Cary Grant was an English-American actor. He was known for his Mid-Atlantic accent, debonair demeanor, lighthearted approach to acting, and sense of comic timing. He was one of classic Hollywood's definitive leading men. He was nominated twice for the Academy Award, received an Academy Honorary Award in 1970, and received the Kennedy Center Honor in 1981. He was named the second greatest male star of the Golden Age of Hollywood by the American Film Institute in 1999.
One Hour with You is a 1932 American pre-Code musical comedy film about a married couple who are attracted to other people. It was produced and directed by Ernst Lubitsch "with the assistance of" George Cukor, and written by Samson Raphaelson from the play Only a Dream by Lothar Schmidt. It stars Maurice Chevalier, Jeanette MacDonald, Genevieve Tobin, Charlie Ruggles and Roland Young. A French-language version titled Une heure près de toi was produced simultaneously, with Lili Damita playing Tobin's role.
None but the Lonely Heart is a 1944 American drama romance film which tells the story of a young Cockney drifter who returns home with no ambitions but finds that his family needs him. Adapted by Clifford Odets from the 1943 novel of the same title by Richard Llewellyn and directed by Odets, the film stars Cary Grant, Ethel Barrymore, and Barry Fitzgerald.
Lili Damita was a French-American actress and singer who appeared in 33 films between 1922 and 1937.
Charles Sherman Ruggles was an American comic character actor. In a career spanning six decades, Ruggles appeared in close to 100 feature films, often in mild-mannered and comic roles. He was also the elder brother of director, producer, and silent film actor Wesley Ruggles (1889–1972).
Topper is a 1937 American supernatural comedy film directed by Norman Z. McLeod, starring Constance Bennett and Cary Grant and featuring Roland Young. It tells the story of a stuffy, stuck-in-his-ways man who is haunted by the ghosts of a fun-loving married couple.
Wesley Ruggles was an American film director.
The Match King is a 1932 American Pre-Code drama film made by First National Pictures, directed by William Keighley and Howard Bretherton. The film starred Warren William and Lili Damita, and follows the rise and fall of Swedish safety match tycoon Ivar Kreuger. Based on the novel by Einar Thorvaldson, the film was released on December 31, 1932.
The Flame of New Orleans is a 1941 comedy film directed by René Clair and starring Marlene Dietrich and Bruce Cabot in his first comedy role. The supporting cast features Roland Young, Andy Devine and Franklin Pangborn.
I'm No Angel is a 1933 American pre-Code black comedy film directed by Wesley Ruggles, and starring Mae West and Cary Grant. West received sole story and screenplay credit. It is one of her films that was not subjected to heavy censorship.
Blonde Venus is a 1932 American pre-Code drama film starring Marlene Dietrich, Herbert Marshall and Cary Grant. It was produced, edited and directed by Josef von Sternberg from a screenplay by Jules Furthman and S. K. Lauren, adapted from a story by Furthman and von Sternberg. The original story "Mother Love" was written by Dietrich herself. The musical score was by W. Franke Harling, John Leipold, Paul Marquardt and Oscar Potoker, with cinematography by Bert Glennon.
Das Spielzeug von Paris is an Austrian silent film released in 1925, and directed by Michael Curtiz. It was the first film to feature French actress Lili Damita in the leading role.
When You're in Love is a 1937 American musical film directed by Robert Riskin and Harry Lachman, who was not credited, and starring Grace Moore and Cary Grant. Moore sings "Minnie the Moocher" and the Ernesto Lecuona classic Cuban song "Siboney". Two of the other songs in the film – "Our Song" and "The Whistling Boy" – are by Jerome Kern and Dorothy Fields.
Devil and the Deep is a 1932 American pre-Code drama film directed by Marion Gering, based on Maurice Larrouy's novel, and starring Tallulah Bankhead, Gary Cooper, Charles Laughton and Cary Grant. It follows a naval commander who has alienated his wife due to his insane jealousy over every man she speaks to. After his obsessive behavior drives her to the arms of a handsome lieutenant, tragic drama ensues.
Ladies Should Listen is a 1934 American comedy film directed by Frank Tuttle and starring Cary Grant, Edward Everett Horton, Frances Drake, and Nydia Westman.
Kiss and Make-Up is a 1934 romantic comedy film starring Cary Grant as a doctor who specializes in making women beautiful. Genevieve Tobin and Helen Mack play his romantic entanglements. The film was based on the play Kozmetika by István Békeffy. All of the WAMPAS Baby Stars of 1934 were cast in roles in the film.
Good and Naughty is a 1926 American silent romantic comedy film directed by Malcolm St. Clair and starring Pola Negri and Tom Moore. It was based on the play Naughty Cinderella by Henri Falk and René Peter. Released in 1926, it is a romantic comedy of mistaken identity about an attractive interior decorator (Negri) who is forced to make herself unattractive so she can be hired by a firm that has a policy against hiring attractive women.
Merrily We Go to Hell is a 1932 pre-Code film directed by Dorothy Arzner, and starring Fredric March and Sylvia Sidney. The supporting cast features a prominent early appearance by Cary Grant, billed ninth in the cast but with a larger part than this would suggest. The picture's title is an example of the sensationalistic titles that were common in the pre-Code era. Many newspapers refused to publicize the film because of its racy title. The title is a line March's character says while making a toast.
Sinners in the Sun is a 1932 American pre-Code romantic drama film directed by Alexander Hall, and starring Carole Lombard, Chester Morris, Adrienne Ames, and Alison Skipworth. It was produced and distributed by Paramount Pictures.
The Famous Woman is a 1927 German silent drama film directed by Robert Wiene and starring Lili Damita, Fred Solm and Warwick Ward. It was based on the play Die Tänzerin by Melchior Lengyel, who also wrote the film's screenplay. While performing in Barcelona, a dancer falls in love with a Spanish aristocrat. He proposes marriage to her providing she give up her profession. She agrees and the wedding preparations begin. When her troupe returns to Spain, however, she is drawn back to her true calling as a dancer and her aristocratic lover reluctantly allows her to go free. Damita's performance was particularly praised, as was the cinematography of Otto Kanturek who had done location shooting in Barcelona.
