A film crew is a group of people, hired by a production company, for the purpose of producing a film or motion picture. The crew is distinguished from the cast, as the cast are understood to be the actors who appear in front of the camera or provide voices for characters in the film. The crew is also separate from the producers, as the producers are the ones who own a portion of either the film studio or the film's intellectual property rights. A film crew is divided into different departments, each of which specializes in a specific aspect of the production. Film crew positions have evolved over the years, spurred by technological change, but many traditional jobs date from the early 20th century and are common across jurisdictions and filmmaking cultures.
Video is an electronic medium for the recording, copying, playback, broadcasting, and display of moving visual media. Video was first developed for mechanical television systems, which were quickly replaced by cathode-ray tube (CRT) systems, which, in turn, were replaced by flat-panel displays of several types.
The cinematographer or director of photography is the person responsible for the recording of a film, television production, music video or other live-action piece. The cinematographer is the chief of the camera and light crews working on such projects. They would normally be responsible for making artistic and technical decisions related to the image and for selecting the camera, film stock, lenses, filters, etc. The study and practice of this field are referred to as cinematography.
Cinematography is the art of motion picture photography.
A camera operator, or depending on the context cameraman or camerawoman, is a professional operator of a film camera or video camera as part of a film crew. The term "cameraman" does not imply that a male is performing the task.
"Below-the-line" is a term derived from the top sheet of a film budget for motion pictures, television programs, industrial films, independent films, student films and documentaries as well as commercials. The "line" in "below-the-line" refers to the separation of production costs between script and story writers, producers, directors, actors, and casting and the rest of the crew, or production team.
A sound stage is a large, soundproof structure, building or room with large doors and high ceilings, used for the production of theatrical film-making and television productions, usually located on a secured movie or television studio property.
In North America, a wrangler is someone employed to professionally handle animals, especially livestock, but sometimes other types of animals including bears, wolf packs, big cats and reptiles. The word "wrangler" is derived from the Low German "wrangeln" meaning "to dispute" or "to wrestle". It was first documented in 1377. Its use as a noun was first recorded in 1547. Its reference to a "person in charge of horses or cattle" or "herder" was first recorded in 1888.
Videography is the process of capturing moving images on electronic media and even streaming media. The term includes methods of video production and post-production. It used to be considered the video equivalent of cinematography, but the advent of digital video recording in the late 20th century blurred the distinction between the two, as in both methods the intermediary mechanism became the same. Nowadays, any video work could be called videography, whereas commercial motion picture production would be called cinematography.
In filmmaking, dailies or rushes are the raw, unedited footage shot during the making of a motion picture. The term "dailies" comes from when movies were all shot on film because usually at the end of each day, the footage was developed, synced to sound, and printed on film in a batch for viewing the next day by the director, selected actors, and film crew members. After the advent of digital filmmaking, "dailies" were available instantly after the take and the review process was no longer tied to the overnight processing of film and became more asynchronous. Now some reviewing may be done at the shoot, even on location, and raw footage may be immediately sent electronically to anyone in the world who needs to review the takes. For example, a director can review takes from a second unit while the crew is still on location or producers can get timely updates while travelling. Dailies serve as an indication of how the filming and the actors' performances are progressing. The term was also used to describe film dailies as "the first positive prints made by the laboratory from the negative photographed on the previous day".
Digital cinematography is the process of capturing (recording) a motion picture using digital image sensors rather than through film stock. As digital technology has improved in recent years, this practice has become dominant. Since the mid-2010s, most movies across the world are captured as well as distributed digitally.
Television crew positions are derived from those of film crew, but with several differences.
A utility sound technician is a person to both the production sound mixer and the boom operator on a film or television set. Although sometimes the utility pulls cable and wrangles it for the boom operator, the position has evolved to far more than just a cableperson. The utility is a jack of all trades, assisting in setting up, operating and maintaining the running order of equipment, often acting as a second boom operator, or even second mixer, and also repairing and servicing equipment such as cables and hardware as necessary. As both mixer and boom operator(s) may be busy with their tasks at any given time, the utility may also apply or adjust personal microphones or actors' wireless transmitters, may move microphones or assist in running cables, and may liaise with other departments on issues such as noise minimisation and set lockdown.
Virtual cinematography is the set of cinematographic techniques performed in a computer graphics environment. It includes a wide variety of subjects like photographing real objects, often with stereo or multi-camera setup, for the purpose of recreating them as three-dimensional objects and algorithms for the automated creation of real and simulated camera angles. Virtual cinematography can be used to shoot scenes from otherwise impossible camera angles, create the photography of animated films, and manipulate the appearance of computer-generated effects.
The original camera negative (OCN) is the film in a traditional film-based movie camera which captures the original image. This is the film from which all other copies will be made. It is known as raw stock prior to exposure.
Data wrangling, sometimes referred to as data munging, is the process of transforming and mapping data from one "raw" data form into another format with the intent of making it more appropriate and valuable for a variety of downstream purposes such as analytics. The goal of data wrangling is to assure quality and useful data. Data analysts typically spend the majority of their time in the process of data wrangling compared to the actual analysis of the data.
The Arri Alexa is a digital motion picture camera system developed by Arri. Introduced in April 2010, the camera was Arri's first major transition into digital cinematography, after previous product efforts including the Arriflex D-20 and D-21.
Global Cinematography Institute (GCI) is a film school that teaches new emerging technologies and concepts in the field of cinematography. Founded by Yuri Neyman, ASC and Vilmos Zsigmond, ASC, the Global Cinematography Institute aims to prepare filmmakers to take advantage of on-going advances in digital and virtual cinematography technologies through an expansive and comprehensive curriculum known as Expanded Cinematography.
Yuri Neyman, A.S.C. is a Russian-American cinematographer, educator and inventor.
The GBCT is a non-profit organization that serves as a representative body for camera technicians who work in the film and high-end television production industry worldwide. With approximately 450 members, many of whom are also affiliated with other moving image craft organizations such as the British Society of Cinematographers and the Association of Camera Operators, the GBCT operates out of Panavision London offices.
