Dream Girl (play)

Last updated
Dream Girl
Written by Elmer Rice
Directed byElmer Rice
Date premieredDecember 14, 1945
Place premiered Coronet Theatre
Original language English
SubjectBookstore manager daydreams thru life
GenreComedy
SettingOne day in Spring

Dream Girl is a 1945 two-act comedy by Elmer Rice, with a large cast, multiple sets, and quick pacing. [1] It depicts a day in the life of a daydreaming bookstore manager, whose vivid fantasies form much of the play's action. The work makes great demands on the actress playing this part, as she is on stage constantly, [2] must make costume and mood changes while jumping between sets, [3] and delivers long soliloquies and a Shakespearean speech. According to some reviewers, her spoken lines were the longest female part known up to that time, nearly as long as Hamlet. [4] [5] The dream fantasies prompted comparison to the short story "The Secret Life of Walter Mitty", [fn 1] [6] but critics at the time more often suggested the play Lady in the Dark as an influence. [1] [7]

Contents

Dream Girl was first produced by the Playwrights' Company, of which Rice was a member, with the author directing his then wife Betty Field in the starring role. [8] The complex scenic and lighting designs were devised by Jo Mielziner, and the ladies' gowns by Mainbocher. [8] The play predated the Tony Awards, but Betty Field won the New York Drama Critics Award for Best Performance by an Actress. The original Broadway run lasted for one year, though the production was on hiatus during the summer months. [9] It was a critical and popular success, was nominated for the New York Drama Critics Circle Award for Best Play of 1946, [fn 2] and within a few months of opening had made back its original investment.

The original production spun off separate companies in London and Chicago during 1946, [9] [10] and a national tour. [11] It had a brief Broadway revival in 1951, [12] and has been since adapted for film and television. [13] [14]

Characters

For clarity, only principal "real" characters are listed; featured and dream scene characters are omitted.

Lead

Supporting

Synopsis

Georgie Allerton wakes one morning to hear on her bedside radio a promotion for a personal advice program. Ignoring her mother's calls to get moving, Georgie imagines herself on the radio program, clutching her bedside lamp like a microphone while she reveals her love for her brother-in-law to millions. Her fantasy punctured by her mother's intervention, Georgie joins her parents at the breakfast table. There she reveals that the Mermaid Bookshop has lost less money this month than ever before. Her father William announces he's going to Washington D.C. to plead before the Supreme Court for another impecunious client. Lucy, sneezing from a cold, despairs about both their businesses and that of her hapless son-in-law Jim, who reads manuscripts for thirty dollars a week. Jim had rejected a manuscript called Always Opal that later became a runaway hit. [fn 3] Georgie jumps to Jim's defense, since he has recommended her own manuscript to his publisher. Her sister Miriam comes in the kitchen and reveals she is pregnant and fed up with her husband. Georgie goes into another fantasy where she lies in a hospital delivery room with twin newborns, while the doctor and nurse (looking a lot like her parents) and Jim Lucas praise her courage.

Later at the bookstore, her colleague Claire Blakely agrees that without any copies of Always Opal the store will never prosper. The store's location is poor, and a better one will cost them $10,000, money they don't have. Georgie reverts to daydreaming her way out of this dilemma. Her reverie of financial success is interrupted by a stranger named Clark Redfield, who sells her some review copies of books. He doesn't need them since he never reads the books he reviews for his newspaper. [fn 4] Clark angers Georgie by telling her to stop dreaming and live life. Jim Lucas then pops into the shop to let her know that Miriam and he are divorcing. Georgie next has a lunch date with George Hand at the Canard Rouge. He wants her to go to Mexico with him. She launches into another fantasy where she gives in to him, then is abandoned in Mexico to become a streetwalker in which Clark figures as a villain. As the afternoon goes by, Clark's presence in her daydreams changes from bad guy to good, while Jim Lucas gradually disappears.

Clark returns to the bookstore to take Georgie to dinner at Emilio's, a modest "spaghetti and red ink joint", where he has to snap her back to reality from another daydream. They go to see The Merchant of Venice ; an usher seats George Hand and an expensively-gowned young lady next to them. As the play proceeds, Georgie imagines herself volunteering to take over the role of Portia when the star falters. She delivers the quality of mercy speech but the dream breaks when she sees Clark grinning at her from the audience. She and Clark wake up a Justice of the Peace at 2 am for a quick marriage ceremony, with a mutual promise that she can keep dreaming but will try to do so less often.

Original production

Background

The first public notice of Dream Girl came in early July 1945 when it appeared on the Playwrights' Company schedule for the coming season. [15] By late August columnist Sam Zolotow was able to get the details for the Playwrights' Company deal with Paramount Pictures. [16] Paramount would contribute $50,000 towards the play's production costs, and make a $100,000 down payment to the Playwrights for the film rights with the total cost not to exceed $300,000. Zolotow also revealed that Betty Field would play the starring role when the play opened in December. [16]

Scenic and lighting design

The production had a unique set design by Jo Mielziner, which consisted of three tracked platforms, [6] each about 10 square feet. [17] There was one stationed on each wing of the stage that slid into the center, and one more in the center background that slid forward. [6] Each mobile platform was concealed by masking curtains or props when in the withdrawn position, but were visible to the audience when slid onto the main stage, though a neutral gray background screen hid the stagehands who propelled them. [17] The platforms contained a minimum of props. [6] The sets were lit in amber for "reality" and in a blue lighting scheme to signal a dream sequence. [17] One scene involving a hospital delivery room was expedited by use of a "breakaway bed", which allowed the lead actress to stand behind it and in front of a fake headboard so she appeared to be sitting up in the bed. [17]

Cast

Principal cast for the tryouts in New Haven and Boston and during the original Broadway run. The show was on hiatus from July 7 through September 1, 1946.
RoleActorDatesNotes and sources
Georgina Allerton Betty Field Nov 22, 1945 - Apr 27, 1946Field took an extended vacation for her health, planning to return after the summer. [18]
Haila Stoddard Apr 29, 1946 - Jul 06, 1946Stoddard, hired during winter 1946 as a full-time understudy, had already subbed for Field. [18]
Betty FieldSep 02, 1946 - Sep 21, 1946Field was taken ill and no understudy was available, so the play shut down for a week. [19]
June Havoc Sep 28, 1946 - Dec 14, 1946Havoc took over the lead role from the ailing Field one week ahead of schedule. [19]
Lucy Allerton Evelyn Varden Nov 22, 1945 - Jul 06, 1946Varden's departure was announced midway thru the summer hiatus. [20]
Edith King Sep 02, 1946 - Dec 14, 1946 [20]
William AllertonWilliam A. LeeNov 22, 1945 - Dec 14, 1946Lee played six dream scene roles as his real character leaves for Washington D.C. early in Act I.
Miriam Allerton LucasSonya StokowskiDec 14, 1945 - May 11, 1946Stokowski left the play and her short theatrical career to get married. [fn 5] [21]
Gaynelle NixonMay 13, 1946 - Dec 14, 1946Nixon was promoted from a feature role when Stokowski left. [22]
Jim LucasKevin O'SheaNov 22, 1945 - Dec 14, 1946
Claire BlakelyHelen MarcyNov 22, 1945 - Dec 14, 1946Marcy played the lead role of Georgie for a week when Betty Field went out sick. [23] [24]
Clark Redfield Wendell Corey Nov 22, 1945 - Jul 06, 1946Corey left during the summer hiatus for work in Hollywood. [20]
Richard MidgleySep 02, 1946 - Dec 14, 1946 [25]
George Hand Edmon Ryan Nov 22, 1945 - Dec 14, 1946

Tryouts

The first tryout was held at the Shubert Theatre in New Haven, Connecticut on November 22, 1945. [26] The local reviewer was enthusiastic about the play, particularly the staging, set and lighting design, and Betty Field's performance. They expressed relief that the author eschewed the ideology of his recent plays in favor of "brilliant lines, high comedy, and delicious burlesque", and reported the "satire is delightful, and never malicious". [26]

After four performances, the production went to the Plymouth Theatre in Boston, opening there on November 26, 1945. [27] Local critic Cyrus Durgin was impressed: "The whole production is distinguished by skill, imagination, good casting, and excellent taste. Dream Girl is urbane as well as amusing." [27] He had only one caveat, that "the script is a bit overpowered by stage mechanics", referring to the mobile platforms. [27]

Premiere and reception

The play had its Broadway premiere on December 14, 1945, at the Coronet Theatre. Betty Field had top billing; no other performers were listed in the initial advertising. [28] Critical appraisal was positive. John Chapman of the Daily News called it "a captivating comedy" and aptly labelled his review a "love letter to the Playwrights' Company... and to Mr. and Mrs. Rice". [6] Syndicated columnist Jack Garver said "Miss Field, who wasn't off the stage five minutes the whole evening, carried off a rather trying role superbly" and complimented the set design: "The many scenes were presented with the precision and quickness of watch ticks through the use of tracked platforms". [29] Edgar Price in the Brooklyn Citizen declared Dream Girl to be "one of the most delightful comedies of this or any other season". [2]

Two reviewers displayed a more nuanced appreciation, while still rating the work as worth seeing. Arthur Pollock of the Brooklyn Daily Eagle said "It is all rather elaborately and expensively childish, giving Betty Field, the star, a variety of things to do, but otherwise having little to bring it importance of any sort". [8] Lewis Nichols of The New York Times was more specific, suggesting the first act was too "talky" and should be cut. [1]

The play's demanding toll on its lead actress became apparent after the third night's performance; Betty Field succumbed to "the grippe" and was out for a week. [23] Newspapers had previously reported that Sonya Stokowski was the understudy for the role of Georgie, [30] but the producers evidently had second thoughts. Helen Marcy memorized the part overnight and performed it the next day. [5] When Marcy completed Portia's "The quality of mercy" speech late in the second act the audience gave her "resounding applause". [31] Thereafter, a permanent understudy, Haila Stoddard, was hired; she subbed for a week when Betty Field was again ill during March 1946, then took over the role in late April. [32]

Closing

Dream Girl closed on Broadway exactly one year after its premiere, following a run of 348 performances. [33] The Chicago company, which had starred Judy Parrish and Richard Widmark, had already closed November 30, 1946. [34] Members of both casts were combined for a national tour to begin in Philadelphia. [35]

National tour

The national tour opened at Philadelphia's Walnut Theater on December 23, 1946. [11] It was headed initially by June Havoc from Broadway and Richard Widmark from the Chicago company. Also in the cast were William A. Lee, Gaynelle Nixon, and Kevin O'Shea from Broadway, with Ann Andrews and Hayden Rorke from Chicago. [11] Later on in 1947, Lucille Ball headlined the production. [36]

Revival

During May 1951 Dream Girl had a revival on Broadway, a limited engagement of two weeks at the City Center. [12] It starred Judy Holiday, with Edmon Ryan and William A. Lee reprising their roles from the original production. [37] The cavernous City Center main stage meant new set designer Eldon Elder could forego Mielziner's mobile platforms. The production was directed by Morton DaCosta along much the same lines as the original staging, according to reviewer John Chapman. [12]

Adaptations

Film

A 1948 screen version, directed by Mitchell Leisen, starred Betty Hutton, Macdonald Carey, Peggy Wood, and Walter Abel. [13]

Television

In 1955 a televised version adapted by S. Mark Smith was presented in the Hallmark Hall of Fame series. It starred Vivian Blaine. [14] In 1969 a second televised version was proposed in Italy. It starred Adriana Asti and Mariano Rigillo.

Stage musical

In 1965, it was adapted for the Broadway musical stage under the title Skyscraper . [38]

Notes

  1. ↑ The film of that name was not released until two years after this play debuted.
  2. ↑ There were six nominees but after several rounds of voting it was decided to go with "No Award", an option on the ballots. See The New York Times article "Play Critics Vote No Award For Year" dated April 3, 1946, page 38 for a detailed explanation of the voting.
  3. ↑ A topical allusion to Forever Amber then a best seller
  4. ↑ The author Elmer Rice had a famously tempestuous relationship with reviewers and critics.
  5. ↑ She was the daughter of Leopold Stokowski and Olga Samaroff.

Related Research Articles

<span class="mw-page-title-main">Betty Field</span> American actress (1916–1973)

Betty Field was an American film and stage actress.

<span class="mw-page-title-main">Peggy Ann Garner</span> American child actress (1932–1984)

Peggy Ann Garner was an American child actress.

<span class="mw-page-title-main">Frieda Inescort</span> Scottish actress

Frieda Inescort was a Scottish actress best known for creating the role of Sorel Bliss in Noël Coward's play Hay Fever on Broadway. She also played the shingled lady in John Galsworthy's 1927 Broadway production Escape and Caroline Bingley in the 1940 film of Jane Austen's Pride and Prejudice.

<span class="mw-page-title-main">Diana Lynn</span> American actress (1926–1971)

Diana Marie Lynn was an American actress. She built her career by starring in Paramount Pictures films and various television series during the 1940s and 1950s. Two stars on Hollywood Walk of Fame are dedicated to her name.

<span class="mw-page-title-main">Noel Neill</span> American actress (1920–2016)

Noel Darleen Neill was an American actress, pin-up girl, and model. She played Lois Lane in the film serials Superman (1948) and Atom Man vs. Superman (1950), as well as the 1950s television series Adventures of Superman. She appeared in 80 films and television series in her career.

<span class="mw-page-title-main">Jeanne Cagney</span> American actress (1919–1984)

Jeanne Carolyn Cagney was an American film, stage, and television actress.

<span class="mw-page-title-main">Wesley Addy</span> American actor (1913–1996)

Robert Wesley Addy was an American actor of stage, television, and film.

The Miss New York scholarship competition selects the representative for the state of New York in the Miss America scholarship competition.

Broadway Rose gained notoriety in the 1940s as a panhandler in the Broadway Theater District of New York City.

<span class="mw-page-title-main">Selena Royle</span> American actress

Selena Royle was an American actress of stage, radio, television and film and later, an author.

<i>The Old Maid</i> (play)

The Old Maid is a 1934 play by American playwright Zoë Akins, adapted from Edith Wharton's 1924 novella of the same name. The play as published has six "episodes", covering twenty-one years of time. It has a large cast, and three settings; one is used for the last four episodes (scenes). The story concerns two women, cousins, who allow rancor over a lost love to become a struggle for the illegitimate daughter of one.

Me and Molly is a three-act play with eight scenes by Gertrude Berg, based on Berg's long-running radio drama The Goldbergs. It has a large cast, one setting, and moderate pacing. It is a domestic situation comedy, bordering on soap opera, as Jake Goldberg tries to start his own business while his family adjusts to life in a new apartment.

<i>Dream Girl</i> (1948 film) 1948 film by Mitchell Leisen

Dream Girl is a 1948 American comedy film directed by Mitchell Leisen, adapted from the 1945 play of the same name written by Elmer Rice. It stars Betty Hutton and Macdonald Carey.

<span class="mw-page-title-main">Rosemary LaPlanche</span> American actress (1923–1979)

Rosemary E. LaPlanche was an American beauty queen and actress. She won Miss California three years in a row (1939–1941), and won Miss America in 1941.

<i>The Girl in the Limousine</i> (play) Play by Wilson Collison and Avery Hopwood

The Girl in the Limousine is a play written by Wilson Collison and Avery Hopwood. The story is a bedroom farce about a man who accidentally finds himself undressed in the bedroom of his ex-girlfriend. Producer A. H. Woods staged it on Broadway in 1919. The production was a success, closing at the end of January 1920 after 137 performances. The play was adapted into a movie in 1924.

<span class="mw-page-title-main">Elspeth Eric</span> American actress (1907–1993)

Elspeth Thexton Eric was an American actress in old-time radio, "usually cast as the other woman in soaps and serials".

<span class="mw-page-title-main">Lola Lane</span> American actress (1906–1981)

Lola Lane was an American actress and one of the Lane Sisters with her sisters Leota, Rosemary, and Priscilla Lane. She appeared on Broadway and in films from the 1920s to 1940s.

Betty Lynne (1911–2011) was a British film actress. During the late 1930s she played the female lead in a number of quota quickies, several of them for Warner Bros. at Teddington Studios. In 1939 she co-starred with Robert Newton in the thriller Dead Men are Dangerous.

Adele Longmire was an American actress.

Vivienne Baber was an actress in the United States. She had a starring role in the 1932 film The Black King.

References

  1. 1 2 3 Nichols, Lewis (December 15, 1945). "The Play". New York Times. New York, New York. p. 13 – via NYTimes.com.
  2. 1 2 Price, Edgar (December 17, 1945). "The Premiere". Brooklyn Citizen. Brooklyn, New York. p. 10 – via Newspapers.com.
  3. ↑ Chapman, John (April 21, 1946). "Some Bests of the Season". Daily News. New York, New York. p. 71 – via Newspapers.com.
  4. ↑ Martin, Willa (December 22, 1945). "Fast Movving Hamlet Clicks". The Charlotte News. Charlotte, North Carolina. p. 12 – via Newspapers.com.
  5. 1 2 O'Brian, Jack (January 11, 1946). "Broadway". Rocky Mount Telegram. Rocky Mount, North Carolina. p. 4 – via Newspapers.com.
  6. 1 2 3 4 5 Chapman, John (December 23, 1945). "Mr. and Mrs. Rice Co-Star". Daily News. New York, New York. p. 42 – via Newspapers.com.
  7. ↑ O'Brien, Jack (December 15, 1945). "Elmer Rice Wins Critic's Praise For 'Dream Girl'". Buffalo Evening News. Buffalo, New York. p. 16 – via Newspapers.com.
  8. 1 2 3 Pollock, Arthur (December 15, 1945). "Theater". Brooklyn Daily Eagle. Brooklyn, New York. p. 12 – via Newspapers.com.
  9. 1 2 "'Girl' Vacations". Daily News. New York, New York. July 3, 1946. p. 71 – via Newspapers.com.
  10. ↑ "'Dream Girl' To Reopen Sept. 2". Daily News. New York, New York. July 3, 1946. p. 145 – via Newspapers.com.
  11. 1 2 3 Martin, Linton (December 24, 1946). "Elmer Rice's 'Dream Girl' Opens, June Havoc Stars". Philadelphia Inquirer. Philadelphia, Pennsylvania. p. 7 – via Newspapers.com.
  12. 1 2 3 "Tough Ticket". Daily News. New York, New York. May 10, 1951. p. 351 – via Newspapers.com.
  13. 1 2 "Dream Girl". Variety . December 31, 1947. Retrieved August 23, 2018.
  14. 1 2 "' DREAM GIRL' ROLE FOR VIVIAN BLAINE; Actress Will Be Starred on 90-Minute 'Spectacular' for N.B.C.-TV on Dec. 11". The New York Times . October 17, 1955. Retrieved August 23, 2018.
  15. ↑ "Two Plays Here This Week". Brooklyn Daily Eagle. Brooklyn, New York. July 3, 1945. p. 10 – via Newspapers.com.
  16. 1 2 Zolotow, Sam (August 28, 1945). "'Dream Girl' Deal Calls For $300,000". New York Times. New York, New York. p. 19 – via NYTimes.com.
  17. 1 2 3 4 Elmer Rice (1973). Dream Girl. Dramatists Play Service, Inc. p. 5. ISBN   0-8222-0332-4.
  18. 1 2 "Rialto Ramblings". Brooklyn Citizen. Brooklyn, New York. April 10, 1946. p. 10 – via Newspapers.com.
  19. 1 2 "Betty Field Out Again, Havoc to Go in Saturday". Daily News. New York, New York. September 24, 1946. p. 131 – via Newspapers.com.
  20. 1 2 3 Zolotow, Sam (August 9, 1946). "June Havoc Taking Betty Field Role". New York Times. New York, New York. p. 24 – via NYTimes.com.
  21. ↑ Randolph, Nancy (May 28, 1946). "Who'll Give Sonya Stokowski Away at the Altar June 8?". Daily News. New York, New York. p. 246 – via Newspapers.com.
  22. ↑ "Ballet, Shows Pull City Center Out of Red for 3rd Year". Daily News. New York, New York. May 22, 1946. p. 716 – via Newspapers.com.
  23. 1 2 Sylvester, Robert (December 18, 1945). "Beauty Comes to 49th Street". Daily News. New York, New York. p. 39 – via Newspapers.com.
  24. ↑ Quirk, Davia (December 25, 1946). "Forrest and Wright Adapting Villa-Lobos for a New Musical". Daily News. New York, New York. p. 306 – via Newspapers.com.
  25. ↑ Zolotow, Sam (September 2, 1946). "'Dream Girl' Back At Coronet Today". New York Times. New York, New York. p. 18 – via NYTimes.com.
  26. 1 2 B.H.S. (November 24, 1945). "Have You Seen". Meriden Record. Meriden, Connecticut. p. 5 – via Newspapers.com.
  27. 1 2 3 Durgin, Cyrus (November 27, 1945). "The Stage". The Boston Globe. Boston, Massachusetts. p. 6 – via Newspapers.com.
  28. ↑ "The Playwrights' Company presents (ad)". Daily News. New York, New York. December 15, 1945. p. 195 – via Newspapers.com.
  29. ↑ Garver, Jack (December 17, 1945). "Broadway". Dunkirk Evening Observer. Dunkirk, New York. p. 16 – via Newspapers.com.
  30. ↑ Kilgallen, Dorothy (December 15, 1945). "Voice of Broadway". The Mercury. Pottstown, Pennsylvania. p. 4 – via Newspapers.com.
  31. ↑ Garver, Jack (December 20, 1945). "Broadway". Dunkirk Evening Observer. Dunkirk, New York. p. 10 – via Newspapers.com.
  32. ↑ Watt, Douglas (March 18, 1946). "Grace Moore Plans Broadway Return; A New Dream Girl". Daily News. New York, New York. p. 239 – via Newspapers.com.
  33. ↑ Cantu, Maya (2015). American Cinderellas on the Broadway Musical Stage: Imagining the Working Girl from Irene to Gypsy p. 149. Palgrave Macmillan. ISBN   978-1-1375-3453-8.
  34. ↑ Cassidy, Claudia (November 21, 1946). "On the Aisle". Chicago Tribune. Chicago, Illinois. p. 31 – via Newspapers.com.
  35. ↑ "2 Plays Change Titles; 'Dream Girl' Ending". Daily News. New York, New York. December 9, 1946. p. 648 – via Newspapers.com.
  36. ↑ "Dream Girl – Broadway Play – 1947-1948 Tour | IBDB". www.ibdb.com. Retrieved 2021-08-17.
  37. ↑ Chapman, John (May 10, 1951). "Judy Holliday Shifts Character and Plays a Wistful 'Dream Girl'". Daily News. New York, New York. p. 351 – via Newspapers.com.
  38. ↑ Bordman, Gerald; Norton, Richard (2010). American Musical Theatre: A Chronicle p. 711. Oxford University Press. ISBN   978-0-1997-2970-8.{{cite book}}: CS1 maint: multiple names: authors list (link)
This page is based on this Wikipedia article
Text is available under the CC BY-SA 4.0 license; additional terms may apply.
Images, videos and audio are available under their respective licenses.