Early Reflections | ||||
---|---|---|---|---|
Studio album by | ||||
Released | 2008 | |||
Recorded | September 20–22, 2007 | |||
Studio | Sound and More Studios, Warsaw, Poland | |||
Genre | Jazz | |||
Length | 1:15:43 | |||
Label | Cryptogramophone CG137 | |||
Producer | Bennie Maupin | |||
Bennie Maupin chronology | ||||
|
Early Reflections is an album by multi-instrumentalist Bennie Maupin. It was recorded in Warsaw, Poland, in September 2007, and was released in 2008 by Cryptogramophone Records. On the album, Maupin is joined by an ensemble of Polish musicians featuring pianist Michal Tokaj, bassist Michal Baranski, and drummer Lukasz Zyta. Vocalist Hania Chowaniec-Rybka also appears on two tracks. Maupin met the players while performing in Poland, and invited them to record with him. [1] [2] [3] [4]
Review scores | |
---|---|
Source | Rating |
AllMusic | [1] |
All About Jazz | [5] |
In a review for AllMusic, Michael G. Nastos wrote: "One has to always wonder if Maupin has a magnum opus within him, and this comes close, for it is certainly his most introspective, reflective, and inner spirit-directed effort in a long and varied career playing progressive jazz." [1]
John Kelman of All About Jazz stated: "Penumbra and the equally outstanding Early Reflections book-end The Jewel in the Lotus—a promise Maupin never managed to follow up—demonstrating two very different sides and making it clear that he's truly back and better than ever." [5] AAJ's Andrey Henkin described the recording as "an album of vignettes, alternating brief sketches with more fully formed compositions," and noted that the members of Maupin's band "are equally invested in Maupin's aesthetic. That is one of languorous movement, Maupin writing deliberate, organic compositions." [6]
Writing for The New York Times , Ben Ratliff commented: "This is patient, well-planned music, and Mr. Maupin's sound on bass clarinet, as well as tenor and soprano saxophone and flute, is provocatively honest and strong and almost plain, with spaces in between phrases; he's never playing too much. It's a remarkably clear-minded record." [7]
In an article for Jazz Times , Steve Greenlee remarked: "Patient and emotive, it is destined to be one of the great releases of 2008... This is jazz with a lot of thought and a lot of feeling... the album... feels like a celebration of life on planet Earth." [8]
The Village Voice's Michael J. West wrote: "Reflections never feels like a reinvention—merely an artist detouring into a different aspect of himself. That detour just happens to yield something extraordinary." [9]
Marshall Bowden of New Directions in Music stated: "Early Reflections adds another chapter to Maupin's considerable story, and it is a chapter that will no doubt prove to be one of the strongest in an already strong musical story." [10]
Writing for Something Else!, S. Victor Aaron commented: "Bennie Maupin's return to being regular recording artist as a leader hasn't been heralded nearly as much as it should be. His mastery of a multitude of instruments... and value as a key sideman tend to overshadow his abilities as both a composer and bandleader. On Early Reflections, he proves that he can do it all well." [11]
Head Hunters is the twelfth studio album by American pianist, keyboardist and composer Herbie Hancock, released October 26, 1973, on Columbia Records. Recording sessions for the album took place in the evening at Wally Heider Studios and Different Fur Trading Co. in San Francisco, California. The album was a commercial and artistic breakthrough for Hancock, crossing over to funk and rock audiences and bringing jazz-funk fusion to mainstream attention, peaking at number 13 on the Billboard 200. Hancock is featured with woodwind player Bennie Maupin from his previous sextet and new collaborators – bassist Paul Jackson, percussionist Bill Summers and drummer Harvey Mason. The latter group of collaborators, which would go on to be known as The Headhunters, also played on Hancock's subsequent studio album Thrust (1974). All of the musicians play multiple instruments on the album.
Bennie Maupin is an American jazz multireedist who performs on various saxophones, flute, and bass clarinet.
Live at the Half Note: One Down, One Up is a 2005 double CD compilation of two previously unreleased 1965 Friday radio broadcasts – March 26 and May 7 – at the Half Note Club in New York City, featuring John Coltrane with McCoy Tyner, Jimmy Garrison, and Elvin Jones.
Portico Quartet are an instrumental band from London, United Kingdom. They are known for their use of the hang, a modern percussion instrument. Their debut album, Knee-Deep in the North Sea, was nominated for the 2008 Mercury Prize and was Time Out's Jazz, Folk and World album of the year 2007.
V.S.O.P. is a 1977 double live album by keyboardist Herbie Hancock, featuring acoustic jazz performances by the V.S.O.P. Quintet, jazz fusion/ jazz-funk performances by the ‘Mwandishi’ band and The Headhunters.
Requiem for Julius is an album by the jazz group the World Saxophone Quartet released by the Justin Time label. The album features performances by Hamiet Bluiett, John Purcell, Oliver Lake and David Murray and is dedicated to the band's founding member Julius Hemphill.
Live at the Lighthouse is a live album by jazz trumpeter Lee Morgan, released on the Blue Note label in 1971. The album features a quintet of Morgan, Bennie Maupin, Harold Mabern, Jymie Merritt, and Mickey Roker, recorded at The Lighthouse in Hermosa Beach, California in July 1970. Originally released as a double LP comprising four side-long recordings, the 1996 CD reissue expanded the track list with over one-hundred minutes of additional material from the Lighthouse gigs. In 2021, Blue Note released an 8-CD/12-LP box set featuring the complete recordings of Morgan's three-night stint to commemorate the original album's fiftieth anniversary.
¡Caramba! is an album by jazz trumpeter Lee Morgan, released on the Blue Note label in 1968. It features performances by Morgan, Bennie Maupin, Cedar Walton, Reggie Workman and Billy Higgins with arrangements by Cal Massey.
Taru is an album recorded by jazz trumpeter Lee Morgan, recorded in 1968, but not released on the Blue Note label until 1980. The album features performances by Morgan, Bennie Maupin, John Hicks, George Benson, Reggie Workman and Billy Higgins.
The DeJohnette Complex is the debut album by Jack DeJohnette featuring Bennie Maupin, Stanley Cowell, Miroslav Vitous, Eddie Gómez, and Roy Haynes recorded in 1968 and released on the Milestone label in 1969.
Nucleus is an album by jazz saxophonist Sonny Rollins, released on the Milestone label in 1975, featuring performances by Rollins with George Duke, Raul de Souza, Bennie Maupin, Chuck Rainey, Eddie Moore, Mtume, Bob Cranshaw and Roy McCurdy. It was recorded at Fantasy Studios, Berkeley, CA, on September 2–5, 1975.
The Jewel in the Lotus is the debut album by jazz woodwind player Bennie Maupin, recorded in March 1974 and released on ECM later that year. The sextet's rhythm section consists pianist Herbie Hancock, bassist Buster Williams and percussionists Billy Hart, Freddie Waits and Bill Summers, with guest appearances from trumpeter Charles Sullivan. The title is a translation of the Buddhist mantra Oṃ maṇi padme hūṃ.
Blackstone Legacy is the debut album by trumpeter Woody Shaw recorded in 1970 and released on the Contemporary label.
Shakti is an album by saxophonist David S. Ware which was recorded in 2008 and released on the AUM Fidelity label. This was the first album Ware recorded after the breakup of the quartet that had been his main band for over 20 years.
Tomasz Szukalski was a Polish jazz saxophonist, composer and improviser. Szukalski worked with Tomasz Stańko, Edward Vesala and Zbigniew Namysłowski. Awarded Magister of Music at Fryderyk Chopin University of Music, Warsaw. Szukalski was a revered master of tenor saxophone and his style was often compared to that of John Coltrane and Ben Webster.
Like a Dream is an album by Darek Oleszkiewicz.
Marion Brown Quartet is an album by American saxophonist Marion Brown, his debut as a leader. It was recorded in November 1965 in New York City, and was released in 1966 on the ESP-Disk label. The album features Brown on alto saxophone, Alan Shorter on trumpet, Bennie Maupin on tenor saxophone, Reggie Johnson and Ronnie Boykins on bass, and Rashied Ali on drums.
Penumbra is an album by multi-instrumentalist Bennie Maupin. It was recorded in California in 2003 and 2006, and was released in 2006 by Cryptogramophone Records. On the album, Maupin is joined by bassist Darek Oleszkiewicz, drummer Michael Stephans, and percussionist Munyungo Jackson.
Driving While Black is an album by multi-instrumentalists Bennie Maupin and Dr. Patrick Gleeson. It was recorded at Different Fur Studios in San Francisco, and was issued in 2006 by Intuition Records. It was Maupin's first release as a leader in 20 years.
Symphonic Tone Poem for Brother Yusef is an album by multi-instrumentalist Bennie Maupin and percussionist Adam Rudolph. It was recorded at Clear Lake Studio in New Jersey, and was released in 2022 by Strut Records. The album pays homage to Yusef Lateef, who would have been 100 years old in 2020, and who had a personal connection with both musicians.