| Eddie Holland | |
|---|---|
 | |
| Studio album by | |
| Released | May 1962 |
| Genre | Rhythm and blues |
| Length | 24:47 |
| Language | English |
| Label | Motown |
| Producer |
|
Eddie Holland is the sole studio album by American rhythm and blues songwriter Eddie Holland, released on Motown in 1962.
| Eddie Holland | |
|---|---|
| | |
| Studio album by | |
| Released | May 1962 |
| Genre | Rhythm and blues |
| Length | 24:47 |
| Language | English |
| Label | Motown |
| Producer |
|
Eddie Holland is the sole studio album by American rhythm and blues songwriter Eddie Holland, released on Motown in 1962.
After releasing a string of singles and writing many hit singles for the label, Holland was given the chance to record an album. His single "Jamie"—which was included on this album after its single release—was the first hit for Motown other than Mary Wells' seven charting singles; [1] that song reached sixth on the Billboard R&B charts and thirtieth on the pop charts in October 1961. [2] In spite of suffering from stage fright, [3] Holland went on tour to promote the album, backed by The Temptations, [4] but this release was not a hit. He mostly returned to songwriting, where he co-authored a majority of the label's hit songs through 1967 with his songwriting combo Holland–Dozier–Holland [5] and released two more minor hit singles in 1964, before retiring from recording. [2]
Billboard followed the success of "Jamie" prior to this album release and projected strong sales potential for the follow-up "If Cleopatra Took a Chance", calling the single "a dramatic, Jackie Wilson-styled performance". [6] The publication also recommended the final single, "If It's Love (It's Alright)", to retailers as having moderate sales potential. [7] Neither song charted domestically, but the latter reached 50 on Cash Box 's R&B singles. [8] Editors at AllMusic Guide scored this album 2.5 out of five stars, with critic Andrew Hamilton also noting Holland's vocal style and its similarities to Jackie Wilson and complaining that "most of the material sounds dated, even for 1962". [9]
"You Keep Me Hangin' On" is a song written and composed by Holland–Dozier–Holland. It was first recorded in 1966 by American Motown girl group the Supremes, reaching number one on the Billboard Hot 100. American rock band Vanilla Fudge released a cover version in June the following year, which reached number six on the Billboard Hot 100. English singer Kim Wilde covered "You Keep Me Hangin' On" in 1986, reaching number one on the Billboard Hot 100 in June 1987. In the first 32 years of the Billboard Hot 100 rock era, "You Keep Me Hangin' On" became one of the six songs to reach number one by two different musical acts. In 1996, American country singer Reba McEntire's version reached number two on the US Billboard Hot Dance Club Play chart. The BBC ranked the Supremes' original song at number 78 on The Top 100 Digital Motown Chart, which ranks Motown releases by their all-time UK downloads and streams.
"Reach Out I'll Be There" (also formatted as "Reach Out (I'll Be There)") is a song recorded by the Four Tops from their fourth studio album Reach Out (1967). Written and produced by Motown's main production team, Holland–Dozier–Holland, the song is one of the most widely-known Motown hits of the 1960s and is today considered the Four Tops' signature song.
"This Old Heart of Mine (Is Weak for You)" is a Holland–Dozier–Holland song that was a hit for American musical group the Isley Brothers in January 1966 during their brief tenure on Motown's Tamla label. Featuring Ronald Isley on lead vocal, "This Old Heart of Mine" peaked at number twelve on the Billboard Hot 100, and at number six on the Billboard R&B Singles chart.
"Please Mr. Postman" is a song written by Georgia Dobbins, William Garrett, Freddie Gorman, Brian Holland and Robert Bateman. It is the debut single by the Marvelettes for the Tamla (Motown) label, notable as the first Motown song to reach the number-one position on the Billboard Hot 100 pop singles chart. The single achieved this position in late 1961; it hit number one on the R&B chart as well. "Please Mr. Postman" became a number-one hit again in early 1975 when the Carpenters' cover of the song reached the top position of the Billboard Hot 100. "Please Mr. Postman" has been covered several times, including by the British rock group the Beatles in 1963. The 2017 song "Feel It Still" by Portugal. The Man draws on "Please Mr. Postman" and includes a credit for Brian Holland.
Meet the Temptations is the debut studio album by the Temptations for the Gordy (Motown) label released in 1964. It includes most of the group's early singles, excluding only the first, "Oh Mother of Mine", and its b-side, "Romance Without Finance" ; as well as the single "Mind Over Matter", in which the group is credited as The Pirates. The album consists entirely of previously released singles, including the group's first hit single, "The Way You Do the Things You Do".
The Temptations with a Lot o' Soul is the fifth studio album by The Temptations for the Gordy (Motown) label released in 1967. Featuring four hit singles, With a Lot o' Soul is the most successful Temptations album from their "classic 5" era, during which David Ruffin, Eddie Kendricks, Paul Williams, Melvin Franklin, and Otis Williams constituted the Temptations' lineup.
Where Did Our Love Go is the second studio album by Motown singing group the Supremes, released in 1964. The album includes several of the group's singles and B-sides from 1963 and 1964. Included are the group's first Billboard Pop Singles number-one hits, "Where Did Our Love Go", "Baby Love", and "Come See About Me", as well as their first Top 40 hit, "When the Lovelight Starts Shining Through His Eyes", and the singles "A Breathtaking Guy" and "Run, Run, Run".
How Sweet It Is to Be Loved by You is the fifth studio album released by American singer and songwriter Marvin Gaye, released in 1965. The album features the successful title track, which at the time was his best-selling single and was famously covered by James Taylor in 1975. Other hits include "Try It Baby" and "Baby Don't You Do It" . Inspired by Jackie Gleason’s trademark expression.
More Hits by The Supremes is the sixth studio album by Motown singing group the Supremes, released in 1965. The album includes two number-one hits: "Stop! In the Name of Love" and "Back in My Arms Again", as well as the Top 20 single "Nothing but Heartaches".
"Heat Wave" is a 1963 song written by the Holland–Dozier–Holland songwriting team. It was first made popular by the Motown vocal group Martha and the Vandellas. Released as a 45 rpm single on July 9, 1963, on the Motown subsidiary Gordy label, it hit number one on the Billboard Hot R&B chart—where it stayed for four weeks—and peaking at number 4 on the Billboard Hot 100.
"Come and Get These Memories" is an R&B song by Motown girl group Martha and the Vandellas. Their second single released under Motown's Gordy Records subsidiary, "Memories" became the group's first hit single, reaching number 29 on the Billboard Pop Singles Chart, and number-six on the Billboard R&B Singles Chart.
Heat Wave is the second studio album released by American Motown girl group Martha and the Vandellas. Released in 1963 on Motown's Gordy imprint, intended to capitalize on the success of the title track, which rose to number four on the pop singles chart and number one on the R&B singles chart. The album was produced by Holland–Dozier–Holland and William "Mickey" Stevenson. This was the last album to feature original Vandella Annette Beard.
Up-Tight is a 1966 album by American singer Stevie Wonder, released by Motown on the Tamla label. It was his fifth studio release.
Dancing in the Street: The Songs of Motown II is the sixth studio album by Australian pop vocal group Human Nature and second Motown covers release. It was released on 14 October 2006.
"Leaving Here" is a song written in 1963 by Motown songwriters Holland–Dozier–Holland. Written at the beginning of the partnership, it is notable in several recordings. It was originally released as a single in December 1963 by H-D-H lyricist Eddie Holland and peaked at number 76 on the Billboard Hot 100 and at number 27 on the Billboard R&B chart.
"When the Lovelight Starts Shining Through His Eyes" is a song written by Holland–Dozier–Holland and recorded in 1963 by Motown singing group The Supremes. It is notable as the Supremes' first Billboard Hot 100 Top 40 recording, following seven previous singles between January 1961 and September 1963 which failed to enter the Top 40. The single is also notable as the first Supremes single written and produced by Holland–Dozier–Holland, who had previously created hits for Martha and the Vandellas and Mary Wells.
Bye Bye Baby I Don't Want to Take a Chance is the debut album by Motown recording artist Mary Wells, released on Motown in 1961. The album didn't chart but yielded two hit singles for the teenaged Wells including "Bye Bye Baby", issued in late 1960, and "I Don't Want to Take a Chance", a song written for her by Berry Gordy and Mickey Stevenson. Wells' follow-up album, The One Who Really Loves You, was released in 1962.
"Mickey's Monkey" is a 1963 song recorded by the R&B group the Miracles on Motown Records' Tamla label. It was written and produced by Motown's main songwriting team of Brian Holland, Lamont Dozier, and Eddie Holland, who later went on to write two more Miracles hit singles, the Top 40 "I Gotta Dance to Keep From Crying", and the Top 20 "(Come 'Round Here) I'm The One You Need". This was an unusual writing situation for the Miracles, as most of their songs were composed by the group members themselves.
Four Tops Second Album is a 1965 R&B studio album by vocal quartet the Four Tops. The album, released on the Motown record label, reached No. 3 on Billboard's Black Albums chart and No. 20 on the Billboard Top LPs chart. The album contains three hit singles. "I Can't Help Myself " reached No. 1 on both the Black Singles and Pop Singles charts, while "It's the Same Old Song" reached No. 2 and No. 5 respectively, and "Something About You" reached No. 9 and No. 19. In 1990, Motown bundled the Four Tops' first two albums together in a release titled Four Tops/Four Tops Second Album.
Playboy is the third album by the Motown girl group The Marvelettes, released in 1962. It capitalized on their hit singles "Playboy" and "Beechwood 4-5789". It also includes the single "Someday, Someway" and "Forever", a heartfelt standard that would be released the following year as the B-side of the single "Locking Up My Heart" and join the A-side on the charts. Other compositions include "Goddess of Love", "Cry Over You", and "Mix It Up". George Gordy, William "Mickey" Stevenson and Marvin Gaye, who had produced "Beechwood 4-5789" all did some work on the Playboy LP as well.
