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Easy rider is an archaic United States slang expression whose meaning has varied with time.
Easy rider originally meant an expert horseman or a horse that was easy to ride. [1] [2]
In the early 1900s the term took on the meaning of freeloader as found in the old song "We Don't Care What Mr. Crump Don't Allow", based on "We Don't Care What Mama Don't Allow":
"Easy rider" in blues came to denote a lover, male or female. [3] If it refers to a man, it usually implies he is unscrupulous, is a prostitute's lover and lives off her earnings. [4] It can also mean a male lover whose movements are easy and satisfying. [5] [6]
To the easily titillated, the term referred to a woman who had liberal sexual views, had been married more than once, or someone skilled at sex. [7] The term appears in numerous blues lyrics of the 1920s and many popular early folk-blues tunes such as "See See Rider", first recorded by Ma Rainey in 1924, and later recorded by Lightnin' Hopkins when with Aladdin Records. Early uses of the term include the 1925 jazz recording by Johnny Bayersdorffer's Jazzola Novelty Orchestra entitled "I Wonder Where My Easy Rider's Riding Now" (later covered by Mae West) and "Mama Don't Allow No Easy Riders Here" in 1929 by Tampa Red. [ citation needed ]
During the Great Depression a large population of Americans driven by poverty rode the railroad system and the term easy rider (along with hobo and bum) found its way into slang vocabulary to mean a slow moving train and the men that, even after the great depression, continued to live and travel along the rails. The majority of these trains, commissioned in the early 1920s, had the letters C.C. (for Colorado Central) or S.C. (for Southern Coastal) stenciled on them in bold white letters. This is most likely where the term C.C. rider originated.[ citation needed ]
In the World War II era the slang term re-emerged with a modified meaning, where G.I.s on extended deployment in Asia or Europe (unofficially) employed children to perform the daily mundane tasks so common in the military like tending to barracks, shining boots, and the like, so a G.I. who employed a houseboy coasted through this work and had an "easy ride".
Eventually young native women were hired to tend to individual living quarters and soon became lovers as well as maids.
When these men left and other G.I.s took their place, the women, accustomed to the workload, would remain to perform the same services, sometimes preparing gear or a living area for inspection better than the soldier could.
The term had a different meaning in the "free love" cultural era of the 1960s and was first applied to women who practiced free love. A man who lived with this type of woman had a free or easy ride, since the woman still did most of the chores even though Second-wave feminism began to have a major influence on women at this time.
The term soon acquired a negative connotation however as it became a derogatory way to describe a woman with whom a hippie could live, then leave abruptly and who would not get angry if he came back later. Soon it was applied to prostitutes whom it was easy to fool or steal from or who simply traded their charms for a small amount of food or drugs.
The term appears in the famous "See See Rider Blues" song recorded by Ma Rainey in 1925. The song and others like it used the loneliness of a rider of the rails or wanderer as a theme in their music.
The 1969 movie Easy Rider had wandering motorcycle riders as its characters, and due to the notoriety of the movie the term again acquired another meaning to fit into the cultural mores of the time to mean a good, usually Harley-Davidson motorcycle.
Dennis Hopper, the director of Easy Rider, said in the making-of documentary Shaking the Cage: "An easy rider is a person that is not a pimp, but he lives off a woman; he lives off a whore. He's her easy rider. He's the one that she loves and she gives money to. He doesn't pimp her, but he's her easy rider."
Led Zeppelin, although a rock band, was heavily influenced by early jazz and blues and make reference in numerous songs to an "easy rider." Most notably the song "Out on the Tiles" makes reference to this free love practice and the cultural impact of it as he is both proud and ashamed to be seen with a woman known to be an "easy rider" while at the same time trying to hitchhike a ride.
After contributing his own music to the motion picture Easy Rider, Jimi Hendrix was inspired to write a song of the same name on his album The Cry of Love originally released in 1971. The spelling of the song title was altered to "Ezy Ryder," possibly indicating that the person in the song is named Ezy Ryder.
Gertrude "Ma" Rainey was one of the earliest African-American professional blues singers and one of the first generation of blues singers to record. The "Mother of the Blues", she bridged earlier vaudeville and the authentic expression of southern blues, influencing a generation of blues singers.
John Watson Jr., known professionally as Johnny "Guitar" Watson, was an American blues, soul, and funk musician and singer-songwriter. A flamboyant showman and electric guitarist in the style of T-Bone Walker, Watson recorded throughout the 1950s and 1960s with some success. His creative reinvention in the 1970s with funk overtones, saw Watson have hits with "Ain't That a Bitch" and "Superman Lover". His successful recording career spanned forty years, with his highest chart appearance being the 1977 song "A Real Mother for Ya".
"Kind Hearted Woman Blues" is a blues song recorded on November 23, 1936, in San Antonio, Texas, by the American Delta bluesman Robert Johnson. The song was originally released on 78 rpm format as Vocalion 03416 and ARC 7-03-56. Johnson performed the song in the key of A, and recorded two takes, the first of which contains his only recorded guitar solo. Both takes were used for different pressings of both the Vocalion issue and the ARC issue. The first take (SA-2580-1) can be found on many compilation albums, including the first one, King of the Delta Blues Singers (1961). Take 2 (SA-2580-2) can be heard on the later compilation Robert Johnson, The Complete Recordings (1990).
Fortune Records was an American family operated, independent record label located in Detroit, Michigan from 1946 to 1995. The label owners were Jack and Devora Brown, their son Sheldon Brown recorded for the label. Original releases tapered off after 1972 aside from a few albums in the mid-1980s. Fortune specialized in R&B, blues, soul and doo-wop music, although the label also released pop, big band, hillbilly, gospel, rock and roll, and polka records.
The origin of the word jazz is one of the most sought-after word origins in modern American English. Interest in the word – the American Dialect Society named it the Word of the Twentieth Century in 2000 – has resulted in considerable research and the linguistic history is well documented. "Jazz" began as a West-Coast slang term around 1912. The meaning varied, but the word did not initially refer to music. "Jazz" came to mean "jazz music" in Chicago around 1915.
Dirty blues encompasses forms of blues music that deal with socially taboo and obscene subjects, often referencing sexual acts and drug use. Due to the sometimes graphic subject matter, such music was often banned from radio and only available on a jukebox. The style was most popular in the years before World War II, although it had a revival in the 1960s.
"See See Rider", also known as "C.C. Rider", "See See Rider Blues" or "Easy Rider", is a popular American 12-bar blues folk blues song that became a blues and jazz standard. Gertrude "Ma" Rainey was the first to record it on October 16, 1924, at Paramount Records in New York. The song uses mostly traditional blues lyrics to tell the story of an unfaithful lover, commonly called an "easy rider": "See see rider, see what you have done", making a play on the word "see" and the sound of "easy".
Easy Rider is a 1969 road movie.
This is a discography for all the records released by Frankie Laine.
Stormy Monday, also known as I'd Rather Drink Muddy Water, is the debut album of R&B singer Lou Rawls, released in 1962 on Capitol Records. Recorded in two sessions in February 1962, the album features a number of blues and jazz standards chosen by Rawls and backed by the Les McCann Trio. Stormy Monday was reissued in 1990 by Blue Note records.
"I Wonder Where My Easy Rider's Gone?" is a ragtime/blues song written by Shelton Brooks in 1913. Sometimes categorized as hokum, it led to an answer song written in 1915 by W.C. Handy, "Yellow Dog Rag", later titled "Yellow Dog Blues". Lines and melody from both songs show up in the 1920s and 1930s in such songs as "E. Z. Rider", "See See Rider", "C. C. Rider", and "Easy Rider Blues".
Road Trips Volume 3 Number 3 is a live album by the American rock band the Grateful Dead. Recorded on May 15, 1970, and released on June 14, 2010, it was the 11th of the "Road Trips" series of albums, and the first to contain three discs instead of two.
"Milk Cow Blues" is a blues song written and originally recorded by Kokomo Arnold in September 1934. In 1935 and 1936, he recorded four sequels designated "Milk Cow Blues No. 2" through No. 5. The song made Arnold a star, and was widely adapted by artists in the blues, Western swing and rock idioms.
Guitar Rock was a 27-volume series issued by Time-Life during the mid-1990s, spotlighting rock music—in particular, hard rock, classic and album-oriented rock of the 1960s through early 1990s.
Mister Charlie is a pejorative expression formerly used within the African-American community to refer to an imperious white man. Occasionally, it refers to a black man who is arrogant and perceived as "acting white".
In internet slang, a simp is a person who is excessively deferential, engages in flattery, or "does way too much for a person they like", sometimes with the ulterior motive of courtship towards an intimate relationship or sexual intercourse. This behavior, referred to as simping, has been described as an "openly thirsty version of stanning".
