The Death of the Earl of Chatham | |
---|---|
Artist | John Singleton Copley |
Year | 1781 |
Medium | Oil on canvas |
Dimensions | 228.5 cm× 307.5 cm(90.0 in× 121.1 in) |
Location | National Portrait Gallery (by courtesy of the Tate), London |
The Death of the Earl of Chatham is the title of a 1781 oil-on-canvas painting by Boston-born American artist John Singleton Copley. It depicts the collapse of William Pitt, 1st Earl of Chatham on 7 April 1778, during a debate in the House of Lords on the American War of Independence. Chatham is surrounded by peers of the realm, and the painting contains fifty-five portraits. [1]
Copley's painting also serves as a visual record of the appearance of the Armada tapestries, which were destroyed in the 1834 Burning of Parliament.
Lord Chatham was the architect of the British victory in the Seven Years' War (1757–1763), in which Britain won supremacy in America. [2] Although sympathetic to American grievances and against the use of force to subdue the Americans, he was opposed to American independence.
On 23 March 1778 the Duke of Richmond proposed in the Lords to withdraw all British troops from America. This was defeated by 56 votes to 28. On 5 April he sent Chatham a draft of the Address in which he argued for "entreating his Majesty to dismiss his Ministers, and withdraw his forces, by sea and land, from the revolted provinces...I am willing to hope that differences of opinion were more apparent than real, and arose only from want of opportunities to communicate and to explain." [3] Chatham replied in third person: "It is an unspeakable concern to him, to find himself under so wide a difference with the Duke of Richmond, as between the sovereignty and allegiance of America, that he despairs of bringing about successfully any honourable issue". [4]
Chatham was determined to answer Richmond's motion and so on 7 April he went to the House of Lords, swathed in flannels, supported by crutches and leaning on the arm of his 18-year-old son William Pitt the Younger. Lord Camden wrote to Lord Grafton, describing Chatham as:
...pale and emaciated. Within his large wig little more was to be seen than his aquiline nose, and his penetrating eye. He looked more like a dying man; yet never was seen a figure of more dignity; he appeared like a being of a superior species. Sensing the historic nature of the occasion, all the peers rose in their places. [4]
Richmond in his speech said that as the Americans could not be defeated they were independent already and that recognising this fact was common sense. Lord Weymouth then spoke for the government. Chatham then rose in his place: "He took one hand from his crutch and raised it, casting his eyes towards heaven...He appeared to be extremely feeble and spoke with that difficulty of utterance which is the characteristic of severe indisposition". [4] Chatham said:
My Lords, I rejoice that the grave has not closed upon me; that I am still alive to lift up my voice against the dismemberment of this ancient and most noble monarchy! Pressed down as I am by the hand of infirmity, I am little able to assist my country in this most perilous conjuncture; but, my Lords, while I have sense and memory, I will never consent to deprive the royal offspring of the House of Brunswick, the heirs of the Princess Sophia, of their fairest inheritance. Where is the man that will dare to advise such a measure? My Lords, his Majesty succeeded to an empire as great in extent as its reputation was unsullied. Shall we tarnish the lustre of this nation by an ignominious surrender of its rights and fairest possessions? Shall this great kingdom, that has survived, whole and entire, the Danish depredations, the Scottish inroads, and the Norman conquest; that has stood the threatened invasion of the Spanish Armada, now fall prostrate before the House of Bourbon? Surely, my Lords, this nation is no longer what it was! Shall a people, that seventeen years ago was the terror of the world, now stoop so low as to tell its ancient inveterate enemy, take all we have, only give us peace? It is impossible! ...My Lords, any state is better than despair. Let us at least make one effort; and if we must fall, let us fall like men! [5]
After delivering this speech Chatham suddenly pressed his hand to his heart and fell back in a swoon. The Duke of Cumberland, Lord Temple and other peers, along with Chatham's younger son James Pitt, hastened to assist Chatham. Chatham was then "removed into the Prince's Chamber, and the medical assistance of Dr. Brocklesby, who happened to be in the House, was instantly procured". He was then carried to a house at Downing Street and later that day back to his home at Hayes, Kent. Chatham, aged 69, died there on 11 May. [6]
Technically the title is a misnomer as his death did not take place until 34 days after the collapse portrayed and at home away from the Palace of Westminster.
Copley positions Chatham beneath the tapestries depicting the defeat of the Spanish Armada made by Hendrick Cornelisz Vroom. Chatham's vision of the strength of the British Empire resting upon commercial expansion via the sea and his collapsing beneath the depiction of one of England's greatest naval victories are connected and symbolic. [2]
Copley also shows Lord Mansfield, one of Chatham's enemies, seated in indifference.
Copley rented out a private room to exhibit the painting, charging for admission. He also made money from the painting from prints of it, marketed by John Boydell. [1]
William Pitt, 1st Earl of Chatham, was a British Whig statesman who served as Prime Minister of Great Britain from 1766 to 1768. Historians call him "Chatham" or "Pitt the Elder" to distinguish him from his son William Pitt the Younger, who also served as prime minister. Pitt was also known as "the Great Commoner" because of his long-standing refusal to accept a title until 1766.
The Speech to the Troops at Tilbury was delivered on 9 August Old Style 1588 by Queen Elizabeth I of England to the land forces earlier assembled at Tilbury in Essex in preparation for repelling the expected invasion by the Spanish Armada.
William Pitt was a British statesman, the youngest and last prime minister of Great Britain from 1783 until the Acts of Union 1800, and then first prime minister of the United Kingdom from January 1801. He left office in March 1801, but served as prime minister again from 1804 until his death in 1806. He was also Chancellor of the Exchequer for all of his time as prime minister. He is known as "Pitt the Younger" to distinguish him from his father, William Pitt the Elder, who had also previously served as prime minister.
Charles James Fox, styled The Honourable from 1762, was a British Whig politician and statesman whose parliamentary career spanned 38 years of the late 18th and early 19th centuries. He was the arch-rival of the Tory politician William Pitt the Younger; his father Henry Fox, 1st Baron Holland, a leading Whig of his day, had similarly been the great rival of Pitt's famous father, William Pitt, 1st Earl of Chatham.
John Singleton Copley was an Anglo-American painter, active in both colonial America and England. He was believed to be born in Boston, Province of Massachusetts Bay, to Richard and Mary Singleton Copley, both Anglo-Irish. After becoming well-established as a portrait painter of the wealthy in colonial New England, he moved to London in 1774, never returning to America. In London, he met considerable success as a portraitist for the next two decades, and also painted a number of large history paintings, which were innovative in their readiness to depict modern subjects and modern dress. His later years were less successful, and he died heavily in debt. He was father of John Copley, 1st Baron Lyndhurst and half-brother of Henry Pelham, the American painter, engraver, and cartographer.
William Petty Fitzmaurice, 1st Marquess of Lansdowne, was an Anglo-Irish Whig statesman who was the first home secretary in 1782 and then prime minister in 1782–83 during the final months of the American War of Independence. He succeeded in securing peace with America and this feat remains his most notable legacy.
John Singleton Copley, 1st Baron Lyndhurst, was a British lawyer and politician. He was three times Lord High Chancellor of Great Britain.
Charles Pratt, 1st Earl Camden, PC was an English lawyer, judge and Whig politician who was first to hold the title of Earl Camden. As a lawyer and judge he was a leading proponent of civil liberties, championing the rights of the jury, and limiting the powers of the State in leading cases such as Entick v Carrington.
Charles Howard, 1st Earl of Nottingham, 2nd Baron Howard of Effingham, KG, known as Lord Howard of Effingham, was an English statesman and Lord High Admiral under Elizabeth I and James I. He was commander of the English forces during the battles against the Spanish Armada and was chiefly responsible for the victory that saved England from invasion by the Spanish Empire.
General John Pitt, 2nd Earl of Chatham, also 2nd Viscount Pitt and 2nd Baron Chatham, was a British soldier and politician. He spent a lengthy period in the cabinet but is best known for commanding the disastrous Walcheren Campaign of 1809.
William Wentworth-Fitzwilliam, 4th Earl Fitzwilliam, PC, styled Viscount Milton until 1756, was a British Whig statesman of the late 18th and early 19th centuries. In 1782 he inherited the estates of his uncle Charles Watson-Wentworth, 2nd Marquess of Rockingham, making him one of the richest people in Britain. He played a leading part in Whig politics until the 1820s.
Thomas Pitt, 1st Baron Camelford was a British politician who sat in the House of Commons from 1761 until 1784 when he was raised to the peerage as Baron Camelford. He was an art connoisseur.
Sir Brook Watson, 1st Baronet was an English merchant and politician who served as the Lord Mayor of London from 1796 to 1797. He is best known as the subject of John Singleton Copley's painting Watson and the Shark, which depicts a shark attack on Watson as a young man in Havana that resulted in the loss of his right leg below the knee.
The Habeas Corpus Bill of 1758 was a failed bill that would have extended habeas corpus if passed.
George Carpenter, 2nd Earl of Tyrconnell, styled The Honourable George Carpenter until 1761 and Viscount Carlingford between 1761 and 1762, was a British politician who sat in the House of Commons for 30 years from 1772 to 1802.
The Chatham ministry was a British government led by William Pitt, 1st Earl of Chatham that ruled between 1766 and 1768. Because of Pitt's former prominence before his title, it is sometimes referred to as the Pitt ministry. Unusually for a politician considered to be prime minister, Pitt was not First Lord of the Treasury during the administration, but instead held the post of Lord Privy Seal.
The Death of General Montgomery in the Attack on Quebec, December 31, 1775 is an oil painting completed in 1786 by the American artist John Trumbull. It depicts American general Richard Montgomery at the Battle of Quebec during the invasion of Quebec. The painting is on view at the Yale University Art Gallery in New Haven, Connecticut. It is the second in Trumbull's series of national historical paintings on the American Revolutionary War, the first being The Death of General Warren at the Battle of Bunker's Hill, June 17, 1775.
The Armada Tapestries were a series of ten tapestries that commemorated the defeat of the Spanish Armada. They were commissioned in 1591 by the Lord High Admiral, Howard of Effingham, who had commanded the Royal Navy against the Armada. In 1651 they were hung in the old House of Lords chambers, which at the time was used for the meetings of the committee of Parliament. They remained there until destroyed in the Burning of Parliament of 1834.
A Boy with a Flying Squirrel (Henry Pelham), or Henry Pelham (Boy with a Squirrel), is a 1765 painting by the American-born painter John Singleton Copley. It depicts Copley's teenaged half-brother Henry Pelham with a pet flying squirrel, a creature commonly found in colonial American portraits as a symbol of the sitter's refinement. Painted while Copley was a Boston-based portraitist aspiring to be recognized by his European contemporaries, the work was brought to London for a 1766 exhibition. There, it was met with overall praise from artists like Joshua Reynolds, who nonetheless criticized Copley's minuteness. Later historians and critics assessed the painting as a pivotal work in both Copley's career and the history of American art. The work was featured in exhibitions at the Museum of Fine Arts, Boston, and the National Gallery of Art. As of 2023, it is held by the former.
The Portrait of Lord Mansfield is a 1783 portrait painting by the Anglo-American artist John Singleton Copley. It depicts the Scottish politician and lawyer William Murray, 1st Earl of Mansfield who was serving as Lord Chief Justice at the time. He is shown in his robes as a member of the House of Lords where he sat as the Earl of Mansfield.