Dustin Kahia | |
|---|---|
 Kahia in 2024 | |
| Born | June 12, 1989 San Diego, California, United States |
| Occupation(s) | Film director, screenwriter, producer |
| Years active | 2008–present |
Dustin Thomas Kahia (born June 12, 1989), [1] known professionally as Dustin Kahia, is an American film director, screenwriter, and producer. He is best known for writing and directing the film Call of the Void (2016).
Kahia was born on June 12, 1989, in San Diego, California. [1] He is Chaldean (potentially of Babylonian, ethnic Assyrian or broader Mesopotamian ancestry). Kahia developed an early interest in filmmaking while using video editing software during his father’s cancer treatment. His passion for film also served as a coping mechanism following his father’s passing at age 14 and the subsequent loss of support from other family members. [2] He also made home movies with his father's camera and, during his high school years, began creating narrative short films. [3]
Kahia went on to intern at Revelations Entertainment and Village Roadshow Pictures. [4]
Kahia began his career making short films. While some of his earliest work dates back to 2008, his first publicly released short film was Masterpieces, followed by Valediction. [5] Both films premiered at the Newport Beach Film Festival, with Masterpieces screening in 2010 and Valediction in 2012. [6] In an interview with Orange Country Films, Kahia stated that Masterpieces was filmed in four days, with a total budget of $5,000 allocated for travel and other smaller production expenses. [7]
Valediction, starring Samuel Page, Italia Ricci, Eyal Podell, Bonnie Bartlett, and James Avery, gained wider recognition than Kahia's previous films. It won the "Human Condition" Audience Choice Award at the National Film Festival for Talented Youth in 2012. [8] Media coverage included a review by Autumn McAlpin of the OC Register, who described the film as featuring "beautiful cinematography and a proficient cast." [9]
In August 2014, Kahia launched a 30-day Kickstarter campaign to fund Call of the Void, originally envisioned as a feature-length film but ultimately completed with a 55-minute runtime due to creative and production constraints. [10] The noir-style psychological thriller premiered at the 2016 Newport Beach Film Festival, marking Kahia’s third film at the event. Shot in just four days around downtown Los Angeles, the production required extensive planning, as actors had limited takes, with sets built from scratch and filming at locations like the La Cienega oil fields. [6] Critics praised the film’s cinematography and noir influences, drawing comparisons to Alfred Hitchcock, Fritz Lang, Anatole Litvak, and Otto Preminger. [11] [12] Kahia described it as an exploration of obsession and attachment, examining how unhealthy fixation can lead to downfall. [13]
Returning to the National Film Festival for Talented Youth to provide an interview, Kahia described his inspiration for the story of the film as wanting to pay homage to the visual-narrative style of classical cinema and the Golden Age of Hollywood. He also reflected on the challenges of securing funding and filming within a limited timeframe. [8] In a separate interview, he reflected on the mistakes he made during the film's production, including working with a budget that was insufficient for the project's scope and shooting based on a first draft. [3]
In 2021-2022, Kahia directed the short film Monday Mourning, starring Dominic Bogart and Claire Haller. [14] The film follows Bogart's character, Daniel, as he struggles to reconcile a troubled past with an uncertain future after returning home from a prolonged absence. [15]
The film was subsequently recognized and received awards at the International Motion Picture Awards (IMPA), where Kahia won Best Director and Dominic Bogart won Best Lead. The Best Director award marked Kahia’s first win in this category. [16] The film also won 6 awards out of 13 nominations that it had received as of March 2024, and was screened at the 2022 Beverly Hills Film Festival. [17]
In 2024, it was reported that Kahia was developing his feature directorial debut, Crosspoint, a sci-fi thriller co-written with Tian Kok. [16]
| Year | Award | Category | Work | Result | Ref |
|---|---|---|---|---|---|
| 2012 | National Film Festival for Talented Youth | Audience Award | Valediction | Won | [8] |
| 2016 | Screencraft Sci-Fi Screenplay Contest | Tumble | Nominated | [18] | |
| 2019 | Independent Short Awards | Best Student Short | Rewind | Won | [19] |
| 2023 | Cal Film Festival | Best Student Film | Monday Mourning | Won | [16] |
| Best Male Director | Monday Mourning | Won | [20] | ||
| 2024 | Istanbul International Spring Film Festival | Best Student Short | [21] | ||
| International Motion Picture Awards | Best Director | [16] | |||
| Always Late TV Movie Awards | Best Actor in a Short Film | [22] |
| Year | Film | ||||
|---|---|---|---|---|---|
| Director | Writer | Producer | Notes | ||
| 2008 | Moral Ecstasy | Yes | Yes | Yes | Short Film |
| 2009 | Looks Can Be Deceiving | Yes | Yes | Yes | Short Film |
| 2009 | My Name is Jake | Yes | Yes | Yes | Short Film |
| 2010 | Masterpieces | Yes | Yes | Yes | Short Film |
| 2011 | Valediction | Yes | Yes | Yes | Short Film |
| 2016 | Call of the Void | Yes | Yes | Yes | Short Film |
| 2019 | Rewind | Yes | Yes | Yes | Short Film |
| 2019 | Contra | Yes | Yes | Yes | Short Film |
| 2021 | Monday Mourning | Yes | Yes | Yes | Short Film |