Down on Deptford Broadway | ||||
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Studio album by | ||||
Released | 2015 | |||
Recorded | Rockfield Studios Monmouth | |||
Genre | Folk, Folk Punk | |||
Label | Xtra Mile Recordings in the UK and Europe, Side One Dummy in the USA and Canada, and Uncle Owen Records in Japan. | |||
Producer | Ted Hutt | |||
Skinny Lister chronology | ||||
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Down on Deptford Broadway is the second album by London-based folk punk band Skinny Lister and takes its name from a short stretch of the A2 in Deptford south East London, and the surrounding area, with the phrase appearing as part of the lyric of the track "Six Whiskies".
The album was produced by Ted Hutt and engineered by Ryan Mall at Rockfield Studios during November 2013. It was mixed by Ted Hutt and Ryan Mall at Kingsize Sounlabs Los Angeles and mastered by Dick Beetham at 360 Mastering Hastings.
It was released in August 2014 in Japan, [1] and 20 April 2015 [2] [3] in Europe and North America.
The album was available to pre-order in the UK from October 2014, with the track "Trouble on Oxford Street" available as an instant download. A video was made for this track which Clash Magazine declared as their track of the day on 20 November 2014. [4]
All songs by Daniel Heptinstall. Music by Skinny Lister.
Due to line up changes during the eighteen-month delay between recording and release, the sleeve lists Sam Brace and Thom Mills as members of the band, with Andy Black and Dave Neale listed as additional musicians.
On 13 April, a week before the album was released The Guardian offered an exclusive stream of the album [5] saying that the album "channels the riotous spirit of their beer-swilling live shows".
The London Evening Standard gave the album 4/5 [6] Describing it as "... a giddy cross between The Pogues' swagger and, more obviously, The Men They Couldn't Hang's impassioned folk-soul advocacy for the mouthy underdog... It's hard to imagine a breakthrough into the mainstream, but it's harder to imagine anything more mischievous."
The NME gave the album 8/10 [7] saying "These are boozing songs of love, conflict and elopement brewed from intoxicating hooks, so embrace your inner Pogue"
The Pogues were an English or Anglo-Irish Celtic punk band fronted by Shane MacGowan and others, founded in King's Cross, London, in 1982, as Pogue Mahone—an anglicisation, from James Joyce's novel Ulysses, of the Irish phrase póg mo thóin, meaning "kiss my arse". Fusing punk influences with instruments such as the tin whistle, banjo, cittern, mandolin and accordion, the Pogues were initially poorly received in traditional Irish music circles—the noted musician Tommy Makem called them “the greatest disaster ever to hit Irish music”—but were subsequently credited with reinvigorating the genre. The band later incorporated influences from other musical traditions, including jazz, flamenco, and Middle Eastern music.
The Popes are a band originally formed by Shane MacGowan and Paul "Mad Dog" McGuinness, who play a blend of rock, Irish folk and Americana.
Transverse City is the seventh studio album by American recording artist Warren Zevon, released in October 1989 by Virgin Records. It features appearances from a number of prominent musicians, including guitarists Neil Young, David Gilmour, Jerry Garcia and Mike Campbell, as well as jazz pianist Chick Corea. Michael Ironside narration Run straight down
Hell's Ditch is the fifth studio album by The Pogues, released on 1 October 1990, and the last to feature frontman Shane MacGowan as a member.
Captain Tractor is a Canadian folk rock band, based in Edmonton, Alberta. They play a punk-influenced variant of Celtic folk music, similar to such bands as Great Big Sea, The Pogues or Spirit of the West. Their songs are often rich in local, cultural, and geographical references.
James Fearnley is an English musician. He played accordion in the Celtic punk band The Pogues.
Ethan Thomas Robert Johns is an English record producer, engineer, mixer, songwriter, and multi-instrumentalist. Johns has worked with artists including Ryan Adams, Kings of Leon, Paul McCartney, Ray LaMontagne, Tom Jones, Kaiser Chiefs, Rufus Wainwright, The Boxer Rebellion, Crowded House, Turin Brakes, Lauren Hoffman, The Vaccines, Laura Marling, The Staves, and Crosby, Stills and Nash. In 2012, he won the Brit Award for Best British Producer.
The Men They Couldn't Hang (TMTCH) are a British folk punk group. The original group consisted of Stefan Cush, Paul Simmonds, Philip "Swill" Odgers, Jon Odgers and Shanne Bradley.
Daron Malakian and Scars on Broadway is an American alternative metal band founded by Daron Malakian of the metal band System of a Down, who also became the sole member of the band. The band's self-titled debut album was released in July 2008.
Ted Hutt is a British record producer, musician, and songwriter, residing in Los Angeles, California, United States. He was the original guitar player and one of the founding members for The Promise, The Great Unwashed, Gods Hotel, Reacharound, and Flogging Molly.
Ian Siegal is a British blues singer and guitarist.
The '59 Sound is the second studio album by American punk rock band the Gaslight Anthem, released on August 19, 2008, by record label SideOneDummy.
American Slang is the third studio album by New Jersey–based rock group the Gaslight Anthem. It was released on June 15, 2010, on SideOneDummy Records, which released their previous album, The '59 Sound. The album was produced by 'The '59 Sound producer Ted Hutt.
Achin' and Shakin' is the second studio album released by Broadway actress and Mercury Nashville American Country Music recording artist Laura Bell Bundy. The album which was released on April 13, 2010, is Bundy's first mainstream album; her first album, Longing for a Place Already Gone, was self-released in 2007. Achin' and Shakin' features the singles "Giddy On Up" and "Drop On By".
Skinny Lister are a British folk band formed in London in 2009. They were a five-piece band until October 2013 when a drummer was added. In August 2022 they returned to being a five piece after Sam Brace left and the decision was made not to replace him. They are signed to Xtra Mile Recordings, and were previously signed to Sunday Best Records in the UK, SideOneDummy Records in the US, and Uncle Owen Records in Japan.
Babel is the second studio album by British folk rock band Mumford & Sons. As with Sigh No More, the album was produced by Markus Dravs. The vinyl LP version of the record was pressed by United Record Pressing in Nashville, Tennessee. It was released on 21 September 2012 in Ireland, Germany, Belgium, the Netherlands, Luxembourg, Norway, Australia and New Zealand. It was released on 24 September 2012 in the United Kingdom, Scandinavia, Spain, Italy, Eastern Europe, South America, and on 25 September 2012 in the United States and Canada.
Carry Me Back is the fourth studio album by folk/country/old time band Old Crow Medicine Show, released on July 17, 2012. It was the group's first release on ATO Records, and their first album produced by Ted Hutt. The album was the band's last to feature founding-member Willie Watson, and the first to feature multi-instrumentalist Cory Younts.
High Hopes is the eighteenth studio album by American recording artist Bruce Springsteen, released January 14, 2014, on Columbia Records. It went to the top of the charts in eleven countries, and was Springsteen's eleventh No. 1 album in the United States, a record surpassed only by the Beatles and Jay-Z. It was his tenth No. 1 in the UK putting him on par with the Rolling Stones and U2. Rolling Stone named it the second-best album of 2014.
Remedy is the fifth studio album by folk, country and old-time music band, Old Crow Medicine Show. The album, produced by Ted Hutt, was released on July 1, 2014. It won the 2015 Grammy Award for Best Folk Album. The album is the band's first to feature Chance McCoy and their last with Gill Landry. Remedy also marks the return of founder member Critter Fuqua to the band's line-up.
Sleepwalkers is the second studio album by Brian Fallon, singer/guitarist of American rock band The Gaslight Anthem, released on February 9, 2018, through Island Records. The album peaked at #42 on the Billboard 200 chart and received "generally favorable reviews" from critics.