Drew Daywalt (born January 5, 1970), is an American author and filmmaker. He is best known for writing the best-selling children's picture book The Day the Crayons Quit, and its sequel The Day the Crayons Came Home , both illustrated by Oliver Jeffers. [1] [2] Daywalt is also known for writing scripts for American television and Hollywood studio films, and for creating a number of short horror films for release on the internet.
Drew Daywalt was born in Hudson, Ohio, on January 5, 1970, the youngest of six children, [3] to Charlene (née Bable) and Charles Daywalt. "I grew up in a house in Hudson, Ohio, that was notoriously haunted. It looked like 'The Munsters.'" [4] The house had a storied reputation in the local area, having supposedly been a stagecoach stop, a brothel, and a respite on the Underground Railroad at various times. [5]
Daywalt's older brothers, however unintentionally, fostered his interest in scary stories. He relates, "My older brothers would always let me stay up way too late on Friday nights, drink Mountain Dew, watch horror movies. I was always getting into their comic books ... Heavy Metal and Creepy and Tales from the Crypt. Also, at the time – this is going back to the mid 70s, almost into the early 80s – they were reading Tolkien and lot of that, so I had that as one side of my experiences. Growing up in a haunted house, watching horror movies with my older brothers and getting into their stash of horror magazines and comic books." [3]
During the same period, Daywalt's mother, Charlene, would often come home from work and read to him from the works of well-known children's authors, like Dr. Seuss, Roald Dahl and Maurice Sendak. "I was constantly being inundated by other worlds", said Daywalt. "A lot of what I do, whether it's either horror or children's lit, comes from that period in my life." [3]
The author/filmmaker said he first realized that books and movies "were actually written and created by other human beings" at the age of 7. "It was 1977. Summer. And my big sister had taken me to see the first Star Wars film. As the credits rolled at the end, and I sat there trying to catch my breath and fully digest what I'd seen, I saw the screenplay credit. I knew then that I wanted to tell stories." [6]
Daywalt's family eventually moved to nearby Stow, Ohio, where he attended Highland Elementary School. After graduating from Stow-Munroe Falls High School in 1988, Daywalt pursued creative writing at Emerson College in Boston. [5] [6]
"My concentrations were in screenwriting and children's literature", Daywalt has stated. "Because at the time, my big plan was: if I really know children's literature and the history of fairy tales, and storytelling for kids in a meaningful and deep way, and I also learn screenwriting, I can go and work with Disney. That was my goal, was to get out [to Los Angeles] and work with Disney and Warner Brothers and write children's animation for TV and for film." [6]
Daywalt first achieved fame writing and directing short films with the horror filmmaking YouTube channel Fewdio, co-founded by Daywalt in 2007. In a 2009 interview with Dread Central , Daywalt described the origins of Fewdio, saying, "We were all a little bit burned out on dealing with studio execs around the time the strike hit. I had been a script writer for 17 years, and I'd written for and rewritten everyone in town so I was ready for something different. We had done the Axe Body campaign – 'How Dirty Boys Get Clean' – that pretty much set us up financially so we could get through the strike. That's when we decided to do what we loved as children: make horror films. We really wanted to do something for ourselves. I read everything I could about cameras and saved up a thousand bucks, and we shot our first short, 'Cursed.'" [7] Daywalt made numerous shorts with Fewdio, and his 2009 horror short "Bedfellows" won the Chiller-Eyegore Award for Best Short Film. [8] Drew Grant of Salon described Daywalt's work with the group as "the first really great horror films for the Internet era." [1] The group disbanded in 2010, however, and Daywalt went on to found his own YouTube channel, Daywalt Fear Factory. [1]
In 2012, Daywalt directed his first feature-length film, the made-for-television fantasy horror film Red Clover (released as Leprechaun's Revenge) for SyFy Channel. [9] The film was met with mixed to negative reviews. [10] [11]
Drew Daywalt's first children's picture book, The Day the Crayons Quit, with illustrations by Oliver Jeffers, was published by Philomel Books on June 27, 2013. [12] The book was a critical and commercial success, earning positive responses from critics and selling over one-and-a-half million copies worldwide. [2] [13] [14] [15] [16] The idea for the book originated with a simple box of crayons on Daywalt's desk, and his affinity for writing dialogue.
"I thought, 'Here I am, a grown-up — it was before I had kids — and I have a box of crayons on my desk.' It was still important enough for me in my life to have a box of crayons around. I didn't exactly know what to write about crayons, but I knew that it was something I wanted to approach.
"In Hollywood I had been a script doctor for years, fixing dialogue on movies. As a writer, one of my strengths is voice, so I thought, 'I'm going to give these crayons voices ...' I decided I'd write them as monologues in the form of letters, in an epistolary style — basically all these crayons would chew this kid out because they didn't like the way they were being used. They were like letters of resignation." [17]
Since the book's original publication in 2013, The Day the Crayons Quit has been almost unrivaled in sales within its genre. In 2015, Entertainment Weekly referred to it as the longest running title to ever appear on The New York Times Best Seller list for children's picture books, the book having held the weekly number-one spot on the list for over a year, and a total of 258 weeks on the list as of January 2019. [18]
Critical response to the book has been largely positive. For instance, the starred review in Publishers Weekly stated, "Making a noteworthy debut, Daywalt composes droll missives that express aggravation and aim to persuade", while referring to the crayon characters as "memorable personalities [that] will leave readers glancing apprehensively at their own crayon boxes." [19]
In 2014, Danielle Herzog of The Washington Post joyfully related the experience of reading the book to her own children. "As I read each letter to my 6 and 3-year-old children", she wrote, "they howled with laughter. They loved the argument between the orange and yellow crayon over who gets to be the color of the sun, and they cracked up when the poor white crayon is only used to make pictures of cats and snow ... But the best part came after the book was closed and put away. They rushed to their own crayon boxes, pulled out the same colors we read about, and started to color an array of pictures now gracing our refrigerator door." [15]
The Day The Crayons Quit has won numerous children's book awards. In the year of its publication, 2013, the book won the Goodreads Choice Award for Best Picture Book, was named Amazon's Best Children's Book, and was named to Time magazine's list of the 100 Best Children's Books of All Time. [20] [21] [22] Later, the book won the Texas Bluebonnet Award in 2015, having received 29,931 votes from Texas children. [23] Daywalt and Jeffers received the award in person, on April 16, 2015, at the Texas Bluebonnet Award Luncheon. The book also won the 2015 Nevada Young Readers Award, the 2016 California Young Reader Medal, and the 2016 Young Hoosier Book Award (Picture Book). [24]
In late July 2014, the film rights for The Day the Crayons Quit were purchased by Universal Studios, with Matt Lopez set to script and Madhouse Entertainment set to produce. [25] [26]
In October 2014, Daywalt announced a sequel to the book titled The Day the Crayons Came Home . [2] It was published by Philomel Books on August 18, 2015, with illustrations once again by Oliver Jeffers. [27] The book garnered critical acclaim and similarly enthusiastic sales, remaining on The New York Times Best Seller list for children's picture books for over 40 weeks. [26] [28] [29]
In 2017, Daywalt wrote another picture book The Legend of Rock Paper Scissors, illustrated by Adam Rex, which won the 2019–2020 Young Hoosier Book Award. [30] [31]
Andrew Elborn Clements was an American author of children's literature. His debut novel Frindle won an award determined by the vote of U.S. schoolchildren in about 20 different U.S. states. In June 2015, Frindle was named the Phoenix Award winner for 2016, as it was the best book that did not win a major award when it was published.
Karen Ackerman is an American author of children's books.
The United Kingdom Literacy Association (UKLA) is a registered charity in the United Kingdom which aims to promote good practice and raise standards in literacy. It was founded in 1963 as the United Kingdom Reading Association, but changed its name in 2003. Wiley-Blackwell publishes a journal entitled Journal of Research in Reading on behalf of the UKLA.
Lois Duncan Steinmetz, known as Lois Duncan, was an American writer, novelist, poet, and journalist. She is best known for her young-adult novels, and has been credited by historians as a pioneering figure in the development of young-adult fiction, particularly in the genres of horror, thriller, and suspense.
Lane Smith is an American illustrator and writer of children's books. He is the Kate Greenaway medalist (2017) known for his eclectic visuals and subject matter, both humorous and earnest, such as the contemplative Grandpa Green, which received a Caldecott Honor in 2012, and the outlandish Stinky Cheese Man, which received a Caldecott Honor in 1992.
David Small is an American writer and illustrator who is best known for children's picture books. His books have been awarded a Caldecott Medal and two Caldecott Honors, among other recognition.
Harold and the Purple Crayon is a 1955 children's picture book written and illustrated by Crockett Johnson. Published by HarperCollins Publishers, it is Johnson's most popular book, and has led to a series of other related books, as well as many adaptations. The story is written in third-person point-of-view, and follows a young boy on an imaginative adventure through the night.
Oliver Brendan Jeffers is an Australian-born Northern Irish artist, illustrator and writer. He went to the integrated secondary school Hazelwood College, then graduated from the University of Ulster in 2001. He relocated back to Northern Ireland in the early 2020s after a spell living and working in Brooklyn.
The Hampshire Book Awards are an annual series of literary awards given to works of children's literature. The awards are run by Hampshire County Council's School Library Service.
The Children's Book Award is a British literary award for children's books, run by the Federation of Children's Book Groups and previously known as the Red House Children's Book Award. Books published in the U.K. during the preceding calendar year are eligible. It recognises one "Overall" winner and one book in each of three categories: Books for Younger Children, Books for Younger Readers, and Books for Older Readers. The selections are made entirely by children, which is unique among British literary awards.
The Lion & the Mouse is a 2009 nearly wordless picture book illustrated by Jerry Pinkney. This book, published by Little, Brown and Company, tells Aesop's fable of The Lion and the Mouse. In the story, a mouse's life is a spared by a lion. Later, after the lion is trapped, the mouse is able to set the lion free. Adapting the fable, with the moral that the weak can help the strong, as a wordless picture book was seen as a successful way of overcoming the brief plot generally found in the source stories. While it was Pinkney's first wordless picture book, it was not the first time he had told the story, having previously included it in his Aesop's Fables, published in 2000. Pinkney, who had received five Caldecott Honors, became the first African American to win the Caldecott Medal for his illustrations in this book. His illustrations were generally praised for their realism and sense of place. The cover illustrations, featuring the title characters but no text, drew particular praise.
Philomel Books is a children's literature imprint of Penguin Books USA. The imprint was founded by Ann Beneduce, who was succeeded as publisher by Patricia Lee Gauch.
Jon Klassen is a Canadian writer and illustrator of children's books and an animator. He won both the American Caldecott Medal and the British Kate Greenaway Medal for children's book illustration, recognizing the 2012 picture book This Is Not My Hat, which he also wrote. He is the first person to win both awards for the same work.
This Is Not My Hat is a 2012 American children's picture book by the author and illustrator Jon Klassen. The story is told through the unreliable narration of a little fish, who has stolen a hat from a big fish and how the big fish reacts to the theft. It is a thematic follow-up to I Want My Hat Back (2011) and was meant to be a more literal sequel until Klassen took a suggestion to change which animals were in the story. The book was well received by critics, who praised its dark or ironic humor which could only be understood by comparing the words of the little fish's narration against the events of the illustrations. In addition to several positive reviews, Klassen received the 2013 Caldecott Medal and the 2014 Kate Greenaway Medal, making This is Not My Hat the first book to win both awards. This is Not My Hat was also a commercial success.
Peter Brown is an American writer and illustrator who is best known for children's picture books. He won a Caldecott Honor in 2013 for his illustration of Creepy Carrots!
The Day the Crayons Came Home is a 2015 children's book written by Drew Daywalt and illustrated by Oliver Jeffers. The book is a sequel to The Day the Crayons Quit. The book is about crayons who are scattered around the world and in the house of a boy named Duncan, and how they communicate with him through postcards. The book is a colorful picture book.
Melissa Sweet is an American illustrator and writer of nearly 100 books for children and young readers.
The Fate of Fausto: A Painted Fable is a 2019 children's picture book written and illustrated by Oliver Jeffers. Inspired by the German legend of Faust, the book follows the arrogant titular character Fausto, who wants to own every natural worldly possession. It addresses themes of greed, colonialism, power, and environmentalism.
Satomi Ichikawa is a Japanese children's literature illustrator and author who has lived in Paris since 1971. She has illustrated more than seventy picture books in over a dozen languages, but is best known for creating the Nora series (1986–1994) and for illustrating the You Are My I Love You collection written by Maryann Cusimano Love.
Gillian Sze is a Canadian writer. She has won one Quebec Writers' Federation Award and been a finalist seven times across four different categories.