Raúl Zenteno"},"based_on":{"wt":""},"starring":{"wt":"[[Mauricio Garcés]]
[[Patricia Rivera]]
[[Alberto Rojas]]"},"music":{"wt":"[[Gustavo César Carrión]]"},"cinematography":{"wt":"[[Miguel Araña]]"},"editing":{"wt":"[[Alfredo Rosas Priego]]"},"studio":{"wt":"Televicine S.A. de C.V."},"distributor":{"wt":""},"released":{"wt":"{{Film date|1980|||Mexico|df=yes}}"},"runtime":{"wt":"95 minutes"},"country":{"wt":"Mexico"},"language":{"wt":"Spanish"}},"i":0}}]}" id="mwAg">1980 Mexican film
El sátiro | |
---|---|
Directed by | Raúl Zenteno |
Screenplay by | Raúl Zenteno |
Story by | Mauricio Serral Raúl Zenteno |
Starring | Mauricio Garcés Patricia Rivera Alberto Rojas |
Cinematography | Miguel Araña |
Edited by | Alfredo Rosas Priego |
Music by | Gustavo César Carrión |
Production company | Televicine S.A. de C.V. |
Release date |
|
Running time | 95 minutes |
Country | Mexico |
Language | Spanish |
El sátiro (in English: "The Satyr") is a 1980 Mexican comedy film directed by Raúl Zenteno and starring Mauricio Garcés, Patricia Rivera, and Alberto Rojas. [1] [2]
A Don Juan (Mauricio Garcés), a successful businessman in the lingerie business but fed up with having to resort to various costumes, wishes to rekindle his charm and maintain his reputation as a middle-aged womanizer with the help of a friend and apartment neighbor (Alberto Rojas). Things get complicated when he seems to find true love in the daughter of a friend (Patricia Rivera), a girl much younger than him.
Gustavo García and José Felipe Coria in Nuevo cine mexicano described the film as a "self-critical revision" and "bitter self-criticism" in reference to the roles of romantic leading man played by Mauricio Garcés throughout his career. [3] In Miradas disidentes: géneros y sexo en la historia del arte, Alberto Dallal noted that the fact that Garcés's character "ends up in love with a girl who is smarter, in matters of seduction, than him" was a theme similar to that of a previous Garcés film, Don Juan 67 (1966). [4] In Del quinto poder al séptimo arte: la producción fílmica de Televisa, Raúl Miranda López cited the film as one among a group of films that at the time "raised [...] the issue of amusing sexual impotence" (describing Garcés as a "stubborn flirter"), describing it as a "condition [that was] returning to do its thing in the macho Mexican cinema." [5]
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