"Warszawianka 1831 roku", "La Varsovienne" is a Polish patriotic song written by Casimir François Delavigne with music by Karol Kurpiński.
La Panhypocrisiade, ou la comédie infernale du seizième siècle is a poem in sixteen cantos by Louis Jean Népomucène Lemercier, composed essentially under the French Consulate but not published until 1819.
The Barallots were a sect, deemed heretical, at Bologna in Italy, who had all things in common, even their wives and children. They gave so readily into all manner of sensual pleasures, that they were also termed Compliers.
The Treaty of Huế, concluded on 25 August 1883 between France and Vietnam, recognised a French protectorate over Annam and Tonkin. Dictated to the Vietnamese by the French administrator François-Jules Harmand in the wake of the French military seizure of the Thuận An forts, the treaty is often known as the 'Harmand Treaty'. Considered overly harsh in French diplomatic circles, the treaty was never ratified in France, and was replaced on 6 June 1884 with the slightly milder 'Patenôtre Treaty' or 'Treaty of Protectorate', which formed the basis for French rule in Vietnam for the next seven decades.
The Académie Royale de Danse, founded by Letters Patent on the initiative of King Louis XIV of France in March 1661, was the first dance institution established in the Western world. As one of King Louis’ first official edicts after the death of royal adviser Jules Mazarin, the "Letters Patent of the King to Establish a Royal Academy of Dance in the City of Paris" represented a critical step towards the young King's wielding of consolidated personal power. Structurally, the Académie consisted of thirteen dancing masters selected by King Louis XIV for being the "most experienced in the Art [of dance]." This "experience" was determined by each dancer's history of success in previous royal productions of ballets de cour. Most famously, eight of the selected dancing masters performed with King Louis XIV during his portrayal of Apollo, the Sun King, in LeBallet de la nuit (1653). Although the object of the Académie was to reflect, analyze and normalize matters of dance, no document relating to its activity or to this theorization has survived. The Académie Royale de Musique, founded in 1669 as the Académie d'Opéra, was a closely related opera and ballet company, and although the two institutions never merged, members of the dance academy were also associated with the opera. Little by little, recruitment of dancers into the royal entourage gave way to recruitment into the ballet-corps of the Opéra. This slowly altered the Académie's profile, making it and its members more dedicated to dance training alone. By 1775, the Académie was nearing the end of its life. On joining the Académie, Jean-Georges Noverre, one of ballet d’action’s most influential choreographers, commented on its ineffectiveness in making meaningful contributions to the dance world. But Noverre’s dismissive remarks concerning the organization cannot be taken at face value, since on a number of accounts, his statements are polemical, biased and misleading. It is often claimed that the Académie ceased to exist after 1778, merely because a list of the thirteen members was no longer published after this date, or alternatively after 1789, with the coming of French Revolution and the abolition or nationalization of royal institutions. In a tribute to his deceased brother Maximilien published in the Courrier des spectacles , Pierre Gardel, the head choreographer at the Paris Opéra at that time, writes that "these positions, which came with a pension [of 500 livres], passed in turn to the most distinguished dancers. Citizens [Auguste] Vestris and [Pierre] Gardel, currently at the Théâtre de la République et des Arts, are the last to have enjoyed these." It appears then that the Académie was indeed defunct by 1798. The opera and ballet company has survived and today is known as the Opéra National de Paris.
Pension Mimosas is a 1935 French drama film directed by Jacques Feyder. Based on an original scenario by Feyder and Charles Spaak, it is a psychological drama set largely in a small hotel on the Côte d'Azur, and it provided Françoise Rosay with one of the most substantial acting roles of her career. It was produced by the French subsidiary of the German company Tobis Film.
Le Temps des cerises is a song written in France in 1866, with words by Jean-Baptiste Clément and music by Antoine Renard, extremely famous in French-speaking countries. The song was later strongly associated with the Paris Commune, during which verses were added to the song, thus becoming a revolutionary song. The "Time of Cherries" is a metaphor regarding what life will be like when a revolution will have changed social and economic conditions. It is believed to be dedicated by the writer to a nurse who fought in the semaine sanglante when French government troops overthrew the commune.
Antoine-Jacques Roustan was a Genevan pastor and theologian, who engaged in an extensive correspondence with Jean-Jacques Rousseau. Unlike Rousseau, he believed that a Christian republic was practical - that the Christian religion was not incompatible with patriotism or republicanism.
Marie François Fouquet (1590–1681), was a French medical writer and philanthropist.
La Parisienne is a song by Casimir Delavigne. It was composed after the July Revolution and in homage to it and served as the French national anthem during the July Monarchy (1830-1848).
Correspondances is a song-cycle for soprano and orchestra written by the French composer Henri Dutilleux in 2002–2003.
Les Feuilles d'Automne is a collection of poems written by Victor Hugo, and published in 1831. It contains a multitude of poems, six of which are especially known as Soleils Couchants.
Les Djinns is one of the most famous poems of French author Victor Hugo, published in 1829 in his collection Les Orientales.
Pierre Dandrieu (d'Andrieu) (baptised in Angers on 21 March 1664 – 20 October 1733) was a French priest, composer and organist.
Quatre petites prières de saint François d'Assise, FP 142 is a sacred choral work by Francis Poulenc for a cappella men's chorus, composed in 1948. Written on a request by Poulenc's relative who was a Franciscan friar, the work was premiered by the monks of Champfleury.
The Corpus Inscriptionum Semiticarum is a collection of ancient inscriptions in Semitic languages produced since the end of 2nd millennium BC until the rise of Islam. It was published in Latin. In a note recovered after his death, Ernest Renan stated that: "Of all I have done, it is the Corpus I like the most."
The Yehawmilk stele, de Clercq stele, or Byblos stele, also known as KAI 10 and CIS I 1, is a Phoenician inscription from c.450 BC found in Byblos at the end of Ernest Renan's Mission de Phénicie. Yehawmilk, king of Byblos, dedicated the stele to the city’s protective goddess Ba'alat Gebal.
The Phoenician Adoration steles are a number of Phoenician and Punic steles depicting the adoration gesture (orans).
Hiram's Tomb is a large limestone sarcophagus and pedestal located approximately 6 km (3.7 mi) southeast of Tyre, Lebanon, near the village of Hanaouay on the road to Qana.
Geographia Sacra seu Phaleg et Canaan was a work of biblical criticism and world history by French author Samuel Bochart, first published in 1646. It was originally written in two books, combined in later editions. The first of these books, entitled Phaleg, seu de Dispersione Gentium et Terrarum Divisione Facta in Aedificatione Turris Babel, was devoted to the Generations of Noah and the modern names of the tribes lists in Genesis 10. The second book, originally entitled Chanaan seu de Coloniis Et Sermone Phoenicum, studied the history of Phoenician colonization and the Phoenician and Punic languages. The work was highly influential in seventeenth-century Biblical exegesis and modern Phoenician historiography.
