| Language | English |
|---|---|
| Edited by | Konstanty Kuzma Moritz Pfeifer |
| Publication details | |
| History | 2011 |
| Frequency | 10/year |
| yes | |
| Standard abbreviations | |
| ISO 4 | East Eur. Film Bull. |
| Indexing | |
| ISSN | 1775-3635 |
East European Film Bulletin is a not-for-profit [1] [2] online journal [3] [4] [5] [6] [7] dedicated to the criticism [8] [9] of films related to Central, Eastern [10] [11] and South-Eastern Europe, [12] published 10 times a year. [13]
On 1 January 2011, in Paris, France, [14] [15] East European Film Bulletin was launched online. [16] [14] Co-founders and co-editors-in-chief are Konstanty Kuzma and Moritz Pfeifer. [17] [18] [19] [14] [20] [21]
Flanders is the Dutch-speaking northern portion of Belgium and one of the communities, regions and language areas of Belgium. However, there are several overlapping definitions, including ones related to culture, language, politics, and history, and sometimes involving neighbouring countries. The demonym associated with Flanders is Fleming, while the corresponding adjective is Flemish. The official capital of Flanders is the City of Brussels, although the Brussels-Capital Region that includes it has an independent regional government. The powers of the government of Flanders consist, among others, of economic affairs in the Flemish Region and the community aspects of Flanders life in Brussels, such as Flemish culture and education.
In art history, literature and cultural studies, Orientalism is the imitation or depiction of aspects of the Eastern world by writers, designers, and artists from the Western world. Orientalist painting, particularly of the Middle East, was one of the many specialties of 19th-century academic art, and Western literature was influenced by a similar interest in Oriental themes.
Chantal Anne Akerman was a Belgian film director, screenwriter, artist, and film professor at the City College of New York.
The University of Southern California School of Cinematic Arts (SCA) houses seven academic divisions: Film & Television Production; Cinema & Media Studies; John C. Hench Division of Animation + Digital Arts; John Wells Division of Writing for Screen & Television; Interactive Media & Games; Media Arts + Practice; Peter Stark Producing Program.
Jonas Mekas was a Lithuanian-American filmmaker, poet, and artist who has been called "the godfather of American avant-garde cinema". Mekas' work has been exhibited in museums and at festivals worldwide.
Medieval films imagine and portray the Middle Ages through the visual, audio and thematic forms of cinema.
Alexander Nikolayevich Sokurov, PAR is a Russian filmmaker. His most significant works include a feature film, Russian Ark (2002), filmed in a single unedited shot, and Faust (2011), which was honoured with the Golden Lion, the highest prize for the best film at the Venice Film Festival.
David Jay Bordwell is an American film theorist and film historian. Since receiving his PhD from the University of Iowa in 1974, he has written more than fifteen volumes on the subject of cinema including Narration in the Fiction Film (1985), Ozu and the Poetics of Cinema (1988), Making Meaning (1989), and On the History of Film Style (1997).
William Moritz, film historian, specialized in visual music and experimental animation. His principal published works concerned abstract filmmaker and painter Oskar Fischinger. He also wrote extensively on other visual music artists who worked with motion pictures, including James and John Whitney and Jordan Belson; Moritz also published on German cinema, Visual Music, color organs, experimental animation, avant-garde film and the California School of Color Music.
Arab cinema or Arabic cinema refers to the film industry of the Arab world which depends for most of its production on the Egyptian cinema.
National cinema is a term sometimes used in film theory and film criticism to describe the films associated with a specific nation-state. Although there is little relatively written on theories of national cinema it has an irrefutably important role in globalization. Film provides a unique window to other cultures, particularly where the output of a nation or region is high.
Dina Iordanova is an educationalist and Professor of Film Studies at the University of St. Andrews. A specialist in world cinema, her special expertise is in the cinema of the Balkans, Eastern Europe, and Europe in general. Her research approaches cinema on a meta-national level and focuses on the dynamics of transnational film; she has special interest in issues related to cinema at the periphery and in alternative historiography. She has published extensively on international and transnational film art and film industry, and convenes research networks on film festivals and on the Dynamics of World Cinema, with funding from the Leverhulme Trust.
Soviet parallel cinema is a genre of film and underground cinematic movement that occurred in the Soviet Union in the 1970s onwards. The term parallel cinema was first associated with the samizdat films made out of the official Soviet state system. Films from the parallel movement are considered to be avant-garde, non-conventionalist and cinematographically subversive.
New Extreme Films describes a range of transgressive films made at the turn of the 21st century that sparked exploitative, scandal and controversy, and provoked significant debate and discussion. They were notable for including graphic images of violence, especially sexual violence and rape, as well as explicit sexual imagery.
Negar Mottahedeh is a cultural critic and film theorist specializing in interdisciplinary and feminist contributions to the fields of Middle Eastern Studies and Film Studies.
Non-narrative film is an aesthetic of cinematic film that does not narrate, or relate "an event, whether real or imaginary". It is usually a form of art film or experimental film, not made for mass entertainment.
Timothy Shary is an American film scholar, and a leading authority on the representation of youth in movies. He has been a professor at the University of Massachusetts, Clark University, and the University of Oklahoma. He is now a professor at Eastern Florida State College.
Produced by Marvel Studios since 2008, under the ownership of the Walt Disney Company since 2009, the Marvel Cinematic Universe (MCU) is a media franchise, with over 32 films and 20 television series already produced. Operating with shared universe storytelling, the media franchise has had significant commercial success and has largely received positive critical reviews. However, the MCU has received criticism, including from a number of high-profile filmmakers, particularly centered around its impact on filmmaking, its representation of women and LGBT+ characters, whitewashing, as well as its relationship with the American military.
Thesis submitted for the degree of doctor of Film Studies and Visual Culture at the University of Antwerp to be defended by
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