"Dredger" | |
---|---|
Publisher | IPC Magazines |
Publication date | 14 February 1976 –7 October 1978 |
Genre | |
Title(s) | Action 14 February to 16 October 1976 4 December 1976 to 12 November 1977 Battle Action 19 November 1977 to 7 October 1978 |
Main character(s) | Dredger Simon Breed |
Creative team | |
Writer(s) | Kelvin Gosnell Pat Mills Steve MacManus Chris Lowder Geoffrey Kemp Stewart Wales Gerry Finley-Day Terry Magee Tom Tully Alan Hebden |
Artist(s) | Horacio Altuna Fred Holmes Leandro Sesarego Ricardo Villagrán Jordi Badía Romero Jesús Blasco Geoff Campion John Cooper |
Editor(s) | Geoff Kemp John Smith Sid Bicknell Dave Hunt |
"Dredger" is a British comic action story published in the weekly anthologies Action and Battle Action from 14 February 1976 to 7 October 1978 by IPC Magazines. The strip focused on the eponymous, uncompromising secret agent and his partner Breed, featuring self-contained stories that featured Dredger getting out of lethal situations with an innovative and violent approach.
Left with a short time to create an all-new comic for IPC Magazines and a shortage of suitable writers, Pat Mills and Geoff Kemp soon hit on a formula of repurposing elements of popular films. The character of Harry Callahan from the Dirty Harry film series - which had recently released a third successful instalment, The Enforcer was the inspiration for Dredger, who was then transplanted into the spy genre. [1] Part of the comic's tough image was the cachet from basing the stories on movies that themselves were largely unavailable to readers due to their certification. [2] [3] DI Jack Regan from The Sweeney - hugely popular with boys of Action's demographic, despite its post-watershed timeslot - and Mills would later admit the design of the strip's logo was based on that of the TV series. Much of the strip's development was undertaken by Gerry Finley-Day, who came up with the name, though it was Mills' idea to pair the maverick agent with old Etonian sidekick Breed. He chose this relationship to "reverse the stereotypes and have working-class heroes", an ethos he attempt to instil in the rest of Action. He would later deny that Dredger's name was the inspiration for the name of Judge Dredd, who was instead named after the ska musician. [1] Finley-Day also listed Starsky & Hutch as an influence. [4] Veteran artist Geoff Campion worked on the character's design. [5]
Mills also insisted on making "Dredger" consist of standalone stories in response to what he perceived as comics stories that "were taking the piss out of readers with these endless spun-out cliffhangers". The strip was laid out by Action's art director Doug Church [1]
The demanding nature of the all-in-one work required for "Dredger" saw it quickly burn through writers, with initial scribe Kelvin Gosnell soon making way for contributions from the likes of Steve MacManus, Chris Lowder and Stewart Wales taking turns, along with Mills and Kemp themselves. [6] Mills would recall "It was bloody hard work, and I must have been mad to do it as it was like coming up with a complete novella in three pages!". [1]
Like much of Action, "Dredger" soon gathered mainstream press disapproval for its violent and nihilistic content. Lowder would later admit "some of the Dredgers I did were mainly shock-for-shock's sake", noting that one of his contributions was created around the image of Dredger shooting a priest; another, where Dredger bit out the throat of a guard dog, was rejected by editor John Smith. Church meanwhile worked on another episode with Mills that revolved around Dredger decapitating an opponent during a train-top fight. As a result of such outrageous, twist-filled storytelling "Dredger" was second only to "Hook Jaw" as the most popular story in Action's early line-up. [5] An episode by Gosnell which featured a character being dissolved with acid pumped through a shower attracted criticism from tabloid newspaper The Sun , which was at the time moving towards becoming the country's best-selling newspaper due to an editorial decision to start printing topless pictures of young models, many of whom were under 18. [7]
While the comic was hugely popular, the press clamour against the comic reached a pitch that saw the IPC board finally order Action be withdrawn while it was extensively overhauled after the 16 October edition. The comic returned in December, with "Dredger" still in the line-up but with its violence heavily toned down and any Cold War political commentary excised; some episodes produced but unpublished before the suspension were later reused after heavy editings. While it remained one of the more popular strips in the comic relatively speaking, the more traditionalist editorial direction of veteran Sid Bicknell (who had been parachuted in to replace the scapegoated Smith) saw Action rapidly lose sales before being cancelled in November 1977. [5] "Dredger" was one of three strips to survive the merger with war comic Battle Picture Weekly , with the strip killing off Breed in the first episode, setting Dredger off on a hunt for his killer. [8] John Cooper took over as permanent artist when the story moved to what was now called Battle Action, the arrival of "Dredger" having effectively curtailed his previous assignment of another spy strip, "Gaunt". "Dredger" would continue for another 11 months before being replaced by "The General Dies at Dawn". [6] MacManus felt that despite the quality of "Dredger" it was a mistake to dilute Battle's all-war content with the stories from Action. [9]
Due to its standalone format "Dredger" was suited to reprinting, and pre-ban episodes were included in the short-lived 1987 all-reprint title All-Action Monthly , as well as the 1988 224-page softback Big Adventure Book. In 1991 selected episodes of "Dredger" were included in Martin Barker's Action - The Story of a Violent Comic, published by Titan Books.
Since 2016 the rights to "Death Game 1999", "Spinball" and "The Spinball Wars" have been owned by Rebellion Developments. [10] [11] In spring 2020 Rebellion published an Action Special 2020 under its Treasury of British Comics imprint. [12] The special included a new "Dredger" strip by Zina Hutton and Staz Johnson. In June 2022 Rebellion followed up with a hardcover Battle Action Special with new stories featuring characters from both comics, all written by Ennis and featuring another new "Dredger" strip. [13] This had a more positive reception. [14]
In 1973, the hard-case former Royal Marine Dredger joins British intelligence agency D.I.6, being partnered with public schoolboy Simon Breed. The taciturn, enigmatic Dredger immediately makes himself a name as a relentless maverick, stopping assassinations, aircraft hijackings, kidnappers, East German Secret Police, Soviet spies and more, rarely hesitating to use his Magnum .44 to solve problems and leaving a trail of destruction for his superiors to clean up.
In a study on British comics, James Chapman felt "Dredger" was a good strip but that much of its violence was gratuitous, and like several strips in Action was hard to defend from criticism in this regard. [15]
2000 AD is a weekly British science fiction-oriented comic magazine. As a comics anthology it serialises stories in each issue and was first published by IPC Magazines in 1977, the first issue dated 26 February. Since 2000 it has been published by Rebellion Developments.
John Wagner is an American-born British comics writer. Alongside Pat Mills, he helped revitalise British comics in the 1970s, and continues to be active in the British comics industry, occasionally also working in American comics. He is the co-creator, with artist Carlos Ezquerra, of the character Judge Dredd.
Crisis was a British comic anthology published by Fleetway Publications from 17 September 1988 to October 1991, initially fortnightly and later monthly. Designed to appeal to older readers than other Fleetway titles in order to take advantage of a boom in interest in 'adult' comics, Crisis featured overtly political and complex stories; one issue was even produced in conjunction with Amnesty International.
Battle Picture Weekly was a British weekly boys' war comic published by IPC Magazines from 8 March 1975 to 23 January 1988, when it merged with the new incarnation of Eagle after 644 issues. Most stories were set in World War II, with some based on other conflicts, while factual features also focused on warfare.
Action was a British weekly boys' comic published by IPC Magazines from 14 February 1976 to 5 November 1977, when it merged with war comic Battle after 86 issues. The comic was created by Pat Mills and Geoff Kemp.
Scream! was a weekly British comics periodical published by IPC Magazines from 24 March to 30 June 1984. A horror comic anthology comic, the title lasted for 15 editions before being merged with another title, Eagle.
Starlord was a British weekly boys' science fiction comic published by IPC Magazines from 13 May to 7 October 1978, when it merged with 2000 AD after 22 issues. The comic was created by Kelvin Gosnell, and was originally intended as a fortnightly sister title for 2000 AD with higher production values and an older audience, but late changes in production saw it converted into a weekly.
Tornado was a British weekly boys' adventure comic published by IPC Magazines from 24 March to 18 August 1979. The comic was partly created as a way to use up stories already commissioned for the other titles, and was marred by a difficult production. Tornado sold poorly and was merged with 2000 AD after 22 issues.
Steve MacManus is a British comic writer and editor, particularly known for his work at 2000 AD.
"Hook Jaw" is a British comic adventure story published in the weekly anthology Action from 14 February to 12 November 1977 by IPC Magazines.
"Hellman of Hammer Force" is a British comic strip published by IPC Magazines in the boys' comic anthology titles Action and later Battle between 14 February 1976 and 8 July 1978. The story was set in World War II; while war comics were common material in British comics of the time, "Hellman of Hammer Force" was rare for its use of a sympathetic Wehrmacht officer as the lead protagonist. While not as controversial as fellow Action stories such as "Kids Rule O.K." and "Hookjaw" it was nevertheless caught up in the campaign against the title by the British tabloid press.
"D-Day Dawson" is a British comic war story published in the weekly anthology Battle Picture Weekly from 8 March 1975 to 22 January 1977 by IPC Magazines. Set during World War II, the story follows Steve Dawson, a sergeant in the British Army left with an inoperable bullet next to his heart after being shot during the D-Day landings.
"The Bootneck Boy" is a British comic war story published in the weekly anthology Battle Picture Weekly from 8 March 1975 to 12 November 1977 by IPC Magazines. Set during World War II, the story follows Danny Budd, a youth from the fictional Northern England town of Tynecastle as he strives to join the Royal Marines.
"Rat Pack" is a British comic war story published in the weekly anthology Battle Picture Weekly from 8 March 1975 to 8 July 1978 by IPC Magazines. Set during World War II, the story follows the eponymous unit, compromised of a penal military unit of four criminals recruited by British Army officer Major Taggart to undertake deadly missions.
"Death Game 1999" is a British comic science fiction/sport story published in the weekly anthologies Action and Battle Action from 8 May 1976 to 3 November 1979 by IPC Magazines.
"Kids Rule O.K." is a British comic science fiction adventure story published in the weekly anthology Action from 11 September to 16 October 1976 by IPC Magazines.
Eagle, sometimes referred to as The New Eagle and known at various points in its life as Eagle and Scream!, Eagle and Tiger, Eagle and Battle, Eagle and M.A.S.K. and Eagle and Wildcat, was a British boys' adventure comic published by IPC Magazines from 27 March 1982 to January 1994. A revival of the famous Eagle, the title was initially a weekly publication until turning into a monthly in May 1991. The title was finally cancelled in January 1994, after 505 issues.
"Terror of the Cats" is a British horror comic strip character, appearing in titles published by IPC Magazines. The strip was published in the weekly anthology Scream! from 24 March to 28 April 1984. The story was initially written by Chris Lowder before he quit, with Simon Furman taking over; it was Furman's first published comics work. José Gonzalez and John Richardson provided artwork. The story concerns housecats suddenly becoming hostile to humans.
"The Nightcomers" is a British science fiction strip character, appearing in titles published by IPC Magazines. The strip debuted in the weekly anthology Scream! on 5 May 1984, running until the comic was cancelled after the 30 June 1984 edition. The story was written by Tom Tully and drawn by John Richardson.