Eeli Alvar Aalto (born 6 February 1931 in Vyborg, Finland (present-day Russia)) is a Finnish visual artist and television director.
During the Winter War, Eeli Aalto and his parents fled the war to the Pohjois-Pohjanmaa region, first to Liminka and then to Oulu. [1] Eeli Aalto became acquainted with art at the age of 10 when he saw paintings by the Liminka-based artist Vilho Lampi. [1]
Aalto studied art at the Academy of Fine Arts in Helsinki and later in Paris, France at the André Lhote academy. [1]
Aalto participated in the frescoes by Lennart Segerstråle at the Rovaniemi Church. [2] He painted landscapes and city scenarios. In the 1960s Aalto also experimented in abstract art. [1] He designed a large three-part relief ("In the beginning there was the word. The word became flesh ... and lived among us", 1969) between the main entrances at the concrete facade of the Alava Church in Kuopio. In Oulu he participated in getting cultural facilities such as the Oulu University and the Oulu Museum of Art into the city. From 1962 to 1979 Aalto served as teacher of plastic composition at the department of architecture at the Oulu University.
From 1993 to 1998 Aalto painted the series "Sata kuvaa Oulusta" ("One hundred pictures of Oulu"). Eeli Aalto wrote of its birth: "We got refuge in Oulu. Why shouldn't I picture the city that accepted us?" The idea was for every picture to have its own personal meaning. [3] : 79–80 Eeli Aalto used his realistic pictures to show that figurative art had never disappeared anywhere. According to Giorgio Morandi "nothing is as abstract as reality". [3] : 86
In addition to paintings and sculptures, Aalto made numerous television documents for Yleisradio, such as a document about star singers called Synti suuri surkia in 1980. The document Piina about the artist Alpo Jaakola (1977) was awarded the Jussi Award for best television film. [4]
After the dissolution of the Soviet Union Eeli Aalto travelled to his home city of Vyborg in 1991. He said that seeing the city after half a century first felt like descending to a nightmare. "I felt a foreigner, but so did the Russian inhabitants." [5] Eeli Aalto made a documentary film Wiipurini (1992) based on his trip to Vyborg. [3] : 77
Eeli Aalto also made a series of writings and photographs called Viipurinmatka based on his trip, which he also published online in his series "100 kuvaa Oulusta". [6]
Jukka Lindfors describes Eeli Aalto's films as personal statements, a kind of television essays or pontifications. "They are often poetic and nostalgic, but they also have quite a lot of fresh humour, acridity and black satire."
According to Lindfors Eeli Aalto's artist documents give away an air of understanding reaching beyond the surface, and each subject is also reflected in the filming and editing of the films. His subjects have often been peculiar marginal characters, creative outsiders. Aalto often also appears in his films himself, sometimes as a fictive character. [7]
Aalto has written two books about artists, of which one is about Vilho Lampi (1969) and the other about Reidar Särestöniemi (1976).
From 1983 to 1988 Eeli Aalto wrote columns in the newspaper Kaleva under the title "Pienet filosofiat". Aalto wrote about four hundred columns and also illustrated them. [3] : 69
Aalto's autobiography Kuviensa takana was published in 2016. It was also published in English (2018) and in Russian accompanied with an article by Anastasia Martynova who had studied Eeli Aalto's works in 2019.
Eeli Aalto was also witness to the Jumalan teatteri act in Oulu in 1987, where the actors threw urine and excrement on the audience. [8] Aalto was the only member of the audience who watched the act in its entirety and took photographs, which were later used as evidence in a trial against the actors. In February 2009 Aalto published photographs of the act on the Internet, which had never been shown before. [8] [9]
Aalto lives in Kempele. [10] Aalto's son Simo Aalto is known as a magician, [11] Aalto's grandchildren Saara and Suvi Aalto are singers and Sari Aalto is a ventriloquist. [12]
Eeli Aalto was awarded an artist's pension in 1994. [13]
In 2012 Aalto was awarded the Kultainen kaulin ("Golden rolling pin") award for a culturally significant Oulu citizen. [14]
Hugo Alvar Henrik Aalto was a Finnish architect and designer. His work includes architecture, furniture, textiles and glassware, as well as sculptures and paintings. He never regarded himself as an artist, seeing painting and sculpture as "branches of the tree whose trunk is architecture." Aalto's early career ran in parallel with the rapid economic growth and industrialization of Finland during the first half of the 20th century. Many of his clients were industrialists, among them the Ahlström-Gullichsen family, who became his patrons. The span of his career, from the 1920s to the 1970s, is reflected in the styles of his work, ranging from Nordic Classicism of the early work, to a rational International Style Modernism during the 1930s to a more organic modernist style from the 1940s onwards.
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Vilho Henrik Lampi was a Finnish painter who is best known for his self-portraits and paintings of Liminka and the people who lived there.
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