International Cinematographers Guild Local 600 | |
Abbreviation | ICG |
---|---|
Nickname | IATSE Local 600 |
Predecessor | Locals 644, 659, 666 |
Founded | 16 May 1996 |
Headquarters | 7755 Sunset Blvd. Hollywood, CA 90046 |
Location | |
Members | 8400 |
National President | Baird Steptoe |
National Vice President | Chris Silano |
Parent organization | International Alliance of Theatrical Stage Employees |
Affiliations | AFL-CIO, CLC |
Website | www.icg600.com |
[1] |
The International Cinematographers Guild (IATSE Local 600 [2] ) represents approximately 8,400 members who work throughout the United States, Canada and the rest of the world in film and television as Directors of Photography, Camera Operators, Camera Assistants (1st AC, 2nd AC), Digital Imaging Technicians, Still Photographers, and all members of camera crews.
The first cinematographers union, International Alliance of Theatrical Stage Employees Local 644 was established in New York in 1926, followed by unions in Los Angeles and Chicago, but it wasn't until 1996 that Local 600 was born as a national guild. [3] In 2015 the Guild chose Rebecca Rhine as its first female executive director. [4]
The International Cinematographers Guild Interview Collection is housed at the Academy Film Archive. The collection contains nearly 300 oral and visual history interviews. [5]
The official publication of the guild is the International Cinematographers Guild Magazine (ICG Magazine). [6] First published in February 1929 as the International Photographer, it changed its name to ICG Magazine in 1999. [7] Its current executive director is David Geffner, who previously worked in postproduction for Paramount Pictures and The Walt Disney Company, and in story creation for Walt Disney Animation. [6] Film professor Jack Anderson praised ICG Magazine, saying that it "can compete with American Cinematographer ", which is the "standard journal for the technical end of the industry." [8]
"Below-the-line" is a term derived from the top sheet of a film budget for motion pictures, television programs, industrial films, independent films, student films and documentaries as well as commercials. The "line" in "below-the-line" refers to the separation of production costs between script and story writers, producers, directors, actors, and casting and the rest of the crew, or production team.
The American Society of Cinematographers (ASC), founded in Hollywood in 1919, is a cultural, educational, and professional organization that is neither a labor union nor a guild. The society was organized to advance the science and art of cinematography and gather a wide range of cinematographers to discuss techniques and ideas and to advocate for motion pictures as a type of art form. Currently, the president of the ASC is Stephen Lighthill.
The International Alliance of Theatrical Stage Employees, Moving Picture Technicians, Artists and Allied Crafts of the United States, Its Territories and Canada, known as simply the International Alliance of Theatrical Stage Employees, is a North American labor union representing over 160,000 technicians, artisans, and craftspersons in the entertainment industry, including live theatre, motion picture and television production, and trade shows in the United States and Canada. It was awarded the Tony Honors for Excellence in Theatre in 1993.
A digital imaging technician works in the motion picture industry. The digital imaging technician position was created in response to the transition from the long established film movie camera medium into the current digital cinema era. The DIT is the camera department crew member who works in collaboration with the cinematographer on workflow, systemization, camera settings, signal integrity and image manipulation to achieve the highest image quality and creative goals of cinematography in the digital realm.
The Animation Guild, IATSE Local 839 is a professional guild and union of animation artists, writers and technicians. It was formed in 1952. In 2002, the organization changed its name from Motion Picture Screen Cartoonists.
The Art Directors Guild is a labor union and local of the International Alliance of Theatrical and Stage Employees (IATSE) representing 3,200 motion picture and television professionals in the United States and Canada.
The Motion Picture Editors Guild is the guild that represents freelance and staff motion picture film and television editors and other post-production professionals and story analysts throughout the United States. The Motion Picture Editors Guild is a part of the 500 affiliated local unions of the International Alliance of Theatrical Stage Employees (IATSE), a national labor organization with 104,000-plus members. There are more than 6,000 members of the Editors Guild.
The Alliance of Motion Picture and Television Producers (AMPTP) is a trade association based in Sherman Oaks, California, that represents over 350 American television and film production companies in collective bargaining negotiations with entertainment industry trade unions that include, among others, SAG-AFTRA, the Directors Guild of America, the Writers Guild of America West and East, the American Federation of Musicians, and the International Alliance of Theatrical Stage Employees.
Skip Bolen is a Southern photographer of musicians, architecture, lifestyle and the culture of New Orleans. Born in Lafayette, Louisiana, he moved to New Orleans where he began his publishing career as a designer and art director. After moving to New York City, he began working at House & Garden, renamed HG, as Senior Designer in January 1988 with Anna Wintour and Alexander Liberman at Condé Nast Publications. Spending evenings in jazz clubs, he began photographing jazz musicians in New York City and often when he regularly returned to New Orleans. After three years at Condé Nast Publications in New York City, he returned to New Orleans to pursue his jazz photography full-time. In 1998, he moved to Los Angeles where he became art director of House of Blues for seven years while photographing at night and weekends. He continued photographing jazz musicians and had his first major solo exhibition at the Jazz Bakery in Los Angeles on August 9, 2002. On July 4, 2006, he returned to New Orleans to pursue photography full-time documenting the recovery and rebuilding of New Orleans since Hurricane Katrina, documenting the jazz scene, night-time photography and other photographic projects.
Vincent Laforet is a French-American director and photographer. Laforet shared the 2002 Pulitzer Prize for Feature Photography with four other photographers as a member of The New York Times staff's coverage of the post 9/11 events overseas that captured "the pain and the perseverance of people enduring protracted conflict in Afghanistan and Pakistan." In 2006, Laforet became the Times' s first national contract photographer. He has been sent on assignment by Vanity Fair, The New York Times Magazine, National Geographic, Sports Illustrated, Time, Newsweek, and Life. He is represented by the Stockland Martel agency.
Dave Chameides is an American steadicam operator and occasional television director. His work on the 2000 live televised play Fail Safe and on Ambush, a live fourth season episode of ER earned him two Emmy Awards.
A unit still photographer, or simply a still photographer, is a person who creates film stills, still photographic images specifically for use in the marketing and publicity of feature films in the motion picture industry and network television productions. In addition to creating photographs for the promotion of a film, the still photographer contributes daily to the filming process by creating set stills. With these, the photographer is careful to record all details of the cast wardrobe, set appearance, and background.
Tom Sito is an American animator, animation historian and teacher. He is currently a Professor at USC's School of Cinematic Arts in the Animation Division. In 1998, Sito was included by Animation Magazine in their list of the One Hundred Most Important People in Animation.
Richard Crudo, A.S.C. is an American cinematographer and director. He is a 6-term past-president of the American Society of Cinematographers.
Reed Morano is an American film director and cinematographer. Morano was the first woman in history to win both the Emmy and Directors Guild Award for directing a drama series in the same year for the pilot episode of The Handmaid's Tale. Morano is known for her cinematography on feature films such as Frozen River (2008), Kill Your Darlings (2013) and The Skeleton Twins (2014).
Antonio Riestra, ASC, AČK., is a Mexican-born cinematographer, working in both North America and Europe. He won a Goya Award, and a Gaudí Award for Best Cinematography for his work on Augustí Villaronga's Black Bread.
Ruth Irene Tompson was an American camera technician, animation checker and supercentenarian. She was known for her work on animated features at The Walt Disney Company and was declared a Disney Legend in 2000.
Steven Barry Poster, A.S.C, I.C.G. is an American cinematographer and photographer who is the former President of the International Cinematographers Guild. He is best known for his collaborations with Richard Kelly, including the director's 2001 cult classic Donnie Darko.
Andrew Alan Gaskill, nicknamed "Andy", is an American animator, art director, and storyboard artist at Walt Disney Animation Studios. His work with the animation studio includes Winnie the Pooh and Tigger Too, The Rescuers, The Fox and the Hound, The Little Mermaid, and The Lion King.
The 1982 animators' strike was a labor strike conducted by American animators in the Greater Los Angeles area. The strike, organized by the Motion Picture Screen Cartoonists Local 839, was caused by disagreements between the labor union and studios over runaway productions, a term referring to outsourcing production work to outside of the metropolitan area. The strike ran from August to October and ended in failure for the union, who failed to win concessions from the studios.