The album has been described in print as "a stunning collection of bluesy cabaret songs",[2] "on the pretty side of goth", and as "quite possibly Williams' most appealing work outside of Christian Death."[1] Greg Fasolino, Katherine Yeske and Scott Ferguson, of alternative music magazine Trouser Press, describe the album as "a surreal experience that could be the score to some warped, shadowy Broadway musical".[3]
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