Dresden From the Right Bank of the Elbe Below the Augustus Bridge | |
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Artist | Bernardo Bellotto |
Year | 1748 |
Medium | Oil on canvas |
Dimensions | 133 cm× 237 cm(52 in× 93 in) |
Location | Gemäldegalerie Alte Meister, Dresden |
Dresden From the Right Bank of the Elbe Below the Augustus Bridge is an oil painting on canvas executed in 1748 by the Italian urban landscape painter Bernardo Bellotto. It depicts the view of Dresden from the right bank of the River Elbe, including the Dresden Frauenkirche, the Dresden Cathedral, and the Augustus Bridge. One year earlier, he painted another piece titled Dresden From the Right Bank of the Elbe Above the Augustus Bridge , looking in the other direction from above the Augustus Bridge. Both of the paintings are in the permanent collection of the Gemäldegalerie Alte Meister. [1] [2] The paintings have proved invaluable in rebuilding parts of the city that were destroyed during the World War II.
Between 1751 and 1753, Bellotto also executed smaller replicas of the two paintings. [3] There are some other replicas from his own hand.
The Zwinger is a palatial complex with gardens in Dresden, Germany. Designed by architect Matthäus Daniel Pöppelmann, it is one of the most important buildings of the Baroque period in Germany. Along with the Frauenkirche, the Zwinger is the most famous architectural monument of Dresden.
Giovanni Antonio Canal, commonly known as Canaletto, was an Italian painter from the Republic of Venice, considered an important member of the 18th-century Venetian school.
Bernardo Bellotto, was an Italian urban landscape painter or vedutista, and printmaker in etching famous for his vedute of European cities – Dresden, Vienna, Turin, and Warsaw. He was the student and nephew of the renowned Giovanni Antonio Canal, known as Canaletto, and sometimes used the latter's illustrious name, signing himself as Bernardo Canaletto. In Germany and Poland, Bellotto called himself by his uncle's name, Canaletto. This caused some confusion, however Bellotto’s work is more sombre in color than Canaletto's and his depiction of clouds and shadows brings him closer to Dutch painting.
Königstein Fortress, the "Saxon Bastille", is a hilltop fortress near Dresden, in Saxon Switzerland, Germany, above the town of Königstein on the left bank of the River Elbe. It is one of the largest hilltop fortifications in Europe and sits atop the table hill of the same name.
The Gemäldegalerie Alte Meister in Dresden, Germany, displays around 750 paintings from the 15th to the 18th centuries. It includes major Italian Renaissance works as well as Dutch and Flemish paintings. Outstanding works by German, French, and Spanish painters of the period are also among the gallery's attractions.
Staatliche Kunstsammlungen Dresden is a cultural institution in Dresden, Germany, owned by the State of Saxony. It is one of the most renowned and oldest museum institutions in the world, originating from the collections of the Saxon electors in the 16th century.
Adriaen van der Werff was a Dutch painter of portraits and erotic, devotional and mythological scenes. He painted several works for the Medicis. His brother, Pieter van der Werff (1661–1722), was his principal pupil and assistant.
The Prodigal Son in the Brothel or The Prodigal Son in the Tavern or Rembrandt and Saskia in the parable of the prodigal son is a painting by the Dutch master Rembrandt. It is now in the Gemäldegalerie Alte Meister of Dresden, Germany. It is signed "REMBRANDT F.".
Christoph(er) Paudiß was a Bavarian Baroque painter and a student of Rembrandt van Rijn.
The Augustus Bridge is a bridge in the city of Dresden, in the state Saxony in Germany.
The Judgement of Paris refers to any of the several paintings of the Judgement of Paris produced by Peter Paul Rubens, though he did not match the 22 depictions of the subject attributed to Lucas Cranach the Elder. There were versions before about 1606, then he returned to the subject thirty years later; all take the opportunity to show nude females from different angles.
The Seven Sorrows Polyptych is an oil on panel painting by Albrecht Dürer. The painting includes a central picture, currently at the Alte Pinakothek in Munich, and seven surrounding panels which are exhibited at the Gemäldegalerie Alte Meister of Dresden.
The Tribute Money is a panel painting in oils of 1516 by the Italian late Renaissance artist Titian, now in the Gemäldegalerie Alte Meister in Dresden, Germany. It depicts Christ and a Pharisee at the moment in the Gospels when Christ is shown a coin and says "Render unto Caesar the things that are Caesar's, and unto God the things that are God's". It is signed "Ticianus F.[ecit]", painted on the trim of the left side of the Pharisee's collar.
The Grand Canal in Venice from Palazzo Flangini to Campo San Marcuola is a painting by Canaletto in the J. Paul Getty Museum in Los Angeles, California. Painted around 1738, it may have been commissioned by the English merchant and art collector Joseph Smith (1682–1770).
The Rape of Ganymede is an oil painting of 1635 by the Dutch Golden Age painter Rembrandt, depicting the myth of Ganymede. It is in the collection of the Gemäldegalerie Alte Meister in Dresden.
Dresden From the Right Bank of the Elbe Above the Augustus Bridge is an oil on canvas by the Italian urban landscape painter Bernardo Bellotto. Painted in 1747, it depicts the view of Dresden from the right bank of the River Elbe, including the Dresden Frauenkirche, the Dresden Cathedral, and the Augustus Bridge. One year later, he painted another piece titled Dresden From the Right Bank of the Elbe Below the Augustus Bridge, looking in the other direction from below the Augustus Bridge. Both of the paintings are in the permanent collection of the Gemäldegalerie Alte Meister. The paintings have proved invaluable in rebuilding parts of the city that were destroyed during World War II.
The San Sebastiano Madonna is an oil-on-canvas painting by the Italian Renaissance master Correggio, dating to around 1524 and now in the Gemäldegalerie Alte Meister in Dresden. It measures 265 by 161 cm.
The following outline is provided as an overview of and topical guide to Dresden:
Mystic Marriage of Saint Catherine of Alexandria is an oil-on-panel painting of the sacra conversazione genre, executed c. 1512–1513 by the Italian Renaissance artist Andrea del Sarto. It was acquired by the imperial gallery in Prague in 1749 and now is in the Gemäldegalerie in Dresden, Germany.
The Canaletto Blick of Vienna (Austria) is a famous perspective of the city center of Vienna, seen from the Upper Belvedere Palace. It was popularized by a painting from Bernardo Bellotto, who sometimes used his uncle's famous name, Canaletto.