Downstairs (film)

Last updated

Downstairs
Downstairs (film).jpg
Paul Lukas, Virginia Bruce and John Gilbert
Directed by Monta Bell
Screenplay by Lenore J. Coffee
Melville Baker
Story by John Gilbert
Produced byMonta Bell
StarringJohn Gilbert
Paul Lukas
Virginia Bruce
Cinematography Harold Rosson
Edited by Conrad A. Nervig
Distributed by Metro-Goldwyn-Mayer
Release date
  • August 6, 1932 (1932-08-06)
Running time
77 minutes
CountryUnited States
LanguageEnglish

Downstairs is a 1932 American pre-Code drama film. [1] [2] It stars John Gilbert as a charming but self-serving chauffeur who wreaks havoc on his new employer's household, romancing and fleecing the women on the staff, and blackmailing the employer's wife. Gilbert had written the story in 1928 for a proposed silent film that was never produced.

Contents

Producer Irving Thalberg revived the project in 1932 as a special Gilbert production. The actor was so jubilant about the opportunity that he sold his original story to Metro-Goldwyn-Mayer for only one dollar. [3]

Plot

The film opens with Baron Von Burgen's head butler Albert marrying the young housemaid, Anna, on the Baron's Austrian estate. During the ceremony, newly hired chauffeur Karl Schneider arrives and soon finds an old acquaintance—a former lover—Countess De Marnac, who appears displeased with Karl mixing with her elite friends. That night, when François, one of the butlers, gets too drunk to work, Albert is summoned to take over his shift. Anna, now unaccompanied, is visited by Karl, who wins over her sympathy by telling her about his unfortunate childhood.

One day, Karl drives Baroness Eloise to Vienna for shopping purposes. She has him drop her off at her town apartment which she keeps for her visits from her boyfriend. When they return home, Eloise claims that they were in an accident, but Albert does not believe her. He asks Karl about it, and brushes off Karl's attempt to tell the truth but instead reminding him to remain loyal to their employers. He reminds him of his social position and warns him never to interfere with the upper-class people.

Even though Karl agrees with Albert's advice, he jumps his chances to seduce Anna, who he soon concludes is very naive and easy to manipulate. He tries to kiss her, but she slaps him and warns him never to try again. As Albert returns to the room, Karl decides to leave to avoid a remorseful situation, and he goes to his room, where the cook Sophie is waiting for him. After a brief flirtation, she spends the night.

The next day, Karl insults Sophie and lies about being the illegitimate son of royalty in order to extort money from her. He next uses a jewel he has found from Eloise the day before in the car to gain respect from Anna, though she is disgusted by what he has done to Sophie and rejects it. He pins the jewel on her crucifix necklace anyway, and Eloise soon recognizes it as her own. When she accuses Anna of stealing, Karl comes to the rescue, claiming the jewel to be his own, winning back Anna's sympathy.

Eloise recognizes this as blackmail because Karl knows she has a lover she meets at the apartment. Eloise later discusses the matter with the Baron, and Albert overhears her saying that Karl and Anna are involved in an affair. Eloise, who is excited about the scandal, arranges for them to have some privacy together on a fishing trip, but at the last minute, the Baron demands that Albert come along. Albert then confronts Karl, warning him to stay away from Anna.

Karl and Anna stay behind, and he again jumps his chances by taking her to a pub. They grow close until she finds out that he has arranged a room for the two to stay in. Disgusted at his intentions, she leaves. Karl follows her to her room and claims that he only lied to and deceived her because he is very much in love with her. Vulnerable to his words, Anna becomes worried when he announces that he will leave the mansion. Karl notices this and kisses her passionately as a goodbye. They end up spending the night together.

As soon as Albert returns from the trip, he fires Karl for a plausible reason and then unleashes his frustration on Anna by criticizing her appearance. Anna, in tears, blames him for having driven her to seek affection with another man. Karl, meanwhile, blackmails the baroness into reinstalling him as a chauffeur. Albert feels humiliated and tells Eloise that he will resign. Eloise tries to stop him and, in tears, admits to being blackmailed. Albert advises her to go to the police, but she tells him she can't, because her affair with him cannot go public. Albert, who sympathizes with her, agrees to stay and plans to destroy Karl. That night, Sophie, unhappy, offers Karl all her savings in order to realize her dream of running away with him and opening their own shop.

The next morning, Karl, with Sophie's savings, packs his bags to leave for Paris and begs Anna to join him. Anna refuses, telling him that she is still in love with Albert. Anna tries to escape from him with Sophie's money but they end up knocking over a large rack of wine bottles, attracting attention from the Baron. The Baron thinks they are fighting over the wine and orders them to apologize to each other. As soon as the Baron leaves, Albert pretends to reconcile with Karl, offers some wine, then tells Karl to get out of their lives. They get into another fight when Karl refuses. Anna, afraid that one might kill the other, calls the Baron and Albert makes Karl confess about his many deceptions. The Baron orders Karl to leave, and congratulates Albert for his courage and loyalty. Karl leaves the scene, ready to scheme his way into another upper-class woman's life.

Cast

Related Research Articles

<i>Grand Hotel</i> (1932 film) Adaptation of William Drake play

Grand Hotel is a 1932 American pre-Code drama film directed by Edmund Goulding and produced by Metro-Goldwyn-Mayer. The screenplay by William A. Drake is based on the 1930 play by Drake, who had adapted it from the 1929 novel Menschen im Hotel by Vicki Baum. To date, it is the only film to have won the Academy Award for Best Picture without being nominated in any other category.

<i>Frankenstein Must Be Destroyed</i> 1969 British film by Terence Fisher

Frankenstein Must Be Destroyed is a 1969 British horror film directed by Terence Fisher for Hammer Films, starring Peter Cushing, Freddie Jones, Veronica Carlson and Simon Ward. The film is the fifth in a series of Hammer films focusing on Baron Frankenstein, who, in this entry, terrorises those around him in a bid to uncover the secrets of a former associate confined to a lunatic asylum.

<i>Oscar</i> (1967 film) 1967 French film

Oscar is a 1967 French comedy of errors directed by Édouard Molinaro and starring Louis de Funès. In the movie, Louis de Funès plays an industrialist named Bertrand Barnier who discovers over the course of a single day that his daughter is pregnant, he has been robbed by an employee, and various other calamities have befallen his household and his business.

<i>Love on the Run</i> (1936 film) 1936 film by W. S. Van Dyke

Love on the Run is a 1936 American romantic comedy film, directed by W.S. Van Dyke, produced by Joseph L. Mankiewicz, and starring Joan Crawford, Clark Gable, Franchot Tone and Reginald Owen in a story about rival newspaper correspondents assigned to cover the marriage of a socialite. The screenplay by John Lee Mahin, Manuel Seff and Gladys Hurlbut was based on a story by Alan Green and Julian Brodie. Love on the Run is the seventh of eight cinematic collaborations between Crawford and Gable. At the time of its release, Love on the Run was called "a lot of happy nonsense" by critics, but was a huge financial success, nonetheless.

<span class="mw-page-title-main">Sarah Moffat</span> Fictional character in the ITV drama Upstairs, Downstairs

Sarah Moffat, also known as Sarah Delice and Clémence Dumas, is a fictional character in the ITV drama Upstairs, Downstairs and its spin-off Thomas & Sarah. She was portrayed by Pauline Collins.

<i>Dead Ringer</i> (film) 1964 film by Paul Henreid

Dead Ringer is a 1964 American psychological thriller made by Warner Bros. It was directed by Paul Henreid from a screenplay by Oscar Millard and Albert Beich, from the story La Otra by Rian James, previously filmed in a Mexican version starring Dolores del Río. The soundtrack is by André Previn and the cinematography by Ernest Haller. The film stars Bette Davis, Karl Malden and Peter Lawford with Philip Carey, Jean Hagen, George Macready, Estelle Winwood, George Chandler and Cyril Delevanti.

<i>Topaze</i> (1933 American film) 1933 film by Harry dAbbadie dArrast

Topaze is a 1933 American pre-Code film directed by D'Abbadie D'Arrast and starring John Barrymore and Myrna Loy. It was based on the 1928 French play of the same name by Marcel Pagnol. Another film version of Topaze, this one made in the original French was also released that year, starring Louis Jouvet in the title role. Subsequently, Pagnol himself directed another film titled Topaze in 1936.

<span class="mw-page-title-main">Sophie Buxhoeveden</span> Lady in waiting to Tsarina Alexandra; author of memoirs about life at court.

Sophie Freiin von Buxhoeveden, also known as Baroness Sophie Buxdoeveden, was a Baltic German Lady-in-waiting, in service to Tsarina Alexandra of Russia. She was the author of three memoirs about the imperial family and about her own escape from Russia.

<i>Victoria the Great</i> 1937 British film

Victoria the Great is a 1937 British historical film directed by Herbert Wilcox and starring Anna Neagle, Anton Walbrook and Walter Rilla. When Laurence Housman's play Victoria Regina was banned by the Lord Chamberlain, its subsequent Broadway success prompted King Edward VIII to commission producer Herbert Wilcox to turn it into a film, commemorating the centenary of Victoria's reign. The film biography of Queen Victoria concentrates initially on the early years of her reign with her marriage to Prince Albert and her subsequent rule after Albert's death in 1861. It was released in the year of Victoria’s great-grandson King George VI's coronation, which was also the centennial of Victoria's own accession to the throne. The movie was so successful that a sequel appeared the following year, Sixty Glorious Years.

<i>A Womans Face</i> 1941 film by George Cukor

A Woman's Face is a 1941 American drama film noir directed by George Cukor and starring Joan Crawford, Melvyn Douglas and Conrad Veidt. It tells the story of Anna Holm, a facially disfigured blackmailer, who, because of her appearance, despises everyone she encounters. When a plastic surgeon corrects this disfigurement, Anna becomes torn between the hope of starting a new life and a return to her dark past. Most of the film is told in flashbacks as witnesses in a courtroom give their testimonies. The screenplay was written by Donald Ogden Stewart and Elliot Paul, based on the play Il était une fois... by Francis de Croisset. Another version of the story, a Swedish production, was filmed in 1938 as En kvinnas ansikte, starring Ingrid Bergman.

<i>Female on the Beach</i> 1955 film by Joseph Pevney

Female on the Beach is a 1955 American crime-drama film directed by Joseph Pevney starring Joan Crawford and Jeff Chandler in a story about a wealthy widow and her beach bum lover. The screenplay by Robert Hill and Richard Alan Simmons was based on the play The Besieged Heart by Robert Hill. The film was produced by Albert Zugsmith.

<i>Once Upon a Honeymoon</i> 1942 film by Leo McCarey

Once Upon a Honeymoon is a 1942 romantic comedy/drama starring Cary Grant, Ginger Rogers, and Walter Slezak, directed by Leo McCarey, and released by RKO Radio Pictures. It was nominated for the Oscar for Best Sound Recording.

La Bohème is a 1926 American silent drama film directed by King Vidor, based on the 1896 opera La bohème by Giacomo Puccini. Lillian Gish and John Gilbert star in a tragic romance in which a tubercular seamstress sacrifices her life so that her lover, a bohemian playwright, might pen his masterpiece. Gish, at the height of her influence with Metro-Goldwyn-Mayer studios, asserted significant control over the production, determining the story, director, cast, cinematography, and costume design. In February 2020, the film was shown at the 70th Berlin International Film Festival, as part of a retrospective dedicated to King Vidor's career.

<i>Jewel Robbery</i> 1932 film

Jewel Robbery is a 1932 American pre-Code romantic comedy heist film, directed by William Dieterle and starring William Powell and Kay Francis. It is based on the 1931 Hungarian play Ékszerrablás a Váci-utcában by Ladislas Fodor and its subsequent English adaptation, Jewel Robbery by Bertram Bloch.

<i>Taboo</i> (2002 film) 2002 American film

Taboo is a 2002 American mystery thriller film directed by Max Makowski, written by Chris Fisher, and starring Nick Stahl, Eddie Kaye Thomas, January Jones, Amber Benson, Derek Hamilton, and Lori Heuring. It was released by Columbia Tristar Home Videos on January 14, 2002.

<i>Beware of Pity</i> 1946 film

Beware of Pity is a 1946 British romantic drama film directed by Maurice Elvey and starring Lilli Palmer, Albert Lieven and Cedric Hardwicke. It is based on the 1939 novel of the same name by Stefan Zweig. A paraplegic young baroness mistakes compassion for love. The film's costumes were designed by Cecil Beaton. It was made by Two Cities Films at Islington Studios. The film was not a great popular success outside the Soviet Union.

<i>Revenge of the Musketeers</i> (1994 film) 1994 French film

Revenge of the Musketeers is a 1994 French swashbuckler adventure film directed by Bertrand Tavernier and starring Sophie Marceau, Philippe Noiret, Claude Rich, and Sami Frey. Set in the seventeenth century, the film is about the daughter of the renowned swordsman D'Artagnan who keeps the spirit of the Musketeers alive by bringing together the aging members of the legendary band to oppose a plot to overthrow the King and seize power. Revenge of the Musketeers was filmed on location at the Château de Biron in Biron, Dordogne and the Château de Maisons in Maisons-Laffitte in France and in Portugal with a budget of $9.1 million.

<i>Isle of Missing Men</i> 1942 film by Richard Oswald

Isle of Missing Men is a 1942 American drama film directed by Richard Oswald and starring John Howard, Helen Gilbert and Gilbert Roland. In the film, a young woman receives an invitation from the governor of an island prison to spend a week with him. She does so, but conceals the fact that her husband is being held as a convict on the island.

<span class="mw-page-title-main">Baron Alphons von Pawel-Rammingen</span> German-born nobleman (1843–1932)

Baron Luitbert Alexander George Lionel Alphons von Pawel-Rammingen, was a German nobleman who became a naturalised British subject in 1880 when he married Princess Frederica of Hanover.

References

  1. Variety film review; October 11, 1932, page 20.
  2. Harrison's Reports film review; October 15, 1932, p. 167.
  3. Mordaunt Hall (October 8, 1932). "Downstairs (1932)". The New York Times .