Joseph Leo Mankiewicz was an American film director, screenwriter, and producer. Mankiewicz had a long Hollywood career, and won both the Academy Award for Best Director and the Academy Award for Best Adapted Screenplay in consecutive years for A Letter to Three Wives (1949) and All About Eve (1950), the latter of which was nominated for 14 Academy Awards and won six.
Stuart Erwin was an American actor of stage, film, and television.
The House That Shadows Built (1931) is a feature compilation film from Paramount Pictures, made to celebrate the 20th anniversary of the studio's founding in 1912. The film was a promotional film for exhibitors and never had a regular theatrical release.
Mitzi Green was an American child actress and singer for Paramount and RKO, in the early "talkies" era. She then acted on Broadway and in other stage works, as well as in films and on television.
The Stolen Jools is a 1931 American pre-Code comedy short produced by the Masquers Club of Hollywood, featuring many cameo appearances by film stars of the day. The stars appeared in the film, distributed by Paramount Pictures, to raise funds for the National Vaudeville Artists Tuberculosis Sanitarium. The UCLA Film and Television Archive entry for this film says—as do the credits—that the film was co-sponsored by Chesterfield cigarettes to support the "fine work" of the NVA sanitarium.
Dancers in the Dark is a 1932 American pre-Code film about a taxi dancer, a big band leader, and a gangster.
June Collyer was an American film actress of the 1920s and 1930s.
Paramount on Parade is a 1930 all-star American pre-Code revue released by Paramount Pictures, directed by several directors including Edmund Goulding, Dorothy Arzner, Ernst Lubitsch, Rowland V. Lee, A. Edward Sutherland, Lothar Mendes, Otto Brower, Edwin H. Knopf, Frank Tuttle, and Victor Schertzinger—all supervised by the production supervisor, singer, actress, and songwriter Elsie Janis.
Let's Go Native is a 1930 American pre-Code black-and-white musical comedy film, directed by Leo McCarey and released by Paramount Pictures.
Playboy of Paris is a 1930 American pre-Code musical comedy film directed by Ludwig Berger and starring Maurice Chevalier, Frances Dee, and O.P. Heggie. It was based on a 1911 play The Little Cafe by Tristan Bernard which had previously been adapted into a 1919 French silent film. Paramount produced a separate French-language version Le Petit Café, also starring Chevalier, which broke records for an opening-day attendance in Paris.
Make Me a Star is a 1932 American pre-Code romantic comedy film starring Stuart Erwin, Joan Blondell, and ZaSu Pitts. Directed by William Beaudine, the film is a remake of the 1924 silent film Merton of the Movies, based upon the 1922 novel of that name, and the 1923 play adapted from the novel by George S. Kaufman, and Marc Connelly. It was remade again as Merton of the Movies in 1947.
The Santa Fe Trail is a 1930 American pre-Code Western film, directed by Otto Brower and Edwin H. Knopf, released by Paramount Pictures, and starring Richard Arlen, Rosita Moreno, and Eugene Pallette. The film was an adaptation of Hal George Evarts's 1925 novel, Spanish Acres.
The Dummy is a 1929 American comedy film directed by Robert Milton and written by Harriet Ford, Harvey J. O'Higgins, Herman J. Mankiewicz and Joseph L. Mankiewicz. The film stars Fredric March, John Cromwell, Fred Kohler, Mickey Bennett, Vondell Darr, Jack Oakie and ZaSu Pitts. The film was released on March 9, 1929, by Paramount Pictures.
Sweetie is a 1929 American pre-Code musical film directed by Frank Tuttle, written by George Marion Jr. and Lloyd Corrigan, and starring Nancy Carroll, Helen Kane, Jack Oakie, William Austin, Stuart Erwin, and Wallace MacDonald. It was released on November 2, 1929, by Paramount Pictures.
Men Are Like That is a 1930 American pre-Code drama film directed by Frank Tuttle and written by Herman J. Mankiewicz and Marion Dix, based on the George Kelly play The Show-Off, which had already been the source material for a 1926 silent film and which would subsequently be remade in 1934 and 1946. Men Are Like That stars Hal Skelly, Doris Hill, Clara Blandick, Charles Sellon, Helene Chadwick, Morgan Farley and George Fawcett. The film was released on March 22, 1930, by Paramount Pictures.
The Social Lion is a 1930 American Pre-Code comedy film directed by A. Edward Sutherland and written by Octavus Roy Cohen, Joseph L. Mankiewicz and Agnes Brand Leahy, and starring Jack Oakie, Mary Brian, Richard "Skeets" Gallagher, Olive Borden, Charles Sellon, Cyril Ring and E. H. Calvert. It was released on June 21, 1930, by Paramount Pictures.
Love Among the Millionaires is a 1930 American comedy film directed by Frank Tuttle and written by William M. Conselman, Grover Jones, Herman J. Mankiewicz and Keene Thompson. The film stars Clara Bow, Stanley Smith, Stuart Erwin, Richard "Skeets" Gallagher, Mitzi Green, Charles Sellon and Claude King. The film was released on July 19, 1930, by Paramount Pictures.
Sea Legs is a 1930 American pre-Code comedy film directed by Victor Heerman and written by George Marion Jr. and Marion Dix. The film stars Jack Oakie, Eugene Pallette, Lillian Roth, André Cheron, Albert Conti, Harry Green and Jean Del Val. The film was released on November 29, 1930, by Paramount Pictures.
Shoot the Works is a 1934 American pre-Code comedy film directed by Wesley Ruggles and written by Claude Binyon, Gene Fowler, Howard J. Green and Ben Hecht. It is based on the Gene Fowler and Harold Hecht 1932 play The Great Magoo. The film stars Jack Oakie, Ben Bernie, Dorothy Dell, Alison Skipworth, Roscoe Karns, Arline Judge and William Frawley. The film was released on June 29, 1934, by Paramount Pictures, preceding by two days the beginning of the most rigorously enforced version of the Hollywood Production Code, which came into effect on July 1, 1934.
Two Kinds of Women is a lost 1922 American silent Western film directed by Colin Campbell and starring Pauline Frederick. It is based on the novel Judith of Blue Lake Ranch by Jackson Gregory. Robertson-Cole produced the film and distribution was through Film Booking Offices of America.
