Eldred Gregory Peck was an American actor and one of the most popular film stars from the 1940s to the 1970s. In 1999, the American Film Institute named Peck the 12th-greatest male star of Classic Hollywood Cinema.
Two-Way Stretch, also known as Nothing Barred, is a 1960 British comedy film directed by Robert Day and starring Peter Sellers, Wilfrid Hyde-White, Lionel Jeffries and Bernard Cribbins. The screenplay is by Vivian Cox, John Warren and Len Heath. A group of prisoners plan to break out of jail, commit a robbery, and then break back into their jail again, thus giving them the perfect alibi – that they were behind bars when the robbery occurred. However, their plans are disrupted by the arrival of a strict new Chief Prison Officer.
The L-Shaped Room is a 1962 British drama romance film directed by Bryan Forbes, based on the 1960 novel of the same name by Lynne Reid Banks. It tells the story of Jane Fosset, a young French woman, unmarried and pregnant, who moves into a cheap London boarding house, befriending a young man, Toby, in the building. The work is considered part of the kitchen sink realism school of British drama. The film reflected a trend in British films of greater frankness about sex and displays a sympathetic treatment of outsiders "unmarried mothers, lesbian or black" as well as a "largely natural and non-judgmental handling of their problems". As director, Forbes represents "a more romantic, wistful type of realism" than that of Tony Richardson or Lindsay Anderson.
Miss Robin Hood is a 1952 British comedy film directed by John Guillermin, and starring Margaret Rutherford and Richard Hearne. Other actors involved include Dora Bryan, James Robertson Justice, Peter Jones, Sid James, Reg Varney, Kenneth Connor and Michael Medwin. The film features a variety of unusual camera work such as unexpected extreme close-ups and fast motion sequences.
The V.I.P.s is a 1963 British comedy-drama film in Metrocolor and Panavision. It was directed by Anthony Asquith, produced by Anatole de Grunwald, and distributed by Metro-Goldwyn-Mayer. The film was written by Terence Rattigan, with a music score by Miklós Rózsa.
Francis Bosley Crowther Jr. was an American journalist, writer, and film critic for The New York Times for 27 years. His work helped shape the careers of many actors, directors and screenwriters, though some of his reviews of popular films have been seen as unnecessarily harsh. Crowther was an advocate of foreign-language films in the 1950s and 1960s, particularly those of Roberto Rossellini, Vittorio De Sica, Ingmar Bergman, and Federico Fellini.
Shirley Knight Hopkins was an American actress who appeared in more than 50 feature films, television films, television series, and Broadway and Off-Broadway productions in her career, playing leading and character roles. She was a member of the Actors Studio.
Black Like Me is a 1964 American drama film based on the 1961 book Black Like Me by John Howard Griffin. The journalist disguised himself to pass as an African-American man for six weeks in 1959 in the Deep South to report on life in the segregated society from the other side of the color line. The film was directed by Carl Lerner and the screenplay was written by Carl and Gerda Lerner. The film stars James Whitmore, Sorrell Booke and Roscoe Lee Browne.
Fear Strikes Out is a 1957 American biographical sports drama film depicting the life and career of American baseball player Jimmy Piersall. It is based on Piersall's 1955 memoir Fear Strikes Out: The Jim Piersall Story, co-written with Al Hirshberg. The film stars Anthony Perkins as Piersall and Karl Malden as his father, and it was the first directed by Robert Mulligan.
Dutchman is a play written by playwright Amiri Baraka, then known as LeRoi Jones. Dutchman was first presented at the Cherry Lane Theatre in Greenwich Village, New York City, in March 1964 co-produced by Rita Fredricks. The play won an Obie Award; it shared this distinction with Adrienne Kennedy's Funnyhouse of a Negro. Baraka's stage play was made into a film in 1967, starring Shirley Knight and Al Freeman Jr. Dutchman was the last play produced by Baraka under his birth name, LeRoi Jones. At the time, he was in the process of divorcing his Jewish wife, Hettie Jones, and embracing Black nationalism. Dutchman may be described as a political allegory depicting black and white relations during the time Baraka wrote it.
The Barretts of Wimpole Street is a 1957 British CinemaScope historical film originating from the United Kingdom; it was a re-make of the earlier 1934 version by the same director, Sidney Franklin. Both films are based on the 1930 play The Barretts of Wimpole Street by Rudolf Besier. The screenplay for the 1957 film is credited to John Dighton, but Franklin used exactly the same script for the second movie as he did for the first. The film, set in the early 19th century, stars Jennifer Jones, John Gielgud, and Bill Travers.
Eugene Clair "Gene" Persson was an American actor, theatrical and film producer, best known for his work as the co-producer and co-creator of the original 1967 production of the Broadway musical comedy, You're a Good Man, Charlie Brown, as well as the show's 1999 Broadway revival, which won two Tony Awards.
Happy Is the Bride is a 1958 black and white British comedy film written and directed by Roy Boulting and starring Ian Carmichael, Janette Scott, Cecil Parker, Terry-Thomas and Joyce Grenfell. It is based on the 1938 play Quiet Wedding by Esther McCracken, previously filmed in 1941.
Personal Affair is a 1953 British drama film directed by Anthony Pelissier and starring Gene Tierney, Leo Genn and Glynis Johns. It was made at Pinewood Studios by Two Cities Films. The screenplay by Lesley Storm was based on her play "A Day's Mischief."
Your Witness is a 1950 British drama film directed by and starring Robert Montgomery, Leslie Banks, Felix Aylmer and Andrew Cruickshank. It was released in the U.S. as Eye Witness.
The Murder Game is a 1965 British crime film directed by Sidney Salkow and starring Ken Scott, Marla Landi, Trader Faulkner and Conrad Phillips. It was written by Harry Spalding based on a story by Irving Yergin. It was distributed by Twentieth Century-Fox.
April Love is an American musical film directed by Henry Levin and produced by David Weisbart, based on the novel Phantom Filly by George Agnew Chamberlain. Photographed in CinemaScope and DeLuxe Color by Wilfred M. Cline, it was the fourth most popular movie of 1957 and stars Pat Boone, Shirley Jones, Arthur O'Connell, Dolores Michaels, Matt Crowley, Jeanette Nolan and Bradford Jackson.
The Woman's Angle is 1952 British drama film directed by Leslie Arliss and starring Edward Underdown, Cathy O'Donnell and Lois Maxwell. It is based on the novel Three Cups of Coffee by Ruth Feiner.
The Blue Angel is a 1959 American drama film in CinemaScope directed by Edward Dmytryk and starring Curd Jürgens, May Britt, and Theodore Bikel. The film is a remake of Josef von Sternberg's 1930 film The Blue Angel about cabaret singer Lola-Lola and the troubled, aged Professor Rath, who falls for her much to his own detriment. Both films were based on Heinrich Mann's 1905 novel Professor Unrat.
Never Take No for an Answer is a 1951 British–Italian drama film directed by Maurice Cloche and Ralph Smart and featuring Denis O'Dea, Vittorio Manunta, Guido Celano and Nerio Bernardi. It is based on Paul Gallico's 1951 story The Small Miracle, about an Italian orphan boy who goes to visit the Pope.
