A script coordinator is a role in the production of a film or television series. The script coordinator is responsible for producing each draft of the script and annotating it for ease of use for the production team.
On a television series the script coordinator is responsible for liaising between the writing and production departments. The writers deliver the first draft of a script to the script coordinator who prepares it for the production team and handles any clearance issues. Clearance refers to the need to check the script for potential legal problems and ensure that all names are cleared by the legal department. [1]
The script coordinator must check the draft for proper formatting, spelling, punctuation and continuity before releasing the draft. Once a script has been released, other members of the production team offer notes to the writers necessitating revisions to the script. The process of how widely each draft is released (e.g. just to the writers, then to the writers and producers and then to the network) varies from show to show. [2]
With each round of revisions the script coordinator must ensure that the changes are clearly marked, re-issue the script and again check the script for errors. Many script coordinators are also responsible for foreign language translations and compiling a show bible that tracks plot points and character introductions as a reference tool.
A script coordinator is a distinct role from script supervisor. A script supervisor is responsible for on-set annotation of the script for editing purposes rather than pre-production coordination of the script to facilitate production. A script coordinator is considered a junior role in the writing staff and becoming a full-time screenwriter is typically a common promotion from being a script coordinator.
A film crew is a group of people, hired by a production company, for the purpose of producing a film or motion picture. The crew is distinguished from the cast as the cast are understood to be the actors who appear in front of the camera or provide voices for characters in the film. The crew is also separate from the producers as the producers are the ones who own a portion of either the film company or the film's intellectual property rights. A film crew is divided into different departments, each of which specializes in a specific aspect of the production. Film crew positions have evolved over the years, spurred by technological change, but many traditional jobs date from the early 20th century and are common across jurisdictions and film-making cultures.
Executive producer (EP) is one of the top positions in the making of a commercial entertainment product. Depending on the medium, the executive producer may be concerned with management accounting or associated with legal issues. In films, the executive producer generally contributes to the film's budget and their involvement depends on the project with some simply securing funds and others being involved in the filmmaking process.
Stage management is a broad field that is generally defined as the practice of organization and coordination of an event or theatrical production. Stage management may encompass a variety of activities including the overseeing of the rehearsal process and coordinating communications among various production teams and personnel. Stage management requires a general understanding of all aspects of production and offers organisational support to ensure the process runs smoothly and efficiently.
A film producer is a person who oversees film production. Either employed by a production company or working independently, producers plan and coordinate various aspects of film production, such as selecting the script; coordinating writing, directing, and editing; and arranging financing.
David Edward Kelley is an American television writer, producer, and former attorney, known as the creator of Picket Fences, Chicago Hope, The Practice, Ally McBeal, Boston Public, Boston Legal, Harry's Law, Big Little Lies, and Mr. Mercedes, as well as several films. Kelley is one of very few screenwriters to have created shows aired on all four top commercial U.S. television networks.
A television director is in charge of the activities involved in making a television program or section of a program. They are generally responsible for decisions about the editorial content and creative style of a program, and ensuring the producer's vision is delivered. Their duties may include originating program ideas, finding contributors, writing scripts, planning 'shoots', ensuring safety, leading the crew on location, directing contributors and presenters, and working with an editor to assemble the final product. The work of a television director can vary widely depending on the nature of the program, the practices of the production company, whether the program content is factual or drama, and whether it is live or recorded.
A technical director (TD) is usually a senior technical person within e.g. a software company, engineering firm, film studio, theatrical company or television studio. This person usually possesses the highest level of skill within a specific technical field.
A television producer is a person who oversees one or more aspects of video production on a television program. Some producers take more of an executive role, in that they conceive new programs and pitch them to the television networks, but upon acceptance they focus on business matters, such as budgets and contracts. Other producers are more involved with the day-to-day workings, participating in activities such as screenwriting, set design, casting and directing.
Screenwriting, also called scriptwriting, is the art and craft of writing scripts for mass media such as feature films, television productions or video games. It is often a freelance profession.
A script editor is a member of the production team of scripted television programmes, usually dramas and comedies. The script editor has many responsibilities including finding new script writers, developing storyline and series ideas with writers, and ensuring that scripts are suitable for production. The script editor will work closely with the writer at each draft of the script, giving the writer feedback on the quality of the work, suggesting improvements that can be made whilst also ensuring that practical issues like show continuity and correct running time are adhered to. Unlike the writers, script editors will usually be full-time members of the production team, working closely with the producer, if the script writer is not a producer.
Story editor is a job title in motion picture and television production, also sometimes called "supervising producer". A story editor is a member of the screenwriting staff who edits stories for screenplays.
A theatrical producer is a person who oversees all aspects of mounting a theatre production. The producer is responsible for the overall financial and managerial functions of a production or venue, raises or provides financial backing, and hires personnel for creative positions.
Political campaign staff are the people who formulate and implement the strategy needed to win an election. Many people have made careers out of working full-time for campaigns and groups that support them, but in other campaigns much of the staff might be unpaid volunteers. These differ from political consultants, who do not work for the campaign full-time but provide paid assistance in the form of advice and creative expertise.
Television crew positions are derived from those of film crew, but with several differences.
The set decorator is the head of the set decoration department in the film and television industry, responsible for selecting, designing, fabricating, and sourcing the "set dressing" elements of each set in a Feature Film, Television, or New Media episode or commercial, in support of the story and characters of the script. The set decorator is responsible for each décor element inside the sets, from practical lighting, technology, art, furniture, drapery, floor coverings, books, collectables, to exterior furnishings such as satellite dishes, Old West water troughs, streetlamps, traffic lights, garden furniture and sculptures.
A script supervisor is a member of a film crew who oversees the continuity of the motion picture including wardrobe, props, set dressing, hair, makeup and the actions of the actors during a scene. The notes recorded by the script supervisor during the shooting of a scene are used to help the editor cut the scene. They are also responsible for keeping track of the film production unit's daily progress. The script supervisor credit typically appears in the closing credits of a motion picture. Script supervisors are a department head and play a crucial role in the shooting of a film. It is the job of script supervisor to monitor the camera seeks to keep scene.
The location manager is a member of the film crew responsible for finding and securing locations to be used, obtaining all fire, police and other governmental permits, and coordinating the logistics for the production to complete its work. They are also the public face of the production, and responsible for addressing issues that arise due to the production's impact on the community.
In the cinema of the United States, a unit production manager (UPM) is the Directors Guild of America–approved title for the top below-the-line staff position, responsible for the administration of a feature film or television production. Non-DGA productions might call it the production manager or production supervisor. They work closely with the line producer. Sometimes the line producer is the UPM. A senior producer may assign a UPM more than one production at a time.
Clearcast is a non-governmental organisation which pre-approves most British television advertising. It came into being on 1 January 2008 and took over the responsibilities of the Broadcast Advertising Clearance Centre. Clearcast is now owned by six UK commercial broadcasters: ITV, ITV Breakfast, Channel 4, Channel Five, British Sky Broadcasting and Turner.
Oscar Balderrama is an American television writer and script coordinator.
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