Federation of Canadian Artists

Last updated
Federation of Canadian Artists
Formation1941;83 years ago (1941)
TypeArts association
Legal statusCharity
PurposePublic voice, education and network
HeadquartersVancouver, BC, Canada
Region
Canada
Membership
Over 3,000
Official language
English, French
Website www.artists.ca

The Federation of Canadian Artists (FCA) is an association of artists in Canada founded in Toronto in 1941. The FCA soon had chapters across the country, and was one of the main forces behind formation of the Canada Council in 1957. After this, the national organization withered, and only the British Columbia chapter remained active. A drive for expansion began in 1977, causing a renewal of activity that started in western Canada and then spread. Expansion stalled out in the late 1990s when funding cuts hit the Federation as hard as it hit other arts organization. Renewed vigor by volunteers and staff in recent years has brought new life to the Federation and expansion is again underway. The organization has about 2,700 paying members and 5,000 artist contacts throughout Canada as of the end of 2017, a permanent gallery in Vancouver, and organizes approximately 44 exhibitions every year.

Contents

Foundation

Leaders of the Federation of Canadian Artists at a meeting in Toronto in May 1942. From left to right Arthur Lismer, Frances Loring, Lawren Harris, Andre Charles Bieler, A. Y. Jackson Leaders of the Federation of Canadian Artists on Toronto in May 1942.png
Leaders of the Federation of Canadian Artists at a meeting in Toronto in May 1942. From left to right Arthur Lismer, Frances Loring, Lawren Harris, André Charles Biéler, A. Y. Jackson

André Charles Biéler organized the first conference of Canadian artists in 1941. [1] This conference, held in Kingston, Ontario, led to the foundation of the Federation of Canadian Artists. [2] At his opening address at the Kingston conference Bieler insisted that "we should not try to unify ourselves or to attempt to make a school that would cover the whole country. On the contrary, I believe we must keep that regional aspect." [3] The Federation of Canadian Artists was founded in Toronto by a group of Canadian artists. Biéler was the first president. [4]

The Federation was divided into regions, each with a regional organizer. Lawren Harris of the Group of Seven was head of the West Coast region. The other organizers were Gordon Sinclair (Western region), Ernest Lindner (Saskatchewan), Byllee Lang (Manitoba), A. Y. Jackson (Ontario) and Walter Abell (Maritimes). [5]

Goals

Writing in Maritime Art (February–March 1943) Arthur Lismer proposed that the goals of the Federation were to improve understanding of the role of artists in society, to encourage youth while supporting established artists and to bring art to the community. [6] The FCA became a powerful national lobby for public patronage of the arts, recognized as the legitimate representative of Canadian artists. [7] J. Delisle Parker wrote in February 1945, "This is not just another art society, nor is it intended to replace any existing art society. It is an organization formed to unite all the artists in Canada, whether member of existing societies or not, in a federation which it is hoped will become a power in the country. The Federation hopes to bridge the isolation of artists in different parts of the country, discover talent and organize regional as well as country-wide activities and to publish an art magazine to serve the interests of art and artists in the country as a whole..." [8]

History

Walter Abell's journal Maritime Art became Canadian Art in 1943 when Abell moved to Ottawa to join the staff of the Art Centre of the National Gallery of Canada. [7] The Federation sponsored Canadian Art, which was the only national art magazine in the 1940s. [9] Canadian Art became an important vehicle for communication between artists, curators and collectors. [10] In June 1944 the Federation and other national art organizations prepared a brief on cultural aspects of Canadian post-war reconstruction. This led to the formation of the Canadian Arts Council. [11] The FCA was a key member of the Canadian Arts Council after it was founded in 1944. [7] At first the FCA sponsored lectures and plays in addition to exhibitions and workshops. After about 1949 it began to focus on the visual arts. [12]

The FCA made a major presentation to the Royal Commission on National Development in the Arts, Letters and Sciences, the Massey Commission, in Vancouver in 1949. The presentation was instrumental in forming the Canada Council, which came into being in 1957. The FCA began to phase itself out as a national organization after this as communication across Canada became easier. [13] By the 1960s there was little activity at the national level, although the regional branches persisted. In British Columbia there were 600 members. [14]

In 1977 Allan Edwards of the Vancouver branch, by now almost all that was left of the FCA, became president and began a drive for expansion. [15] The FCA organized travelling exhibitions in British Columbia and Alberta, with some going to the east of Canada or the USA. In the 1980s the FCA began to organize annual painting seminars on Saltspring Island, which drew students from across western Canada and the USA. [16]

in 2013, due to chronic underfunding from any level of government, the FCA went through another revitalization under Executive Director Patrick E. Meyer. Services were expanded as was the Federation's geographical reach. Membership numbers doubled and the organization became financially self-sufficient for the first time in its history.

Noted members

Related Research Articles

<span class="mw-page-title-main">Group of Seven (artists)</span> Group of Canadian landscape painters (1920–1933)

The Group of Seven, once known as the Algonquin School, was a group of Canadian landscape painters from 1920 to 1933, with "a like vision". It originally consisted of Franklin Carmichael (1890–1945), Lawren Harris (1885–1970), A. Y. Jackson (1882–1974), Frank Johnston (1888–1949), Arthur Lismer (1885–1969), J. E. H. MacDonald (1873–1932), and Frederick Varley (1881–1969). A. J. Casson (1898–1992) was invited to join in 1926, Edwin Holgate (1892–1977) became a member in 1930, and Lionel LeMoine FitzGerald (1890–1956) joined in 1932.

<span class="mw-page-title-main">Arthur Lismer</span> English-Canadian painter (1885-1969)

Arthur Lismer, LL. D. was an English-Canadian painter, member of the Group of Seven and educator. He is known primarily as a landscape painter and for his paintings of ships in dazzle camouflage.

<span class="mw-page-title-main">Lawren Harris</span> Canadian painter (1885–1970)

Lawren Stewart Harris LL. D. was a Canadian painter, best known as a leading member of the Group of Seven. He played a key role as a catalyst in Canadian art and as a visionary in Canadian landscape art.

<span class="mw-page-title-main">Canadian Group of Painters</span>

The Canadian Group of Painters (CGP) was a collective of 28 painters from across Canada who came together as a group in 1933.

<span class="mw-page-title-main">Agnes Etherington Art Centre</span> Art museum in Ontario, Canada

The Agnes Etherington Art Centre is located in Kingston, Ontario, in the heart of the historic campus of Queen's University. Situated on traditional Anishinaabe and Haudenosaunee Territory, the gallery has received a number of awards for its exhibitions from the Canada Council for the Arts, the Ontario Association of Art Galleries and others.

<span class="mw-page-title-main">Isabel McLaughlin</span> Canadian artist (1903-2002)

Isabel McLaughlin, was a Modernist Canadian painter, patron and philanthropist. She specialized in landscapes and still life and had a strong interest in design.

Sylvia Tait is a Canadian abstract painter and printmaker.

<span class="mw-page-title-main">Joan Murray (art historian)</span> Canadian writer, curator, and art historian

Joan Arden Charlat Murray is an American-born Canadian art historian, writer and curator who is an advocate for Canadian art and curators.

The Canadian Handicrafts Guild was an association of Canadians involved in handicrafts that was founded in Montreal in 1906. At first the goal was to preserve and market traditional home crafts that were seen as being at risk of dying out. Demand for high quality products and a shift towards more "professional" craftspeople and modern designs placed stress on the organization. In 1967 the provincial branches became autonomous, and subsequently evolved separately. At the national level the Guild was merged with the Canadian Craftsman's Association in 1974 to form the Canadian Crafts Council, now the Canadian Crafts Federation.

<span class="mw-page-title-main">Rody Kenny Courtice</span> Canadian artist

Rody Kenny Courtice was a modernist Canadian painter. She was associated with the Group of Seven early in her career, but later developed a more individual style. She was active in associations of artists and worked for the professionalization of their occupation. She also was an educator.

Albert Edward Cloutier (1902–1965) was a Canadian painter and graphic designer who painted in a form of intensified realism with abstract plastic forms.

<span class="mw-page-title-main">André Charles Biéler</span>

André Charles Biéler was a Swiss-born Canadian painter and teacher. His work was modernist, at first with strong emphasis on line, later with more interest in light and colour. He is known for his genre pictures of life in rural Quebec. He was the first president of the Federation of Canadian Artists (1942–1944), and was instrumental in the foundation of the Canada Council and the Agnes Etherington Art Centre in Kingston, Ontario.

<span class="mw-page-title-main">Peter Haworth</span>

Peter Haworth was a British-born Canadian painter. He was known for his stained glass work.

The Canadian Society of Graphic Art (CSGA), originally called the Graphic Arts Club, was a non-profit organization of Canadian graphic artists. It was founded in 1904, and formally chartered in 1933. At one time it was one of the larger organizations of Canadian artists.

Walter Halsey Abell (1897–1956) was an American Art teacher and theoretician.

<span class="mw-page-title-main">Wynona Mulcaster</span>

Wynona Croft Mulcaster was a Canadian painter and teacher from Saskatchewan, best known for her prairie landscapes. She also played an important role in developing competitive riding in Saskatoon.

<span class="mw-page-title-main">Illingworth Kerr</span> Canadian painter, illustrator and writer

Illingworth "Buck" Kerr was a Canadian painter, illustrator and writer. He is best known for his landscape paintings of the Saskatchewan and Alberta prairies and foothills.

<span class="mw-page-title-main">Audrey Capel Doray</span> Canadian artist

Audrey Capel Doray is a Canadian artist working in a variety of mediums—painting, printmaking, electronic art, murals, and films. In addition to her solo and group exhibitions, her work was exhibited at the 6th Biennial Exhibition of Canadian Painting at the National Gallery of Canada in 1965. A serigraph Diamond is held in the Tate Gallery London and the National Gallery of Canada. Her work is described in North American Women Artists of the Twentieth Century as combining "robust social criticism with her own interpretation of humanist theory" and dealing with pop art and the feminist archetype, themes of "perpetual motion and endless transition," and the interplay of sound and light.

<span class="mw-page-title-main">Ottawa Art Gallery</span> Municipal gallery in Ontario, Canada

The Ottawa Art Gallery (OAG) is a municipal gallery in Ottawa, Ontario that opened in 1988 at Arts Court. The gallery has a permanent collection of over one thousand works, houses the City of Ottawa-owned Firestone Collection of Canadian Art, and provides community, educational and public programming. The OAG focuses on acquiring, interpreting, and sharing art as well as acting as a cultural meeting place.

Gordon Webber was a multimedia pioneer of modernism in Canada. He was also an educator.

References

  1. André Charles Biéler, Canadian Encyclopedia.
  2. Lerner & Williamson 1991, p. 52.
  3. Smith 2006, p. xvi.
  4. History, Federation of Canadian Artists.
  5. Poole 2008, p. 1.
  6. Lerner & Williamson 1991, p. 50.
  7. 1 2 3 Brison 2005, p. 70.
  8. Parker 1945.
  9. Poole 2008, p. 4.
  10. Cochran 1989, p. 2.
  11. Poole 2008, p. 3.
  12. Poole 2008, p. 2.
  13. Smith 2006, p. 194.
  14. Poole 2008, p. 5.
  15. Poole 2008, p. 9.
  16. Poole 2008, p. 10.

Sources

Federation of Canadian Artists fonds at the National Gallery of Canada, Ottawa, Ontario.