The Eggja stone (also known as the Eggum or Eggjum stone), listed as N KJ101 in the Rundata catalog, is a grave stone with a runic inscription that was ploughed up in 1917 on the farm Eggja [1] in Sogndal, Nordre Bergenhus amt (now in Vestland county), Norway.
The Eggja stone was found with the written side downwards over a man's grave (cf. the Kylver stone) which is dated to the period 650–700 C.E. The flat slab of stone is nowadays in Bergen Museum. Having as many as 200 runes, it is the longest known inscription in the Elder Futhark, but certain runes are transitional towards the Younger Futhark.
Many scholarly works have been written about the inscription, but only minor parts of the partially preserved inscription have received an accepted translation. It is generally agreed it is written in stylized poetry and in a partly metrical form containing a protection for the grave and the description of a funerary rite. However, there are widely diverging interpretations about certain details.
There is also the image of a horse carved into the stone, but it does not appear to have any connection with the inscription.
The following transcription mostly copies the graphic analysis provided by Ottar Grønvik (1985). Some of the individual characters are unclear, and other analyses may disagree with certain parts. (For example, Grønvik analyzed fokl as foki.)
Wolfgang Krause and Herbert Jankuhn, Die Runeninschriften im älteren Futhark (1966) offered the following interpretation:
Based on this reconstruction, the following translation is offered:
The stone has been prepared in accordance with tradition; the stone is untouched by sunlight, and not cut with iron. It should not be uncovered during the waning moon, and should not be removed from its place.
Someone has stained this stone with blood (kenned as corpse-sea); perhaps as part of a sacrifice to facilitate the passage of the deceased or call on whatever power the inscription is addressed to. The heráss is the "god of armies" - a psychopomp god (i.e. an early form of Odin) who comes to the land of the living to take the deceased to an afterlife.
Ottar Grønvik (1985) offers a more prosaic interpretation. Panel 3 above is relegated to the middle, as part B:
(Parenthesis denotes reconstructed or anticipated forms)
The Old Norse equivalent is here said to be:
Translation:
According to this interpretation, A1 is a description of a shipwreck in bad weather. The mast seems to have broken, and the oars could not save them, as a mythical creature, *Vil (possibly the sea-god Aegir, or simply divine will,) casts a wave upon the boat. Parts A2, A3 and B explains the fate of the deceased. As A2 asks how they will get to the land beyond, A3 replies that a divine creature in the shape of a fish will lead them to the land of shining meadows. Part B prays that the work of the one writing this will help. Firney is probably not a place name, but possibly Fear-island or Far-island, and a kenning for the realm of the dead. Part C1 says that the inscription was done at night, and not by using steel. This probably pertains to ancient grave-rituals, but the exact meaning is unclear. C2 issues warning directed at necromancers and mad (or mentally ill) people to prevent them from desecrating the grave.
Panel 2 has been suggested to contain a stanza in the Galdralag meter, i.e.:
The inscription loosely follows the pattern of the Merseburg Incantations, divided into two complementary parts, but where the Merseburger invokes a mythic event and calls for an exorcistic repetition, the Eggja composer seems to twice invoke a ritual, the first time listing two desired outcomes, in the second instance asking a question and answering it. Both inscriptions may represent some of the few remaining examples of pre-Christian ljoð or galdr , ritual verse chanted by the cult leaders, shamans or oracles of Norse Scandinavia.
Neo-folk band Heilung's songs Krigsgaldr and Hakkerskaldyr have lyrics [5] [6] from Grønvik's translation of the Eggja inscription.
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