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The cinematographer or director of photography is the person responsible for the recording of a film, television production, music video or other live-action piece. The cinematographer is the chief of the camera and light crews working on such projects. They would normally be responsible for making artistic and technical decisions related to the image and for selecting the camera, film stock, lenses, filters, etc. The study and practice of this field are referred to as cinematography.
Doug Block is an American documentary filmmaker. He is best known for his work on the documentaries 112 Weddings, 51 Birch Street, Home Page, The Kids Grow Up and more.
Thomas Richmond was an American cinematographer who worked in the film industry since the mid-1980s. His first major feature film as cinematographer was Stand and Deliver (1988), and by the time he shot for A Midnight Clear (1992), he had settled into working with different directors with ease. Richmond described his experience, "All my films look different because they're not my visions; they're my reflections of the directors' visions." In 1998, he said he was most proud of his work on Little Odessa (1994), for which he was nominated an Independent Spirit Award for Best Cinematography. For Right at Your Door (2006), he won the Excellence in Cinematography Award (Dramatic) at the 2006 Sundance Film Festival.
Andrij Parekh is an American cinematographer and television director.
Amy Vincent is an American cinematographer who has been a member of the A.S.C. since 2002. She won the Excellence in Cinematography award at the 2005 Sundance Film Festival for her work on Hustle and Flow.
Geoffrey Shawn Fletcher is an American screenwriter and film director. Fletcher is best known for being the screenwriter of Precious, for which he received the Academy Award for Best Adapted Screenplay, becoming the first African American to receive an Academy Award for writing. In September 2010, Fletcher began shooting Violet & Daisy in New York City based on his original script as his directorial debut. It was released in a limited theatrical run in June 2013.
Margaret Brown is an American film director who has directed four feature length documentaries. Her film Descendant, about the descendants of survivors of the last ship to carry enslaved Africans into the United States, was shortlisted for the 2023 Academy Awards.
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The American Society of Magical Negroes is a 2024 American comedy film starring Justice Smith as a young man who joins a clandestine group of magical African Americans committed to enhancing the lives of white individuals, satirizing the Magical Negro trope. It was written and directed by Kobi Libii in his directorial debut, and co-stars David Alan Grier and An-Li Bogan.
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References
- ↑ ""Shooting Digitally Means Not Having to Play It Safe": DP Doug Emmett on 892". filmmakermagazine.com. Retrieved 2024-05-10.
- ↑ "Sundance 2018 – Meet the Cinematographers: Doug Emmet". cined.com. Retrieved 2024-05-10.
- ↑ ""You Live and Die by Your Crew": DP Doug Emmett on The American Society of Magical Negroes". filmmakermagazine.com. Retrieved 2024-05-10.
- ↑ "ALUMNI AFFILIATIONS". tisch.nyu.edu. Retrieved 2024-05-10.
- ↑ "Sorry to Bother You / Doug Emmett". theasc.com. Retrieved 2024-05-10.
- ↑ "Membership Report - January 2017". dga.org. Retrieved 2024-05-10.
- ↑ "VAMPIRE WEEKEND RELEASES FIRST NEW MUSIC IN FIVE YEARS, ANNOUCE [sic] MASSIVE TOUR ACROSS NORTH AMERICA". sonymusic.ca. Retrieved 2024-05-10.
- ↑ "10 Filmmakers to Watch in 2018: Boots Riley". independent-magazine.org. Retrieved 2024-05-10.
- ↑ "Weezer 'Take On Me' by Carrick Moore Gerety". promonews.tv. Retrieved 2024-05-10.
- ↑ "Watch Out for Swaying Chandeliers and Rogue Knives". nytimes.com. Retrieved 2024-05-10.
- ↑ "Spotlight Event: Creating the Visual Landscape of THE AMERICAN SOCIETY OF MAGICAL NEGROES with Kobi Libii and Doug Emmett - presented by the Dolby Institute". collab.sundance.org. Retrieved 2024-05-10.
- ↑ "'Jackie Brown' and Tangerine Dream: What 'I Care a Lot' Is Made Of". nytimes.com. Retrieved 2024-05-10.
- ↑ ""Every So Often a Train Would Come Rumbling By and the Set Would Shake": DP Doug Emmett on Shooting HBO's Room 104". filmmakermagazine.com. Retrieved 2024-05-10.
