Visual art of the United States or American art is visual art made in the United States or by U.S. artists. Before colonization, there were many flourishing traditions of Native American art, and where the Spanish colonized Spanish Colonial architecture and the accompanying styles in other media were quickly in place. Early colonial art on the East Coast initially relied on artists from Europe, with John White the earliest example. In the late 18th and early 19th centuries, artists primarily painted portraits, and some landscapes in a style based mainly on English painting. Furniture-makers imitating English styles and similar craftsmen were also established in the major cities, but in the English colonies, locally made pottery remained resolutely utilitarian until the 19th century, with fancy products imported.
John Singleton Copley was an Anglo-American painter, active in both colonial America and England. He was believed to be born in Boston, Province of Massachusetts Bay, to Richard and Mary Singleton Copley, both Anglo-Irish. After becoming well-established as a portrait painter of the wealthy in colonial New England, he moved to London in 1774, never returning to America. In London, he met considerable success as a portraitist for the next two decades, and also painted a number of large history paintings, which were innovative in their readiness to depict modern subjects and modern dress. His later years were less successful, and he died heavily in debt. He was father of John Copley, 1st Baron Lyndhurst and half-brother of Henry Pelham, the American painter, engraver, and cartographer.
Gilbert Stuart was an American painter born in the Rhode Island Colony who is widely considered one of America's foremost portraitists. His best-known work is an unfinished portrait of George Washington, begun in 1796, which is usually referred to as the Athenaeum Portrait. Stuart retained the original and used it to paint scores of copies that were commissioned by patrons in America and abroad. The image of George Washington featured in the painting has appeared on the United States one-dollar bill for more than a century and on various postage stamps of the 19th century and early 20th century.
Joseph Blackburn was an English painter who worked mainly in British North America. His notable works include portraits of Hugh Jones and Colonel Theodore Atkinson.
Mather Brown was an American painter who was born in Boston, Massachusetts and was active in England.
The New Britain Museum of American Art is an art museum in New Britain, Connecticut. Founded in 1903, it is the first museum in the country dedicated to American art.
Watson and the Shark is an oil painting by the Anglo-American painter John Singleton Copley, depicting the rescue of the English boy Brook Watson from a shark attack in Havana, Cuba. Copley, then living in London, painted three versions, which are all now in the United States. The 1778 version is in the National Gallery of Art, Washington, D.C. A second, full-size 1778 replica is now in the Museum of Fine Arts, Boston, and a third, smaller, 1782 version with a more vertical composition is in the Detroit Institute of Arts.
Sir Brook Watson, 1st Baronet was an English merchant and politician who served as the Lord Mayor of London from 1796 to 1797. He is best known as the subject of John Singleton Copley's painting Watson and the Shark, which depicts a shark attack on Watson as a young man in Havana that resulted in the loss of his right leg below the knee.
The Defeat of the Floating Batteries at Gibraltar is the title of a 1791 oil-on-canvas painting by Boston-born American artist John Singleton Copley. It depicts the defeat of the floating batteries at Gibraltar during the Great Siege of Gibraltar. The Governor of Gibraltar, General George Augustus Eliott, is on horseback pointing to the rescue of the defeated Spanish sailors by the British.
Henry Pelham was an American painter, engraver, and cartographer active during the late 18th century. Pelham's many illuminating letters, especially to his half-brother and fellow painter John Singleton Copley, provide an important contemporary perspective of the events of the American Revolution.
John Greenwood Sr. was an American painter, engraver and auctioneer.
The Death of Major Peirson, 6 January 1781 is a large oil painting executed in 1783 by the Anglo-American artist John Singleton Copley. It depicts the death of Major Francis Peirson at the Battle of Jersey on 6 January 1781, part of the Anglo-French War (1778–1783).
Vassilios "Bill" Giavis (1929-2019) was a painter and illustrator of historical sites, diners, people, maritime scenes, cityscapes, and landscapes.
Matthew Pratt was an American "Colonial Era" artist famous for his portraits of American men and women.
William Johnston was a colonial American painter. He was the first painter to spend any significant amount of time in Connecticut, and was active in Portsmouth, New Hampshire as well.
Mrs. Theodore Atkinson Jr. is an oil-on-canvas portrait painting completed in 1765 by the American artist John Singleton Copley. It is now housed in the Crystal Bridges Museum of American Art.
Carrie Rebora Barratt is an American art historian specializing in museum administration and collaborative nonprofit leadership. She has worked in this domain in New York City since the 1980s. Barratt was Curator of American Paintings and Sculpture (1989–2009), and Manager of the Henry R. Luce Center for the Study of American Art (1989–2009) and Deputy Director for Collections (2009-2018) at the Metropolitan Museum of Art. She served as the Chief Executive Officer and William C. Steere Sr. President of The New York Botanical Garden 2018-2020 during a transitional period. Prior to that, she spent over thirty years at the Metropolitan Museum of Art as a curator and administrator.
A Boy with a Flying Squirrel (Henry Pelham), or Henry Pelham (Boy with a Squirrel), is a 1765 painting by the American-born painter John Singleton Copley. It depicts Copley's teenaged half-brother Henry Pelham with a pet flying squirrel, a creature commonly found in colonial American portraits as a symbol of the sitter's refinement. Painted while Copley was a Boston-based portraitist aspiring to be recognized by his European contemporaries, the work was brought to London for a 1766 exhibition. There, it was met with overall praise from artists like Joshua Reynolds, who nonetheless criticized Copley's minuteness. Later historians and critics assessed the painting as a pivotal work in both Copley's career and the history of American art. The work was featured in exhibitions at the Museum of Fine Arts, Boston, and the National Gallery of Art. As of 2023, it is held by the former.
Mrs Humphrey Devereux is a 1771 oil painting on canvas by the Anglo-American painter John Singleton Copley. It is part of the international painting collection of the Museum of New Zealand Te Papa Tongarewa.
