Brazilian comics started in the 19th century, adopting a satirical style known as cartoon, charges or caricature that would later be cemented in the popular comic strips. The publication of magazines dedicated exclusively to comics, in Brazil, started at the beginning of the 20th century. Brazilian artists have worked with both styles. In the case of American comics some have achieved international fame, like Roger Cruz with X-Men and Mike Deodato with Thor, Wonder Woman and others.
André Diniz is a Brazilian comics artist. He began working with comics in 1994 with the fanzine Grandes Enigmas da Humanidade, which had a circulation of 5,000 copies.
Omar Viñole is a Portuguese-born Brazilian comics artist, colorist and inker. He and Laudo Ferreira Jr. founded the Banda Desenhada studio in 1996, in which Omar made colors and inks for many comics projects, as Yeshuah, Histórias do Clube da Esquina and Depois da Meia-Noite. He was awarded as "Best inker" in 2003 and 2017. In 2009, he created the webcomic Coelho Nero, a grumpy and critical rabbit, which has two printed collections.
Prêmio Angelo Agostini, sometimes also called Troféu Angelo Agostini, is the most traditional comics award in Brazil. It was created in 1985 by the Associação dos Quadrinhistas e Caricaturistas do Estado de São Paulo (AQC-ESP), which still organizes the event today.
Universo HQ is a Brazilian website about comics and considered the most important Brazilian information source on comics-related news.
Guia dos Quadrinhos is a Brazilian comic book database created with the objective of cataloging all comics published in Brazil, whether graphic novels, magazines, fanzines or independent publications.
André Luiz da Silva Pereira, well known as André Vazzios is a Brazilian colorist, comics artist and architect. Graduated in Architecture from Mackenzie Presbyterian University, he began his career as an illustrator in 1995 at the Abril Jovem publishing house.
Master of National Comics is one of the categories of Prêmio Angelo Agostini, the most traditional Brazilian award dedicated to comics that has been held since 1985 by Associação dos Quadrinhistas e Caricaturistas do Estado de São Paulo (AQC-ESP).
Flavio Colin was a Brazilian comic artist and illustrator, considered one of the most important comic artists in Brazil. He began his career in the 1950s with an adaptation for the comic book radio series As Aventuras do Anjo, influenced by Milton Caniff, but began to gain prominence with the development of his own stylized artist style. In 1987, he was awarded with the Prêmio Angelo Agostini for Master of National Comics, an award that aims to honor artists who have dedicated themselves to Brazilian comics for at least 25 years. He also won the Troféu HQ Mix in 1994 and 1995. Flávio Colin died in Rio de Janeiro on 2002.
Sérgio Lima (1925–1988) was a Brazilian illustrator and comics artist. In the 1960s, he worked at the publishing house Prelúdio, where he illustrated cordel leaflets and comic books such as Juvêncio, o justiceiro do sertão, as well as adaptations of cordel literature. He also illustrated the comic book biography of Silvio Santos, written by R. F. Lucchetti, as well as horror comics. In the 1970s, he started to create Disney comics at editora Abril and worke in Os Trapalhões comic book. In 1987, he was awarded with the Prêmio Angelo Agostini for Master of National Comics, an award that aims to honor artists who have dedicated themselves to Brazilian comics for at least 25 years.
Cláudio Seto was a Brazilian journalist, visual artist, comic artist, poet, photographer, cultural animator and bonsai artist. Of Japanese descent, at age nine he went to study at a Zen monastery in Japan, where he took the opportunity to visit Osamu Tezuka's studio on weekends. When he returned to Brazil in the 1960s, he was hired by Edrel publishing house, where he published stories about samurai and ninja, who were still little known by Brazilians. Seto is considered the forerunner of the use of the manga style in Brazilian comics and his best-known character was O Samurai. In the 1970s, he moved to Curitiba to work at the Grafipar publishing house, which had hired some of the best Brazilian comic artists of the time. In 1988, he was awarded with the Prêmio Angelo Agostini for Master of National Comics, an award that aims to honor artists who have dedicated themselves to Brazilian comics for at least 25 years.
Álvaro de Moya was a Brazilian journalist, professor, researcher, comics artist, illustrator, writer and TV producer. He was one of the pioneers in academic research on comics in Brazil and one of those responsible for the First International Exhibition of Comics, held in São Paulo in 1951. Moya worked on the Disney comics published by Editora Abril, published novel adaptations at the EBAL publishing house, and made cartoons, illustrations and articles about comics for several newspapers. His first book, Shazam!, published in 1970, is considered one of the most important for Brazilian research on comics. In 1989, he was awarded with the Prêmio Angelo Agostini for Master of National Comics, an award that aims to honor artists who have dedicated themselves to Brazilian comics for at least 25 years.
Walmir Amaral is a Brazilian comic artist. He worked at the publishing house Rio Gráfica Editora (RGE) from 1957 to 1986, where he produced covers and illustrations for several licensed characters, especially for Lee Falk's The Phantom. In the 1960s, Amaral began writing and drawing the comics for O Anjo, a radio character previously drawn by Flavio Colin. Amaral drew some western comics like Straight Arrow and Black Rider.
Waldyr Igayara de Souza was a Brazilian comic book artist and editor. He started his career working for the Outubro and Taika publishing houses, as well as the studio Alcântara Machado Propaganda, along with Lyrio Aragão, Julio Shimamoto and Luiz Saidenberg. In 1961, he started working at editora Abril, being one of the first Brazilian artists to work with Disney comics at the publishing house. He created the character Dugan Duck, nephew of Fethry Duck. The character was quite successful in Brazil and Italy, being the only duck with a yellow color. Igayara also worked as editorial director of Abril's children's division for 20 years, creating important children's magazines such as Recreio e Alegria. In 1993, he was awarded with the Prêmio Angelo Agostini for Master of National Comics, an award that aims to honor artists who have dedicated themselves to Brazilian comics for at least 25 years.
Oscar Kern was a fanzine editor and comics writer. He was a civil servant from the age of 16 until his retirement and wrote comics in parallel with the civil service. In the early 1970s he worked at editora Abril writing Disney comics. In 1972, he launched the first edition of the fanzine Historieta, considered one of the most important in the history of Brazilian comics and whose last edition was published in 2003. In Historieta, Kern published artists such as Mozart Couto, Emir Ribeiro, Mike Deodato and Renato Canini, among others, in addition to writing his own stories, especially the superhero Homem Justo. In 1997, he was awarded with the Prêmio Angelo Agostini for Master of National Comics, an award that aims to honor artists who have dedicated themselves to Brazilian comics for at least 25 years.
Moacy Cirne was a Brazilian poet and researcher, considered the main Brazilian researcher about comics. In 1967, he was one of the founders of the movement and vanguard Poema/Processo. He was also editor of the fanzine Balaio Porreta. In academic life, he specialized in graphic narratives and poetry, having written several works on these two themes. He was one of the pioneers in research on comics in Brazil, having released his first book on the subject in 1970, A explosão criativa dos quadrinhos, which was followed by several others. Cirne was also professor at the Department of Social Communication of Fluminense Federal University. In 2000, he was awarded with the Prêmio Angelo Agostini for Master of National Comics, an award that aims to honor artists who have dedicated themselves to Brazilian comics for at least 25 years.
Ivan Wasth Rodrigues was a Brazilian painter and comics artist. He learned painting at the ateliers of José Wasth Rodrigues, Cid Affonso Rodrigues and Vittorio Gobbis, and also at the Escola de Belas-Artes de São Paulo. He started his professional career as a book illustrator for the Melhoramentos publishing house and doing advertising design. In the field of comics, he designed a two-part book for EBAL publishing house on the history of Brazil and the adaptation of the classic Casa-Grande & Senzala, by Gilberto Freire. For Freire's book, which talks about the period of slavery in Brazil, Wasth Rodrigues researched for five months the paintings of Jean-Baptiste Debret. In 2001, he was awarded with the Prêmio Angelo Agostini for Master of National Comics, an award that aims to honor artists who have dedicated themselves to Brazilian comics for at least 25 years.
Bigorna was a Brazilian website about comics with an almost exclusive focus on Brazilian comics.
Mariana Cagnin, better known as Mary Cagnin is a Brazilian comic artist.
