John Singleton Copley was an Anglo-American painter, active in both colonial America and England. He was believed to be born in Boston, Province of Massachusetts Bay, to Richard and Mary Singleton Copley, both Anglo-Irish. After becoming well-established as a portrait painter of the wealthy in colonial New England, he moved to London in 1774, never returning to America. In London, he met considerable success as a portraitist for the next two decades, and also painted a number of large history paintings, which were innovative in their readiness to depict modern subjects and modern dress. His later years were less successful, and he died heavily in debt. He was father of John Copley, 1st Baron Lyndhurst and half-brother of Henry Pelham, the American painter, engraver, and cartographer.
William Murray, 1st Earl of Mansfield,, was a British judge, politician, lawyer, and peer best known for his reforms to English law. Born in Scone Palace, Perthshire, to a family of Scottish nobility, he was educated in Perth before moving to London at the age of 13 to study at Westminster School. Accepted into Christ Church, Oxford, in May 1723, Mansfield graduated four years later and returned to London, where he was he was called to the Bar by Lincoln's Inn in November 1730 and quickly gained a reputation as an excellent barrister.
David Murray, 2nd Earl of Mansfield, 7th Viscount of Stormont, known as the (7th) Viscount of Stormont from 1748 to 1793, was a British diplomat and politician. He succeeded to both the Mansfield and Stormont lines of the Murray family, inheriting two titles and two fortunes.
The Zong massacre was a mass killing of more than 130 enslaved African people by the crew of the British slave ship Zong on and in the days following 29 November 1781. The William Gregson slave-trading syndicate, based in Liverpool, owned the ship as part of the Atlantic slave trade. As was common business practice, they had taken out insurance on the lives of the enslaved Africans as cargo. According to the crew, when the ship ran low on drinking water following navigational mistakes, the crew threw enslaved Africans overboard.
Kenwood House is a former stately home in Hampstead, London, on the northern boundary of Hampstead Heath. The present house, built in the late 17th century, was remodelled in the 18th century for William Murray, 1st Earl of Mansfield by Scottish architect Robert Adam, serving as a residence for the Earls of Mansfield until the 20th century.
Dido Elizabeth Belle was a British gentlewoman. She was born into slavery and illegitimate; her mother, Maria Belle, was an enslaved Black woman in the British West Indies. Her father was Sir John Lindsay, a British career naval officer who was stationed there; later knighted and promoted to admiral. Lindsay took Dido with him when he returned to England in 1765, entrusting her upbringing to his uncle William Murray, 1st Earl of Mansfield, and his wife Elizabeth Murray, Countess of Mansfield. The Murrays educated Belle, bringing her up as a free gentlewoman at their Kenwood House, together with another great-niece, Lady Elizabeth Murray, whose mother had died. Lady Elizabeth and Belle were second cousins. Belle lived there for 30 years. In his will of 1793, Lord Mansfield provided an outright sum and an annuity to her.
Watson and the Shark is an oil painting by the Anglo-American painter John Singleton Copley, depicting the rescue of the English boy Brook Watson from a shark attack in Havana, Cuba. Copley, then living in London, painted three versions, which are all now in the United States. The 1778 version is in the National Gallery of Art, Washington, D.C. A second, full-size 1778 replica is now in the Museum of Fine Arts, Boston, and a third, smaller, 1782 version with a more vertical composition is in the Detroit Institute of Arts.
Sir Brook Watson, 1st Baronet was an English merchant and politician who served as the Lord Mayor of London from 1796 to 1797. He is best known as the subject of John Singleton Copley's painting Watson and the Shark, which depicts a shark attack on Watson as a young man in Havana that resulted in the loss of his right leg below the knee.
Colonel Isaac Royall Jr. was an Antiguan-born merchant, politician, slave trader and military officer who spent the majority of his life in the Province of Massachusetts Bay.
Rear-Admiral Sir John Lindsay was a British naval officer of the 18th century, who achieved the rank of rear admiral late in his career. Joining the Navy during the Seven Years' War, he served off France, followed by service for several years as captain of a warship stationed in the West Indies. After war's end, he returned to Britain, serving as an MP for Aberdeen Burghs from 1767 to 1768. From August 1769 to March 1772 Lindsay was promoted to commodore and assigned as commander-in-chief of the East Indies Station. He resigned from the Navy for a period following the Battle of Ushant (1778) off the coast of France, during the American War of Independence. In 1784 he was assigned as commodore and commander-in-chief in the Mediterranean. In the last year of his life, he was promoted to rear admiral as an honorary position, as his failing health prevented him from taking a command.
Lady Elizabeth Mary Finch-Hatton was a British aristocrat and the subject of a notable painting, once thought to be by Johann Zoffany, now attributed to David Martin.
George Carter (1737–1794) was an English artist who described himself as a "historical portrait painter". He visited Italy in the company of John Singleton Copley, who had a significant influence on his work, and spent some time in India.
Somerset v Stewart (1772) 98 ER 499 is a judgment of the English Court of King's Bench in 1772, relating to the right of an enslaved person on English soil not to be forcibly removed from the country and sent to Jamaica for sale. According to one reported version of the case, Lord Mansfield decided that:
The state of slavery is of such a nature that it is incapable of being introduced on any reasons, moral or political, but only by positive law, which preserves its force long after the reasons, occasions, and time itself from whence it was created, is erased from memory. It is so odious, that nothing can be suffered to support it, but positive law. Whatever inconveniences, therefore, may follow from the decision, I cannot say this case is allowed or approved by the law of England; and therefore the black must be discharged.
The Death of the Earl of Chatham is the title of a 1781 oil-on-canvas painting by Boston-born American artist John Singleton Copley. It depicts the collapse of William Pitt, 1st Earl of Chatham on 7 April 1778, during a debate in the House of Lords on the American War of Independence. Chatham is surrounded by peers of the realm, and the painting contains fifty-five portraits.
Belle is a 2013 British period drama film directed by Amma Asante, written by Misan Sagay and produced by Damian Jones. It stars Gugu Mbatha-Raw, Tom Wilkinson, Miranda Richardson, Penelope Wilton, Sam Reid, Matthew Goode, Emily Watson, Sarah Gadon, Tom Felton, and James Norton.
Benjamin Smith (1754–1833) was a British engraver, printseller and publisher, active from 1786 to 1833. He was born c. 1754 in London. He worked mainly in dot or stipple engraving, producing portraits, illustrations, and allegorical and biblical subjects after prominent artists of the day.
A Boy with a Flying Squirrel (Henry Pelham), or Henry Pelham (Boy with a Squirrel), is a 1765 painting by the American-born painter John Singleton Copley. It depicts Copley's teenaged half-brother Henry Pelham with a pet flying squirrel, a creature commonly found in colonial American portraits as a symbol of the sitter's refinement. Painted while Copley was a Boston-based portraitist aspiring to be recognized by his European contemporaries, the work was brought to London for a 1766 exhibition. There, it was met with overall praise from artists like Joshua Reynolds, who nonetheless criticized Copley's minuteness. Later historians and critics assessed the painting as a pivotal work in both Copley's career and the history of American art. The work was featured in exhibitions at the Museum of Fine Arts, Boston, and the National Gallery of Art. As of 2023, it is held by the former.
Mary Singleton Copley Pelham was an Irish-American colonial settler. Her son was the artist John Singleton Copley. She operated a tobacco retail and wholesale business and taught education, art, and manners classes. By 1751, she had been widowed twice. Her sons, John Singleton Copley and Henry Pelham were accomplished artists. She was step-mother to her second husband, Peter Pelham's five children.
The Battle of Camperdown is a 1799 history painting by the American-born painter John Singleton Copley. It depicts the conclusion to the Battle of Camperdown on 11 October 1797, which was fought in the North Sea between fleets of the Royal Navy and the Batavian Navy during the War of the First Coalition. A decisive British victory, Copley's painting shows British Admiral Adam Duncan accepting the surrender of the Batavian Admiral Jan Willem de Winter. Its full title is The Surrender of the Dutch Admiral de Winter to Admiral Duncan at the Battle of Camperdown.
Portrait of Thomas Gage is a 1768 portrait painting by the American artist John Singleton Copley depicting the British general Thomas Gage.
