The Doves Press was a private press based in Hammersmith, London. During nearly seventeen years of operation, Doves Press produced notable examples of twentieth-century typography. A distinguishing feature of its books was a specially-devised typeface, known variously as Doves Roman, Doves Press Fount of Type, or simply Doves Type.
Financed by Anne Cobden-Sanderson, Doves Press was founded by T. J. Cobden-Sanderson sometime before 1900 (when he invited Emery Walker to join him). Their partnership was dissolved in 1908, [1] but Cobden-Sanderson continued printing.
Cobden-Sanderson had commissioned the press's own typeface – Doves Type – that was drawn under the supervision of Walker. The Doves Bindery that Cobden-Sanderson had set up in 1893 bound the books he and Walker printed. The press produced all its books using a single 16-point size of this house typeface between 1900 and 1916. The press is considered to have been a significant contributor to the Arts and Crafts movement, whose founders were associated with William Morris and the Kelmscott Press.
The capital letters of Doves Type were based on typefaces used by Nicolas Jenson from the 1470s and the lowercase letters were based on typefaces used by Jacobus Rubeus. Atypical punctuation, extremely wide capitals, and an offset dot of the letter 'i' were distinctive features of the typeface. Doves Type was similar to William Morris's earlier Golden Type and, like it, was cut by punchcutter Edward Prince. [2] [3] [4] [5] [6]
The press was located at No. 1 Hammersmith Terrace. It was named after The Dove, Hammersmith, a nearby riverside pub. The Doves Press was responsible for the Doves Bible (5 vols, 1902–1904), which the Columbia Encyclopedia considered one of the best examples of its kind. [3]
By 1909, on the dissolution of their partnership, Cobden-Sanderson and Walker were in a protracted and bitter dispute involving the rights to Doves Type. As part of the partnership dissolution agreement, all rights to Doves Type were to pass to Walker upon the death of Cobden-Sanderson. Instead of letting this happen, on Good Friday, 21 March 1913, Cobden-Sanderson threw the matrices and punches into the River Thames off Hammersmith Bridge in London, a short walk from the press. [7] In the journals of Cobden-Sanderson, however, he recorded that he began the destruction of the typeface matrices and punches three years later, beginning on 31 August 1916 at midnight, when "it seemed a suitable night, and time". [8] He is said to have completed the task in January 1917, after 170 trips to the river, [9] although his Journals do not mention the culmination.
The first digital revival of Doves Type was made in 1994 by Swedish designer Torbjörn Olsson, who added an italic font for the typeface. His fonts reproduce the soft corners and imperfections of the printed characters. [10]
In 2013, designer Robert Green began to create a more polished digital version of Doves Type. [11] In 2015, after searching the riverbed of the Thames near Hammersmith Bridge with help from the Port of London Authority, Green managed to recover 150 pieces of the original type, which helped him to refine the re-created typeface. [12] [13] [14]
Two variants of Green's re-created Doves Type, Text and Headline fonts, are now distributed by Typespec. The Headline variant is used by the Thames Tideway Scheme for architectural lettering. [15] [16]
Other digital revival projects include "Mebinac" by Alan Hayward as well as "Thames-Capsule" by Raphaël Verona and Gaël Faure. [10]
Hammersmith is a district of West London, England, 4.3 miles (6.9 km) southwest of Charing Cross. It is the administrative centre of the London Borough of Hammersmith and Fulham, and identified in the London Plan as one of 35 major centres in Greater London.
Garamond is a group of many serif typefaces, named for sixteenth-century Parisian engraver Claude Garamond, generally spelled as Garamont in his lifetime. Garamond-style typefaces are popular and particularly often used for book printing and body text.
Frederic William Goudy was an American printer, artist and type designer whose typefaces include Copperplate Gothic, Goudy Old Style and Kennerley. He was one of the most prolific of American type designers and his self-named type continues to be one of the most popular in America.
Thomas James Cobden-Sanderson was an English artist and bookbinder associated with the Arts and Crafts movement.
The Kelmscott Press, founded by William Morris and Emery Walker, published 53 books in 66 volumes between 1891 and 1898. Each book was designed and ornamented by Morris and printed by hand in limited editions of around 300. Many books were illustrated by Edward Burne-Jones. Kelmscott Press books sought to replicate the style of 15th-century printing and were part of the Gothic revival movement. Kelmscott Press started the contemporary fine press movement, which focuses on the craft and design of bookmaking, often using hand presses. While their most famous books are richly decorated, most Kelmscott Press books did not have elaborate decoration, but were published simply.
Caslon is the name given to serif typefaces designed by William Caslon I in London, or inspired by his work.
Punchcutting is a craft used in traditional typography to cut letter punches in steel as the first stage of making metal type. Steel punches in the shape of the letter would be used to stamp matrices into copper, which were locked into a mould shape to cast type. Cutting punches and casting type was the first step of traditional typesetting. The cutting of letter punches was a highly skilled craft requiring much patience and practice. Often the designer of the type would not be personally involved in the cutting.
Claude Garamont, known commonly as Claude Garamond, was a French type designer, publisher and punch-cutter based in Paris. Garamond worked as an engraver of punches, the masters used to stamp matrices, the moulds used to cast metal type. He worked in the tradition now called old-style serif design, which produced letters with a relatively organic structure resembling handwriting with a pen but with a slightly more structured and upright design. Considered one of the leading type designers of all time, he is recognised to this day for the elegance of his typefaces. Many old-style serif typefaces are collectively known as Garamond, named after the designer.
The Ashendene Press was a small private press founded by St John Hornby (1867–1946). It operated from 1895 to 1915 in Chelsea, London and was revived after the war in 1920. The press closed in 1935. Its peers included the Kelmscott Press and the Doves Press. Hornby became friends with William Morris and Emery Walker, who helped inspire his work. These three presses were part of a "revival of fine printing" that focused on treating bookmaking as fine art. The Ashendene Press was famous for producing high-quality works by Dante. Ashendene books had excellent bindings and focused more on pleasure than reform than the other private presses of the time, though one review claims that the Ashendene Press was the most successful private press in recapturing the essence of fifteenth-century printing. Ashendene books were carefully printed with large margins, and despite their lack of extravagant decoration, they were considered spectacular works of art. Two original typefaces were created for the Ashendene Press: Subiaco and Ptolemy. They were known for handwritten, colored initials by Graily Hewitt. The press' main customers were book collectors who paid for a subscription for Ashendene books.
Janson is the name given to a set of old-style serif typefaces from the Dutch Baroque period, and modern revivals from the twentieth century. Janson is a crisp, relatively high-contrast serif design, most popular for body text.
Baskerville is a serif typeface designed in the 1750s by John Baskerville (1706–1775) in Birmingham, England, and cut into metal by punchcutter John Handy. Baskerville is classified as a transitional typeface, intended as a refinement of what are now called old-style typefaces of the period, especially those of his most eminent contemporary, William Caslon.
Sir Emery Walker FSA was an English engraver, photographer and printer. Walker took an active role in many organisations that were at the heart of the Arts and Crafts movement, including the Art Workers Guild, the Society for the Protection of Ancient Buildings, and the Arts and Crafts Exhibition Society.
Les Grecs du roi are a celebrated and influential Greek alphabet typeface in the Greek minuscule style which was cut by the French punchcutter Claude Garamond between 1541 and 1550. Arthur Tilley calls the books printed from them "among the most finished specimens of typography that exist".
Ehrhardt is an old-style serif typeface released by the British branch of the Monotype Corporation in 1938. Ehrhardt is a modern adaptation of printing types of "stout Dutch character" from the Dutch Baroque tradition sold by the Ehrhardt foundry in Leipzig. These were cut by the Hungarian-Transylvanian pastor and punchcutter Miklós (Nicholas) Tótfalusi Kis while in Amsterdam in the period from 1680 to 1689.
The Dove is a Grade II listed public house at 19 Upper Mall, Hammersmith, London W6 9TA.
Julia Sarah Anne Cobden-Sanderson was an English socialist, suffragette and vegetarian.
The Golden Type is a serif typeface designed by artist William Morris for his fine book printing project, the Kelmscott Press, in 1890. It is an "old-style" serif face, based on type designed by engraver and printer Nicolas Jenson in Venice around 1470. It is named for the Golden Legend, which was intended to be the first book printed using it. The original design has neither an italic nor a bold weight, as neither of these existed in Jenson's time.
Edward Philip Prince (1846–1923) was a British engraver and punchcutter, a cutter of the punches used to stamp the matrices used to cast metal type.
Old Style, later referred to as modernised old style, was the name given to a series of serif typefaces cut from the mid-nineteenth century and sold by the type foundry Miller & Richard, of Edinburgh in Scotland. It was a standard typeface in Britain for literary and prestigious printing in the second half of the nineteenth century and the early twentieth century, with many derivatives and copies released.
The Caslon type foundry was a type foundry in London which cast and sold metal type. It was founded by the punchcutter and typefounder William Caslon I, probably in 1720. For most of its history it was based at Chiswell Street, Islington, was the oldest type foundry in London, and the most prestigious.
| International | |
|---|---|
| National | |
| Other | |
