of his career in the United States.
Howard Usher was an English stage actor of the eighteenth century. He had a lengthy career in London's West End beginning at Drury Lane during the 1739–1740 season. A member of the company, he played smaller, supporting roles in a large number of productions. He also acted at the London fairs during the summer and at Richmond in Surrey and the Jacobs Well Theatre in Bristol. In 1750 he moved to Covent Garden for four years, before returning to Drury Lane for a further four years in 1758. He then moved to Ireland where he spent a number of years at the Smock Alley Theatre and Crow Street Theatre in Dublin and also appeared at the Theatre Royal, Cork. By this time he was married to the actress Maria Usher who appeared with him in Dublin. In 1774 he was recruited by David Garrick to return to Drury Lane. In 1778 he joined the company at the Theatre Royal, Haymarket and remained part of it for the next twenty one years. His final appearance was a reprise of his original role Sir Walter Manny in George Colman the Younger's The Surrender of Calais on 10 September 1799.
Astley Bransby was an English stage actor and theatre manager who was a long-standing member of the company of the Theatre Royal, Drury Lane under David Garrick. His first known performance was Captain Plume in George Farquhar's The Recruiting Officer in 1744 at the Haymarket where he was part of a group of young actors being trained by Charles Macklin. The following year he made his first appearance at Drury Lane and remained there for three decades, with the expection of a four-year spell at the Theatre Royal, Covent Garden from 1749 to 1753. He played a vast number of supporting roles in the repertory as well as occasionally originating new roles. He retired from thestage in 1777 from ill health. He was a co-manager of Richmond Theatre.
Mary Morton (1756–1800) was a British stage actress. She was particularly associated with the Theatre Royal, Covent Garden in London and was a member of the company for 11 years from 1773 until 1784. She played secondary roles in comedies and ballad operas alongside occasional leads in farces and melodramas. Born Mary Dayes she acted under her married name throughout her career. She was buried at St Mary's Church in Ealing.
William Davies (1751–1809) was an English stage actor and singer. Born in London, Davies began his career in the provinces including at Norwich before coming to Richmond Theatre in the summer of 1770. He made his London debut at the Theatre Royal, Drury Lane in September that year and joined the company which was under the management of David Garrick and later Richard Brinsley Sheridan. In 1780 he transferred to the company of the Theatre Royal, Covent Garden and remained there for the next fourteen years, interspersing it with summer appearances at the Haymarket where he continued to appear until 1799. He died in 1809 was buried at St Paul's Church in Covent Garden. His wife Elizabeth Davies also acted alongside him at Norwich and Drury Lane before her death in 1782.
William Brereton (1751–1787) was an English stage actor. He was a member of the company of the Theatre Royal, Drury Lane for eighteen years, under the management of David Garrick and subsequently Richard Brinsley Sheridan. He was born in Bath, the son of William Brereton who was master of ceremonies in the spa town. He made his Drury Lane debut in the title role of Douglas by John Home in 1768. Weakened by alcoholism and mental instability, he died in an asylum in Hoxton in 1787. He was married to the actress Priscilla Brereton, who later married John Philip Kemble. He was said to have had an unrequited passion for Sarah Siddons which contributed to his mental decline.
Elizabeth Heard was an English stage actress. She was born in London the daughter of William Heard, a physician and playwright, and his wife Ann Heard, an actress. Elizabeth made her stage debut at the Theatre Royal, Drury Lane as a child actor in 1782, where he mother was employed. She often played young male roles such as the Duke of York in Richard III and Prince Arthur in King John. As well as appearing as a member of the company at Drury Lane, she also began summer stints at the Haymarket from 1789 gradually playing more mature and important roles. In 1801 she left the Drury Lane company and later acted in Newcastle.