Leatrice Joy was an American actress most prolific during the silent film era.
The Captive is an American silent-era film released on April 22, 1915. It was released on five reels. The film was written, directed, edited, and produced by Cecil B. DeMille. Jesse L. Lasky was another producer and Jeanie MacPherson worked with DeMille to write the screenplay. The film is based on a play written by Cecil B. DeMille and Jeanie MacPherson. The Captive grossed over $56,000 on a budget of $12,154. Blanche Sweet stars as Sonia Martinovich, alongside House Peters who stars as Mahmud Hassan. The film details the romantic war-era plight of Sonia and her lover Mahmud.
The Wild Goose Chase is a 1915 American comedy-drama film directed by Cecil B. DeMille. The film was written by DeMille's brother William and starred Ina Claire. The Wild Goose Chase is now considered a lost film.
Chimmie Fadden is a 1915 American silent comedy film directed, written and edited Cecil B. DeMille. The film starred Victor Moore in the title role and is based on the play and short story of the same name by Edward W. Townsend. It was followed by a sequel Chimmie Fadden Out West. It is a surviving film formerly thought lost for decades. A print is kept at Cinemateket-Svenska Filminstitutet, Stockholm.
We Can't Have Everything was a 1918 American silent drama film directed and written by Cecil B. DeMille based upon a novel by Rupert Hughes. The film is considered to be lost.
For Better, for Worse is a 1919 American silent drama film directed by Cecil B. DeMille and starring Gloria Swanson. The film was the second of four "marriage films" directed by DeMille and the second DeMille film starring Gloria Swanson. For Better, for Worse was adapted for the screen by William C. DeMille. Jeanie MacPherson wrote the film's scenario.
Saturday Night is a 1922 American silent romantic comedy film directed by Cecil B. DeMille and starring Leatrice Joy, Conrad Nagel, and Edith Roberts. It was Leatrice Joy's first film with DeMille.
Manslaughter is a 1922 American silent drama film directed by Cecil B. DeMille and starring Thomas Meighan, Leatrice Joy, and Lois Wilson. It was scripted by Jeanie MacPherson adapted from the novel of the same name by Alice Duer Miller. The film portrays the main character, Lydia Thorne, as a thrill-seeking, self-entitled, and wild woman who does not have a reputation of thinking before acting. She acts selfishly by dancing with other men in the presence of her husband and not providing help to her maid who is in dire need for her son's health. As a result of her numerous poor decisions, she is taken to court because of a vehicle accident entailing a high-speed chase she has with a motorcyclist policeman. Following this accident, she is imprisoned for manslaughter after being prosecuted by her husband, Daniel O'Bannon, who is a lawyer. After this endeavor, Lydia comes out of jail to find her husband has become an alcoholic.
Triumph is a 1924 American silent drama film directed by Cecil B. DeMille and starring Leatrice Joy.
Hollywood is a 1923 American silent comedy film directed by James Cruze, co-written by Frank Condon and Thomas J. Geraghty, and released by Paramount Pictures. The film is a lengthier feature follow-up to Paramount's own short film exposé of itself, A Trip to Paramountown from 1922.
The Blue Danube is a 1928 American silent romantic drama film starring Leatrice Joy. This picture was produced by Cecil B. DeMille and directed by Paul Sloane with a distribution through Pathé Exchange.
Ladies Must Live is a 1921 American silent societal drama film directed by George Loane Tucker and released by Paramount Pictures. It was the last directorial effort of George Loane Tucker and was released four months after his death. Betty Compson stars along with Leatrice Joy, John Gilbert and Mahlon Hamilton. It was one of the few instances where future husband and wife Joy and Gilbert appeared in the same film.
Vanity is a 1927, American silent drama film directed by Donald Crisp and starring Leatrice Joy. The film was written by Douglas Doty, produced by DeMille Pictures Corporation and distributed by Producers Distributing Corporation.
The Clinging Vine is a 1926 American silent comedy film produced by Cecil B. DeMille and Paul Slone and directed by Sloane. It was distributed by DeMille's Producers Distributing Corporation. The film is based on a 1922 Broadway play of the same name by Zelda Sears. The film was a starring vehicle for Leatrice Joy who left Paramount Pictures along with DeMille when he formed his own distributing company PDC.
Eve's Leaves is a 1926 American silent romantic comedy film starring Leatrice Joy and William Boyd. The film was produced and distributed by Cecil B. DeMille and directed by Paul Sloane It is based upon the 1925 play of the same name by Harry Chapman Ford.
The Angel of Broadway was a 1927 American silent drama film produced by Cecil B. DeMille and distributed by Pathé Exchange. It was directed by Lois Weber and starred Leatrice Joy. The film is now considered lost.
The Man Who Saw Tomorrow is a lost 1922 American silent drama film directed by Alfred E. Green and written by Frank Condon, Will M. Ritchey, and Perley Poore Sheehan. The film stars Thomas Meighan, Theodore Roberts, Leatrice Joy, Alan Roscoe, Alec B. Francis, June Elvidge, and Eva Novak. The film was released on October 29, 1922, by Paramount Pictures.
Made for Love is a 1926 American silent drama film directed by Paul Sloane, produced by Cecil B. DeMille, and starring Leatrice Joy.
Man-Made Women is a 1928 American silent comedy-drama film directed by Paul L. Stein and starring Leatrice Joy. It was produced by Cecil B. DeMille and Ralph Block and distributed through Pathé Exchange.
For Alimony Only is a 1926 American silent drama film directed by William C. deMille and starring Leatrice Joy, Clive Brook, and Lilyan Tashman.
