Dora Fugh Lee | |
|---|---|
 Dora Fugh Lee | |
| Born | 1929 |
| Nationality | American |
| Occupation | Artist |
| Children | Handel Lee |
Dora Fugh Lee, nee Fu Duoruo, is a Chinese-American painter, illustrator, and sculptor born and classically trained in China. She is influenced by European styles. Her work has been recognized and added to prominent public and private art collections in Asia and North America including the Smithsonian Institution.
When Lee was four years old, her grandfather, Fu Ruiqing, identified her as a promising artist and taught her ink painting and calligraphy. At age eleven, Lee began studying figure painting under renowned master Yan Shaoxing. Under Yan, she studied the Gongbi realistic portrait painting technique. While attending an all-girls Catholic school in Beijing, Lee studied under Zhao Mengzhua, a master of modern fine brushwork flower-and-bird painting. Zhao was a member of the Hu She art movement known as the “Cradle of Modern Chinese Painting." [1] [2]
Lee is a member of the Manchu Fuca clan and was born in Beijing in 1929. She descends from a line of distinguished military leaders, nobles, and artists with ties to both East and West. [3] The first empress of the Qianlong Emperor, Empress Xiaoxianchun, Grand Secretary Fuheng, and Prince Fuk'anggan of the Qing Dynasty are among her ancestors.
Newlyweds Dora and Richard Lee moved to Tokyo, Japan in 1949, where she became a student of Pu Ru, the leading literati painter of modern China and cousin of Chinese emperor Pu Yi. In 1957, Dora Lee immigrated to Washington, DC, where she apprenticed under the Italian-American artist and sculptor Pietro Lazzari. She later taught Chinese painting and calligraphy at the Smithsonian Institution and George Washington University. [4] [5] [6] [7] [8]
In her career, Lee earned over fifty distinguished awards. Her works are in the permanent collections of the Smithsonian Institution National Portrait Gallery, National Museum of Asian Art, the National Museum of Women in the Arts, the China Institute, the Pearl Buck Foundation, the National Cathedral, and the University of Virginia among other notable institutions. [9] [10] [11] [12] [13]
Milton Clark Avery was an American modern painter. Born in Altmar, New York, he moved to Connecticut in 1898 and later to New York City. He was the husband of artist Sally Michel Avery and the father of artist March Avery.
Elaine Marie Catherine de Kooning was an Abstract Expressionist and Figurative Expressionist painter in the post-World War II era. She wrote extensively on the art of the period and was an editorial associate for Art News magazine.
Lee Bontecou was an American sculptor and printmaker and a pioneer figure in the New York art world. She kept her work consistently in a recognizable style, and received broad recognition in the 1960s. Bontecou made abstract sculptures in the 1960s and 1970s and created vacuum-formed plastic fish, plants, and flower forms in the 1970s. Rich, organic shapes and powerful energy appear in her drawings, prints, and sculptures. Her work has been shown and collected in many major museums in the United States and in Europe.
The Freer Gallery of Art is an art museum of the Smithsonian Institution in Washington, D.C. focusing on Asian art. The Freer and the Arthur M. Sackler Gallery together form the National Museum of Asian Art in the United States. The Freer and Sackler galleries house the largest Asian art research library in the country and contain art from East Asia, South Asia, Southeast Asia, the Islamic world, the ancient Near East, and ancient Egypt, as well as a significant collection of American art.
Lois Mailou Jones (1905–1998) was an artist and educator. Her work can be found in the collections of the Smithsonian American Art Museum, The Metropolitan Museum of Art, the National Museum of Women in the Arts, the Brooklyn Museum, the Museum of Fine Arts, Boston, Muscarelle Museum of Art, and The Phillips Collection. She is often associated with the Harlem Renaissance.
Hung Liu (劉虹) was a Chinese-born American contemporary artist. She was predominantly a painter, but also worked with mixed-media and site-specific installation and was also one of the first artists from China to establish a career in the United States.
Ginny Ruffner is a pioneering American glass artist based in Seattle, Washington. She is known for her use of the lampworking technique and for her use of borosilicate glass in her painted glass sculptures.
Alma Woodsey Thomas was an African-American artist and teacher who lived and worked in Washington, D.C., and is now recognized as a major American painter of the 20th century. Thomas is best known for the "exuberant", colorful, abstract paintings that she created after her retirement from a 35-year career teaching art at Washington's Shaw Junior High School.
Olive Rush was a painter, illustrator, muralist, and an important pioneer in Native American art education. Her paintings are held in a number of private collections and museums, including: the Brooklyn Museum of New York City, the Haan Mansion Museum of Indiana Art, the Indianapolis Museum of Art, Indiana and the Smithsonian American Art Museum.
Toko Shinoda was a Japanese artist. Shinoda is best known for her abstract sumi ink paintings and prints. Shinoda’s oeuvre was predominantly executed using the traditional means and media of East Asian calligraphy, but her resulting abstract ink paintings and prints express a nuanced visual affinity with the bold black brushstrokes of mid-century Abstract Expressionism. In the postwar New York art world, Shinoda’s works were exhibited at the prominent art galleries including the Bertha Schaefer Gallery and the Betty Parsons Gallery. Shinoda remained active all her life and in 2013, she was honored with a touring retrospective exhibition at four venues in Gifu Prefecture to celebrate her 100th birthday. Shinoda has had solo exhibitions at the Seibu Museum at Art, Tokyo in 1989, the Museum of Fine Arts, Gifu in 1992, the Singapore Art Museum in 1996, the Hara Museum of Contemporary Art in 2003, the Sogo Museum of Art in 2021, the Tokyo Opera City Art Gallery in 2022, and among many others. Shinoda's works are in the collection of the Albright-Knox Art Gallery, the Art Institute of Chicago, the British Museum, the Brooklyn Museum, the Harvard Art Museums, the Metropolitan Museum of Art, the Museum of Fine Arts, Boston, the National Museum of Modern Art, Tokyo, the Singapore Art Museum, the Smithsonian Institution, the Solomon R. Guggenheim Museum, the National Gallery of Victoria, and other leading museums of the world. Shinoda was also a prolific writer published more than 20 books.
Paul J. Smith was an arts administrator, curator, and artist based in New York. Smith was professionally involved with the art, craft, and design fields since the early 1950s and was closely associated with the twentieth-century studio craft movement in the United States. He joined the staff of the American Craftsmen's Council in 1957, and in 1963 was appointed Director of the Museum of Contemporary Crafts, a position he held for the next 25 years. In September 1987, he assumed the title of director emeritus and continued to work as an independent curator and consultant for museums, arts organizations, and collectors.
Fay Chong (1912–1973) was a Chinese-American artist and educator, well known for his printmaking and watercolor painting. He was also known for his activities as an arts organizer, arts educator and WPA-era artist. Chong was active in the Pacific Northwest.
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CatharineCarter Critcher was an American painter. A native of Westmoreland County, Virginia, she worked in Paris and Washington, D.C. before becoming, in 1924, a member of the Taos Society of Artists, the only woman ever elected to that body. She was a long time member of the Arts Club of Washington.
Njideka Akunyili Crosby is a Nigerian-born visual artist working in Los Angeles, California. Through her art, Akunyili Crosby "negotiates the cultural terrain between her adopted home in America and her native Nigeria, creating collage and photo transfer-based paintings that expose the challenges of occupying these two worlds". In 2017, Akunyili Crosby was awarded the prestigious Genius Grant from the John D. and Catherine T. MacArthur Foundation.
Conservation and restoration at the Smithsonian Institution deals with the care of the 138 million artifacts located in the collections of Smithsonian Institution. Work is conducted by one research center, the Museum Conservation Institute (MCI), and by conservators at the Smithsonian's museums, galleries, zoo. Smithsonian conservators provide myriad services to their units, including exhibit preparation of the museum collection and loan objects, advising on object care, training for future generations of conservationists, engaging in routine preventive care on a daily basis, conducting research projects related to the collections, and examining objects for evidence of manufacturing techniques and previous restorations All conservation labs collectively further the mission of the Smithsonian Institution, "the increase and diffusion of knowledge." Founded in 1846 the Smithsonian is the world's largest museum and research complex, consisting of 19 museums and galleries, the National Zoological Park, and nine research facilities.
Mary Morez was a Navajo painter.
Tseng Yu-ho, who is also known as Betty Ecke, was an artist, art historian and educator.
Nan Bangs McKinnell (1913–2012) was an American ceramicist and educator. Nan was a founding member of the National Council on Education for the Ceramic Arts, a member of the American Craft Council College of Fellows, along with receiving several awards for her work. James "Jim" McKinnell (1919–2005), her spouse, was also a ceramicist and they made some collaborative work.
Betty Scarpino is an American wood sculptor active in Indianapolis, Indiana. She received the Windgate International Turning Exchange Resident Fellowship two times - once in 1999 and another in 2016 - making her the second person in the residency's history to be chosen twice. In 2020, she was awarded an Honorary Lifetime Member from the American Association of Woodturners (AAW) for her contributions to the advancement of woodturning. Her work is currently in the Smithsonian American Art Museum's collection and The Center for Art in Wood Museum's collection.
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