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A film crew is a group of people, hired by a production company, for the purpose of producing a film or motion picture. The crew is distinguished from the cast, as the cast are understood to be the actors who appear in front of the camera or provide voices for characters in the film. The crew is also separate from the producers, as the producers are the ones who own a portion of either the film studio or the film's intellectual property rights. A film crew is divided into different departments, each of which specializes in a specific aspect of the production. Film crew positions have evolved over the years, spurred by technological change, but many traditional jobs date from the early 20th century and are common across jurisdictions and filmmaking cultures.
A soundtrack is recorded music accompanying and synchronised to the images of a motion picture, drama, book, television program, radio program, or video game; a commercially released soundtrack album of music as featured in the soundtrack of a film, video, or television presentation; or the physical area of a film that contains the synchronised recorded sound.
A film score is original music written specifically to accompany a film. The score comprises a number of orchestral, instrumental, or choral pieces called cues, which are timed to begin and end at specific points during the film in order to enhance the dramatic narrative and the emotional impact of the scene in question. Scores are written by one or more composers under the guidance of or in collaboration with the film's director or producer and are then most often performed by an ensemble of musicians – usually including an orchestra or band, instrumental soloists, and choir or vocalists – known as playback singers – and recorded by a sound engineer. The term is less frequently applied to music written for other media such as live theatre, television and radio programs, and video games, and said music is typically referred to as either the soundtrack or incidental music.
A sound editor is a creative professional responsible for selecting and assembling sound recordings in preparation for the final sound mixing or mastering of a television program, motion picture, video game, or any production involving recorded or synthetic sound. The sound editor works with the supervising sound editor. The supervising sound editor often assigns scenes and reels the sound editor based on the editor's strengths and area of expertise. Sound editing developed out of the need to fix the incomplete, undramatic, or technically inferior sound recordings of early talkies, and over the decades has become a respected filmmaking craft, with sound editors implementing the aesthetic goals of motion picture sound design.
Soundtrack Pro is a discontinued music composing and audio editing application made by Apple Inc. featured in Logic Studio and Final Cut Studio that included a collection of just over 5,000 royalty free professional instrument loops and sound effects. It was discontinued with the release of Final Cut Pro X, Motion 5, and Compressor 4.
Sound design is the art and practice of creating sound tracks for a variety of needs. It involves specifying, acquiring or creating auditory elements using audio production techniques and tools. It is employed in a variety of disciplines including filmmaking, television production, video game development, theatre, sound recording and reproduction, live performance, sound art, post-production, radio, new media and musical instrument development. Sound design commonly involves performing and editing of previously composed or recorded audio, such as sound effects and dialogue for the purposes of the medium, but it can also involve creating sounds from scratch through synthesizers. A sound designer is one who practices sound design.
The dialogue editor is a type of sound editor who assembles, synchronizes, and edits all the dialogue in a film or television production. Usually, they will use the production tracks: the sound that was recorded on the set. If any of the production tracks are unusable they can be replaced by either alternate production tracks recorded on set or by ADR, automated dialogue replacement, which is recorded after the shoot with the actors watching their performances in a sound studio and rerecording the lines. Large productions may have an ADR editor working under the dialogue editor, but the positions are often combined. The ADR editor or dialogue editor also work with the walla group in films which they are required, providing the background chatter noise in scenes with large crowds, such as parties or restaurants.
A soundtrack album is any album that incorporates music directly recorded from the soundtrack of a particular feature film or television show. The first such album to be commercially released was Walt Disney's Snow White and the Seven Dwarfs, the soundtrack to the film of the same name, in 1938. The first soundtrack album of a film's orchestral score was that for Alexander Korda's 1942 film Rudyard Kipling's Jungle Book, composed by Miklós Rózsa.
Music in pornography is the non-diegetic soundtrack behind pornographic films.
Star Wars Episode I: The Phantom Menace – Original Motion Picture Soundtrack is the film score to the 1999 film of the same name, composed and conducted by John Williams, and performed by the London Symphony Orchestra, London Voices and the New London Children's Choir with orchestrations provided by Conrad Pope and John Neufeld. The soundtrack album was released by Sony Classical Records on May 4, 1999, two weeks before the film's theatrical release. In anticipation of the long-awaited film, the soundtrack was certified Platinum in the United States where it debuted and peaked on the Billboard 200 at number 3, and certified Gold in the United Kingdom, where it entered the UK album charts at number eight.
Jeremy Zuckerman is an American composer of concert music, film and television music, music for modern dance, and experimental music. He is best known as the composer for the animated series Avatar: The Last Airbender and its sequel series The Legend of Korra.
Aliens: Original Motion Picture Soundtrack is the soundtrack album for the 1986 James Cameron film Aliens.
A temp track is an existing piece of music or audio which is used during the editing phase of television and film production, serving as a guideline for the tempo, mood or atmosphere the director is looking for in a scene. It is also referred to as scratch music, temp score or temp music.
WALL·E is the soundtrack album to the 2008 Disney-Pixar film of the same name composed and conducted by Thomas Newman. WALL·E is the second Pixar film to be scored by Thomas Newman after Finding Nemo (2003). It was also the second Pixar film not to be scored by Randy Newman or Michael Giacchino. Released by Walt Disney Records on June 24, 2008, it was mainly composed by Thomas Newman and orchestration is credited to Carl Johnson, JAC Redford, Thomas Pasatieri, and Gary K. Thomas. Newman previously scored Finding Nemo and most of all other Pixar films have been scored by either Newman's cousin Randy, Michael Giacchino or Patrick Doyle.
Trackdown is an independent Australian audio post and music services facility, for the film, television, music and multimedia industries. Founded in 1984 by Simon Leadley and Geoff Watson. it provides dedicated music editing services for feature films. The facilities include a purpose-built orchestral scoring stage, 5.1 control room, ADR and foley recording studios, 5.1 film pre-mix rooms, 5.1 mix rooms and five Pro Tools edit suites. Trackdown is located in The Entertainment Quarter Moore Park.
Moonrise Kingdom is the accompanying soundtrack album for the identically named 2012 coming-of-age comedy-drama film released on May 15, 2012 through ABKCO Records. The soundtrack album featured original compositions from Alexandre Desplat and supplemented existing music by Benjamin Britten, as well as classical songs from Hank Williams, Leonard Bernstein, Frank Schubert and Françoise Hardy. Both Anderson and Randall Poster compiled the film's soundtrack.
The King's Speech is the soundtrack to the Academy Award-winning film The King's Speech, released by Decca Records on 22 November 2010. Alexandre Desplat composed the film's original music. The score consisted of minimalistic sounds created with piano and strings, and a limited orchestra with oboe and harp being used. It was recorded using old microphones from the EMI archives, used by the royal family, in order to create a vintage and dated sound. The minimalistic use of the music is used to describe Colin Firth's character, the future King George VI.
X-Men: Days of Future Past is the soundtrack album to the 2014 film X-Men: Days of Future Past, based on the X-Men characters appearing in Marvel Comics, and is the fifth mainline installment in the X-Men film series and the seventh installment overall. Directed and produced by Bryan Singer, the film score is composed by his regular collaborator, composer-editor John Ottman, being the first to score more than one film in the X-Men film series, having previously scored X2 (2003).
Marvel Studios' Werewolf by Night is the film score to the Marvel Studios television special Werewolf by Night, directed and composed by Michael Giacchino. The soundtrack album was released by Hollywood Records and Marvel Music on October 7, 2022, coinciding with the Disney+ release.
Unbroken is the soundtrack to the 2014 film of the same name directed by Angelina Jolie. The album featured original score composed by Alexandre Desplat, with an original song "Miracles" by the British rock band Coldplay was featured in the album as well as the film's end credits. It was released as a single on December 15, 2014, the same day as the soundtrack, distributed by Parlophone and Atlantic Records.
References
- ↑ Ronald H. Sadoff (2006). "The role of the music editor and the 'temp track' as blueprint for the score, source music, and scource music of films". Popular Music. Cambridge University Press.
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