Eileen (opera)

Last updated
Eileen
Eileen827.jpg
Sheet music cover
Music Victor Herbert
Lyrics Henry Blossom
Book Henry Blossom
BasisRory O'More by Samuel Lover
Productions1917 Broadway

Eileen is a comic opera in 3 Acts [n 1] with music by Victor Herbert and lyrics and book by Henry Blossom, based loosely on the 1835 novel Rory O'More by Herbert's grandfather, Samuel Lover. [5] Set in 1798, the story concerns an Irish revolutionary arrested by the British for treason. Eileen, his nobly born sweetheart, helps him to escape by disguising him as a servant.

Contents

After two Cleveland performances at the Colonial Theatre on January 1–2, 1917 titled Hearts of Erin, the operetta moved on to Boston, changing its name to Eileen. [5] It then opened at the Shubert Theatre on March 19, 1917 and ran for 64 performances. It was produced by Joe Weber, formerly of the comedy duo Weber and Fields. It then toured, but a fire destroyed its sets and costumes three months into the tour. [6] [7] The show was not revived in New York until the end of the 20th century. In 1982, a single on-book concert performance was given at Manhattan's Town Hall, featuring E. G. Marshall as O'Day, Judy Kaye as Lady Maude and Roderick Cook as Sir Reginald. [8] In 1997, it was produced and recorded by the Ohio Light Opera. [5] In 2012, a small-scale production was given by the Light Opera of New York. [5] [9]

Herbert was eager to write an "Irish" musical to celebrate the land of his ancestors. His score was well received by the critics, but the libretto received some harsh reviews. Alexander Woollcott wrote: "Mr Blossom [must have] gathered his material and atmosphere by reading for quite half an hour in some public library." [7]

Roles and original cast

EileenVH2.jpg

Synopsis

Act I

It is 1798, the year of the brutal uprisings of the United Irishmen, who seek to reclaim their lands from the British. Lady Maude, the attractive widow of Lord Estabrook, an English lady, is the mistress of Castle Sligo, once held by the O'Day family, creating resentment among the Irish locals. Her niece, Eileen, has returned to Ireland after schooling at a convent in France; she is accompanied by the bumbling Sir Reginald. Shaun Dhu leads a band of smugglers and revolutionaries on the Western coast of Ireland that includes Barry O'Day, son of a legendary Irish rebel. The band stores its loot at Biddy's Black Bull Inn in an effort to avoid nasty British tax collector Humpy Grogan. Lady Maude and Eileen stop at the Inn when their carriage breaks down. Barry protects them from some village drunks and flirts with Maude, although it is really Eileen who has caught his eye; Maude is sympathetic to the rebels' cause. Colonel Lester, the local British authority, comes to arrest Barry for treason, but Lady Maude keeps the Colonel at bay, and Barry escapes disguised as Lady Maude's groom.

Act II

Later, at Castle Sligo, Lady Maude has developed affection for Barry. Eileen explains that Barry is a rogue. Nevertheless, Maude decides to help Barry escape again from the Colonel by putting a coachman's uniform on her guest, Sir Reggie, making him a decoy. Sir Reggie is arrested and sentenced to death before the Colonel learns that he has been fooled and that Barry has gotten away again.

Act III

By the time of Lady Maude's birthday, Eileen and Barry have fallen in love. Learning that Barry is there, the Colonel has his men surround the castle. Barry surrenders, and he is about to be shot, when news arrives that the King has pardoned the rebels. The arrest is reversed, various couples are united, including Barry and Eileen, and it is declared that "Ireland shall stand among all nations of the world."

Recordings

The show's hit song, "Thine Alone", has been frequently recorded. Al Goodman's orchestra and soloists recorded eight highlights from Eileen on a set of 78 RPM records. These selections were later reissued by RCA Camden on one side of a 12-inch LP (selections from Polonaise are on the reverse). This album has been out-of-print since the late 1950s. The Ohio Light Opera revived and recorded the musical in 1997, adapted by Quade Winter from Herbert's manuscripts, held in the collection of the Library of Congress (Newport Classics NPD 85615/2, double CD, 1998).

In 2011, a recording starred Mary O'Sullivan in the title role and an "Orchestra of Ireland" (composed of members of the two RTÉ orchestras) conducted by David Brophy "in a genuinely vital, colorful reading of this luscious score." [10] (New World Records 80733-2, double CD, 2012).

Songs

Notes

  1. While the work is labeled an opera in its published score, [1] it has been variously described as an opera, [2] an operetta [3] and a musical. [4]

Related Research Articles

<span class="mw-page-title-main">Victor Herbert</span> Irish-American composer (1859–1924)

Victor August Herbert was an American composer, cellist and conductor of English and Irish ancestry and German training. Although Herbert enjoyed important careers as a cello soloist and conductor, he is best known for composing many successful operettas that premiered on Broadway from the 1890s to World War I. He was also prominent among the Tin Pan Alley composers and was later a founder of the American Society of Composers, Authors, and Publishers (ASCAP). A prolific composer, Herbert produced two operas, a cantata, 43 operettas, incidental music to 10 plays, 31 compositions for orchestra, nine band compositions, nine cello compositions, five violin compositions with piano or orchestra, 22 piano compositions and numerous songs, choral compositions and orchestrations of works by other composers, among other music.

<span class="mw-page-title-main">Reginald De Koven</span> American music critic and composer

Henry Louis Reginald De Koven was an American music critic and prolific composer, particularly of comic operas.

<i>Naughty Marietta</i> (operetta) 1910 comic opera by Rida Johnson Young and Victor Herbert

Naughty Marietta is an operetta in two acts, with libretto by Rida Johnson Young and music by Victor Herbert. Set in New Orleans in 1780, it tells how Captain Richard Warrington is commissioned to unmask and capture a notorious French pirate calling himself "Bras Pique" – and how he is helped and hindered by a high-spirited runaway, Contessa Marietta. The score includes many well-known songs, including "Ah! Sweet Mystery of Life".

Kelville Ernest Irving was an English music director, conductor and composer, primarily remembered as a theatre musician in London between the wars, and for his key contributions to British film music as music director at Ealing Studios from the 1930s to the 1950s.

<i>Mlle. Modiste</i>

Mlle. Modiste is an operetta in two acts composed by Victor Herbert with a libretto by Henry Blossom. It concerns hat shop girl Fifi, who longs to be an opera singer, but who is such a good hat seller that her employer, Mme. Cecil, discourages her in her ambitions and exploits her commercial talents. Also, Fifi loves Etienne de Bouvray, who returns her love, but his uncle, Count Henri, opposes their union. The operetta features the song "Kiss Me Again".

<i>The Emerald Isle</i>

The Emerald Isle; or, The Caves of Carrig-Cleena, is a two-act comic opera, with music by Arthur Sullivan and Edward German, and a libretto by Basil Hood. The plot concerns the efforts of an Irish patriot to resist the oppressive "re-education" programme of the English, which has robbed the Irish of their cultural heritage. A quirky "Professor of Elocution" who is hired by the English to continue this "re-education" of the Irish switches sides to help the Irish defend their culture. Romantic complications cause a confrontation between the Irish patriots and the superstitious English at the supposedly haunted caves of Carric-Cleena, and disguises are employed to hold the English off; but the professor ultimately comes up with a solution that works out happily for all.

<i>Das Dreimäderlhaus</i> Viennese pastiche operetta with music by Franz Schubert

Das Dreimäderlhaus, adapted into English-language versions as Blossom Time and Lilac Time, is a Viennese pastiche operetta with music by Franz Schubert, rearranged by Heinrich Berté (1857–1924), and a libretto by Alfred Maria Willner and Heinz Reichert. The work gives a fictionalized account of Schubert's romantic life, and the story was adapted from the 1912 novel Schwammerl by Rudolf Hans Bartsch (1873–1952). Originally the score was mostly Berté, with just one piece of Schubert's, but the producers required Berté to discard his score and create a pasticcio of Schubert music.

<i>The Red Mill</i>

The Red Mill is an operetta written by Victor Herbert, with a libretto by Henry Blossom. The farcical story concerns two American vaudevillians who wreak havoc at an inn in the Netherlands, interfering with two marriages; but all ends well. The musical premiered on Broadway on September 24, 1906, at the Knickerbocker Theatre and ran for 274 performances, starring comedians Fred Stone and David C. Montgomery. It also had a London run and toured extensively, and in 1945 had a long-running Broadway revival. The Red Mill includes the famous songs "Every Day is Lady's Day with Me", "The Streets of New York", "You Never Can Tell About a Woman", and "Because You're You".

<i>The Princess Pat</i>

The Princess Pat is an operetta in three acts with music by Victor Herbert and book and lyrics by Henry Blossom. While set on Long Island, New York, the story follows the American born Princess di Montaldo, a.k.a "Princess Pat", who is married to the Italian Prince Antonio di Montaldo, a.k.a. "Prince Toto". Unhappy that her husband ignores her, she is intent on winning back his attention and affections. Herbert wrote the piece as a vehicle for the soprano Eleanor Painter.

Henry Martyn Blossom, Jr. was an American writer, playwright, novelist, opera librettist, and lyricist. He first gained wide attention for his second novel, Checkers: A Hard Luck Story (1896), which was successfully adapted by Blossom into a 1903 Broadway play, Checkers. It was Blossom's first stage work and his first critical success in the theatre. The play in turn was adapted by others creatives into two silent films, one in 1913 and the other in 1919, and the play was the basis for the 1920 Broadway musical Honey Girl. Checkers was soon followed by Blossom's first critical success as a lyricist, the comic opera The Yankee Consul (1903), on which he collaborated with fellow Saint Louis resident and composer Alfred G. Robyn. This work was also adapted into a silent film in 1921. He later collaborated with Robyn again; writing the book and lyrics for their 1912 musical All for the Ladies.

<span class="mw-page-title-main">Orville Harrold</span> American opera singer

Orville Harrold was an American operatic tenor and musical theatre actor. He began his career in 1906 as a performer in operettas in New York City, and was also seen during his early career in cabaret, musical theatre, and vaudeville performances. With the aid of Oscar Hammerstein I, he branched out into opera in 1910 as a leading tenor with Hammerstein's opera houses in New York City and Philadelphia. While his career from this point on primarily consisted of opera performances, he periodically returned to operetta and musical theatre throughout his career. He notably created the role of Captain Dick Warrington in the world premiere of Victor Herbert's operetta Naughty Marietta in November 1910.

<span class="mw-page-title-main">William LeBaron</span> American film producer

William LeBaron was an American film producer, lyricist, librettist, playwright, and screenwriter.

<span class="mw-page-title-main">William Furst</span> American composer

William Wallace Furst was an American composer of musical theatre pieces and a music director, best remembered for supplying incidental music to theatrical productions on Broadway.

<span class="mw-page-title-main">Sir George Power, 7th Baronet</span> Irish singer and actor (1846–1928)

Sir George Power, 7th Baronet was an operatic tenor known for his performances in early Gilbert and Sullivan operas with the D'Oyly Carte Opera Company, most famously creating the roles in London of Ralph Rackstraw in H.M.S. Pinafore (1878) and Frederic in The Pirates of Penzance (1880).

Edward Quade Winter was an American composer, musical restorer and translator, specializing in the light operas of Victor Herbert. He began his career as a performer, singing opera for over two decades.

Helena Bliss was an American actress and singer. A talented soprano, she actively performed in musicals, operettas, and operas in the United States, both on stage and on television and radio, from the 1930s through the 1950s. She is best known for her portrayal of Nina Hagerup in the original Broadway production of Robert Wright and George Forrest's Song of Norway. She also appeared successfully in a few productions on London's West End.

Miss Dolly Dollars is a musical comedy written in two acts with the book and lyrics by Harry B. Smith and music by Victor Herbert. The musical concerns a wealthy American girl in Europe, who is sought after by bankrupt aristocrats. Its score includes a few famous songs such as "A Woman is Only a Woman ".

<span class="mw-page-title-main">Fred de Gresac</span> French librettist, playwright, and screenwriter

Fred de Gresac, born Frédérique Rosine de Grésac, was a French librettist, playwright and screenwriter. She was the wife of opera singer Victor Maurel.

<span class="mw-page-title-main">Joseph W. Herbert</span> American dramatist

Joseph William Herbert was a British-born American director, silent-film actor, singer and dramatist notable for being the first person to play Ko-Ko in America in a pirate production of Gilbert and Sullivan's The Mikado (1885) before joining D'Oyly Carte Opera Company touring companies across America (1885–1890).

<i>Orange Blossoms</i> (musical) Musical comedy

Orange Blossoms is a 1922 musical comedy with music by Victor Herbert, lyrics by Buddy DeSylva, and a book by Fred de Gresac, based on her own 1902 French play La Passerelle which had also been translated and staged on Broadway in 1903 as The Marriage of Kitty.

References

  1. Henry Blossom, Victor Herbert (1917). Eileen: A Romantic Comic Opera. M. Witmark & Sons.
  2. Edward Waters (1978). Victor Herbert: A Life In Music. Hachette Books. p. 503. ISBN   9780306795022.
  3. John S. Wilson (December 15, 1982). "Operetta: First Eileen in New York Since 1917". The New York Times .
  4. Dan Dietz (2015). The Complete Book of 1940s Broadway Musicals. Rowman & Littlefield Publishers. p. 300. ISBN   9781442245280.
  5. 1 2 3 4 Clarke, Kevin. "The Irish Have a Great Day Tonight: Eileen on New World Records", Operetta Research Center September 4, 2014
  6. Information from MusicWeb International
  7. 1 2 Theatre program, Landmark on the Park, NYC, Light Opera of New York, March 16–17, 2012
  8. Wilson, John S. "Operetta: First Eileen in New York Since 1917", The New York Times, December 15, 1982
  9. Forbes, Harry. "Eileen (Light Opera of New York)", HarryForbes.com, March 20, 2012
  10. Hurwitz, David. "Victor Herbert’s Splendid Eileen", ClassicsToday.com, accessed December 7, 2014