The Eastern Group of Painters was a group of Canadian artists formed in 1938 in Montreal, Quebec for exhibition purposes [1] and showing together as a group till 1950. It included Montreal artists whose common interest was painting and an art for art's sake aesthetic, not the espousal of a nationalist theory as was the case with the Group of Seven or the Canadian Group of Painters. The group's members included Alexander Bercovitch, Goodridge Roberts, Eric Goldberg, Jack Weldon Humphrey, John Goodwin Lyman, and Jori Smith. In 1939, Jack Humphrey was replaced by Philip Surrey [1] and Bercovitch resigned in 1942. [2]
The group showed their work first with W. Scott and Sons (1938), [3] , then at the Art Association of Montreal (1940), [4] the Dominion Gallery (which represented Goldberg and Lyman) (1945), [5] and the Montreal Museum of Fine Arts (1950). [6]
By the late 1930s, many Canadian artists began to resent the hegemony of Group of Seven. The Eastern Group of Painters was formed, as member John Lyman wrote, "to restore the "feel" of life, the savour of things" to Canadian art. [7] What concerned them was being simply painters, said the critic Robert Ayre. [8] who spoke elsewhere of their honesty of purpose. [9] The group had a serious concern with the art of painting and took pleasure in familiar life as a jumping-off place, wrote the same critic. [10] It was an informal fellowship but the members had similarities of views on fundamentals such as an openness to European art. [3] [1] But by 1950 in a show at the Montreal Museum of Fine Arts, the group, now considered a school, was seen to be "conservative with regard for tradition". [11] It showed little that was new, said the Montreal Herald. [6]
John Lyman's Contemporary Arts Society (1939–48) (in French, Société d'art contemporain) evolved from the Eastern Group of Painters.
The Group of Seven, once known as the Algonquin School, was a group of Canadian landscape painters from 1920 to 1933, with "a like vision". It originally consisted of Franklin Carmichael (1890–1945), Lawren Harris (1885–1970), A. Y. Jackson (1882–1974), Frank Johnston (1888–1949), Arthur Lismer (1885–1969), J. E. H. MacDonald (1873–1932), and Frederick Varley (1881–1969). A. J. Casson (1898–1992) was invited to join in 1926, Edwin Holgate (1892–1977) became a member in 1930, and Lionel LeMoine FitzGerald (1890–1956) joined in 1932.
The Royal Canadian Academy of Arts (RCA) is a Canadian arts-related organization that was founded in 1880.
The Canadian Group of Painters (CGP) was a collective of 28 painters from across Canada who came together as a group in 1933.
William Goodridge Roberts (1904–1974) was a Canadian painter known for his landscape paintings, still lifes, figure paintings and interiors. He was also a teacher.
Painters Eleven was a group of abstract artists active in Canada between 1953 and 1960. They are associated with the Abstract Expressionist movement.
Eric Goldberg (1890–1969) was a Jewish-Canadian painter, born in 1890 in Berlin, Germany. No was influenced by the art of Pierre-Auguste Renoir at an early age. He studied at Paris, France's École des Beaux-Arts (1906–10) and Académie Julian under Tony Robert-Fleury, Jules Joseph Lefebvre and Jean-Paul Laurens, and taught at the Prussian Academy of Arts and, later, the Bezalel School of Arts and Crafts, Jerusalem. He began working in Montreal in 1928, and soon after began favouring the landscapes of Quebec's Gaspésie region as subjects. In 1939, Goldberg became a founding member of the Contemporary Arts Society, a group of Canadian artists intent on sensitizing the public to modern art.
Jack Weldon Humphrey was a Canadian landscape and figure painter, mainly in watercolour. Art historian J. Russell Harper called him the "most significant eastern Canadian painter of his generation".
Canadian art refers to the visual as well as plastic arts originating from the geographical area of contemporary Canada. Art in Canada is marked by thousands of years of habitation by Indigenous peoples followed by waves of immigration which included artists of European origins and subsequently by artists with heritage from countries all around the world. The nature of Canadian art reflects these diverse origins, as artists have taken their traditions and adapted these influences to reflect the reality of their lives in Canada.
John Goodwin Lyman was an American-born Canadian modernist painter active largely in Montreal, Quebec. In the 1930s he did much to promote modern art in Canada, founding the Contemporary Art Society in 1939. Stylistically he opposed both the Group of Seven and the Canadian Group of Painters, painting in a more refined style influenced by the School of Paris.
Jewish Painters of Montreal refers to a group of artists who depicted the social realism of Montreal during the 1930s and 1940s. First used by the media to describe participants of the annual YMHA-YWHA art exhibition, the term was popularized in the 1980s as the artists were exhibited collectively in public galleries across Canada. In 2009 the Musée national des beaux-arts du Québec mounted a touring exhibition Jewish Painters of Montreal: A Witness to Their Time, 1930–1948, which renewed interest in the group in Montreal, Toronto, and Vancouver.
Michael Forster (1907–2002) was an Anglo-Canadian abstract artist. Born in Kolkata, India, Forster spent most of his childhood in Meerut. He studied first at Lancing College in Sussex and then later at the Central School of Arts and Crafts, as well as the Académie Colarossi in Paris. In 1927–1928, he moved to Toronto, Ontario, Canada in hopes of avoiding The Great Depression.
Valentin Gallery is an art gallery in Quebec. Created in 1934, it was first called "L'Art français" and had its start on Laurier Street in Montreal. Owners Lucienne (1900-1992) and Louis (1890-1956) Lange initially showed works by French artists. By the 1940s they were offering art by Marc-Aurèle Fortin and Philip Surrey. In 1975, Jean-Pierre Valentin purchased the gallery. The gallery moved to its present Sherbrooke Street location later and changed the name to Valentin Gallery.
The Contemporary Arts Society was founded by John Lyman in 1939 to promote modern art in Montreal, at a time when Canada was dominated by academic art. Lyman was the Society's first president. The additional officers were vice-president Paul-Émile Borduas, secretary Fritz Brandtner, and treasurer Philip Surrey. The Society lasted until 1948.
Ghitta Caiserman-Roth was a Canadian painter and printmaker. She was a founder of the Montreal Artist School and her work is in the National Gallery of Canada. Caiserman-Roth was also an associate member of the Royal Canadian Academy and the first painter to receive the Governor General's Award for Visual Media and Art.
Philip Surrey LL. D. (1910-1990) was a Canadian artist known for his figurative scenes of Montreal. A founding member of the Contemporary Arts Society, and Montreal Men's Press Club, Surrey was part of Montreal's cultural elite during the late 1930s and 1940s. In recognition of his artistic accomplishment he was elected to the Royal Canadian Academy of Arts, awarded a Canadian Centennial Medal in 1967 and was appointed to the Order of Canada in 1982.
Louise Landry Gadbois was a Canadian painter associated with the Contemporary Arts Society in Montreal. She is known for her portraiture.
Simone Mary Bouchard (1912–1945) was a Canadian painter and textile artist. She was known for her primitive style of painting.
Gordon Webber was a multimedia pioneer of modernism in Canada. He was also an educator.
Moses Reinblatt was a Canadian painter, printmaker, sculptor, and art teacher. He was associated with the Jewish Painters of Montreal.
Alexander Bercovitch was a painter, set designer and teacher, known for his lively picturing and Expressionist intensity of colour. He was an important part of the art scene in Montreal in the 1930s and 1940s, as well as a founding member of the Eastern Group of Painters in 1938 and the Contemporary Arts Society in 1939.