Address | 175 Eighth Avenue |
---|---|
Location | Chelsea, New York City, United States |
Coordinates | 40°44′34″N74°00′02″W / 40.742766°N 74.000545°W |
Public transit | 14th St./Eighth Ave (NYC Subway) |
Type | Theater |
Genre(s) | Cinema |
Capacity | 600 |
Construction | |
Built | 1941 |
Opened | 1942 |
Renovated | 1982 |
Closed | 1978 |
Architect | Simon Zelnik |
The Elgin Theater is a former movie theater on the corner of 19th Street and Eighth Avenue in the Chelsea neighborhood of Manhattan in New York City. The theater showed films from its opening in 1942 until 1978. Its longtime manager, Ben Barenholtz, invented midnight movie programming for the theater. Following a full renovation, the building reopened in 1982 as a 472-seat dance theater operated by the Joyce Theatre Foundation.
The theater opened in 1942. The architect of the Art Moderne style structure was Simon Zelnik. [1] Winold Reiss was the designer.[ citation needed ] When it opened, the theater had 600 seats.
The Elgin opened as a first-run cinema. In the 1950s through 1965 it presented Spanish-language cinema. [2] [3]
In 1968, Ben Barenholtz assumed management of the theater and converted it to a repertory and art film house. The Elgin soon became noted for the innovation and variety of its programming, which ranged from revivals of classic Hollywood films; experimental works by Jonas Mekas, Kenneth Anger, and Andy Warhol; and films by then-emerging directors such as Jonathan Demme and Martin Scorsese. [4] Around 1975, Steve Gould and Chuck Zlatkin took over management of the theater in partnership with Barenholtz and continued similar programming. [5]
With the midnight screening of Alejandro Jodorowsky's surrealist western El Topo on December 18, 1970, the Elgin became the first theater to show midnight movies. [6] Barenholtz recalled, "I was told by the experts: 'Who's going to come see a film at midnight? You're out of your mind.' But within two years, there wasn't a city in the country that didn't have a midnight movie going." [7] El Topo premiered at The Elgin on December 17, 1970 and ran continuously seven days a week until the end of June 1971. [8] Author Gary Lachman claims that the film Invocation of My Demon Brother (1969) "inaugurat[ed] the midnight movie cult at the theater." [9] [10]
The theater was part of an efflorescence of revival cinema in New York City during this period. The New York Times ' film critic Vincent Canby observed, "There is a heaven for movie buffs and it could be here and now thanks to The Elgin, The Thalia, The Symphony and all those other houses that occasionally recall the past." [11]
In May 1977, while continuing to present film, the theater began to mount programs of rock music and allied acts. These two-set evenings were produced by Bleu Ocean. There were local objections to noise from the concerts. [12]
On March 20, 1977, Roger Euster, the owner of the Elgin, evicted his tenants, Gould and Zlatkin, for non-payment of rent totaling $21,393. He immediately signed a lease with Tel-a-Gay, a producer and exhibitor of gay films, who launched an all-gay-pornography program on March 21. [13] The change inspired immediate protests by local citizens groups and picketing in front of the theater. The theater shut its doors the following day. Later that week, Euster and Tel-a-Gay President William Perry met with the community groups. They agreed to return the theater to its previous programming format on a trial basis to see if the operation could be sustained on the income. [14]
By late 1978, the theater had stopped showing films and was for sale. It was purchased in early 1979 by the Eliot Feld Ballet with the intention of converting it to a theater for smaller dance companies. [15] The building reopened in 1982 as the 472-seat Joyce Theater. Philanthropist LuEsther Mertz underwrote the purchase of the theater in 1979, at a cost of $225,000. The renovated facility was named for her daughter, Joyce, to honor this contribution. [16]
Chelsea is a neighborhood on the West Side of the borough of Manhattan in New York City. The area's boundaries are roughly 14th Street to the south, the Hudson River and West Street to the west, and Sixth Avenue to the east, with its northern boundary variously described as near the upper 20s or 34th Street, the next major crosstown street to the north. To the northwest of Chelsea is the neighborhood of Hell's Kitchen, as well as Hudson Yards; to the northeast are the Garment District and the remainder of Midtown South; to the east are NoMad and the Flatiron District; to the southwest is the Meatpacking District; and to the south and southeast are the West Village and the remainder of Greenwich Village. Chelsea is named after the Royal Hospital Chelsea in London, England.
Cousin Cousine is a 1975 French romantic comedy film directed by Jean-Charles Tacchella and starring Marie-Christine Barrault, Victor Lanoux, and Marie-France Pisier. Written by Tacchella and Danièle Thompson, the film is about two cousins by marriage who meet at a wedding and develop a close friendship. After their spouses prove unfaithful, the cousins' friendship leads to a passionate love affair. Cousin Cousine received an Academy Award nomination for Best Foreign Language Film, a César Award nomination for Best Film, a Golden Globe nomination for Best Foreign Language Film, and the U.S. National Board of Review Award as one of the Top 5 Foreign Films of the Year. In 1989, an English-language remake was released, Cousins.
Pink Flamingos is a 1972 American black comedy film by John Waters. It is part of what Waters has labelled the "Trash Trilogy", which also includes Female Trouble (1974) and Desperate Living (1977). The film stars the countercultural drag queen Divine as a criminal living under the name of Babs Johnson, who is proud to be "the filthiest person alive". While living in a trailer with her mother Edie, son Crackers, and companion Cotton, Divine is confronted by the Marbles, a pair of criminals envious of her reputation who try to outdo her in filth. The characters engage in several grotesque, bizarre, and explicitly crude situations, and upon the film's re-release in 1997 it was rated NC-17 by the MPAA "for a wide range of perversions in explicit detail". It was filmed in the vicinity of Baltimore, Maryland, where Waters and most of the cast and crew grew up.
Oliver Burgess Meredith was an American actor and filmmaker whose career encompassed theater, film, and television.
The Boys in the Band is a 1970 American drama film directed by William Friedkin from a screenplay by Mart Crowley, based on Crowley's 1968 Off-Broadway play of the same name. It is among the early major American motion pictures to revolve around gay characters, often cited as a milestone in the history of queer cinema, and thought to be the first mainstream American film to use the swear word "cunt".
New York, New York is a 1977 American romantic musical drama film directed by Martin Scorsese from a screenplay by Earl Mac Rauch and Mardik Martin, based on a story by Rauch. It is a musical tribute, featuring songs by John Kander and Fred Ebb as well as jazz standards, to Scorsese's home town of New York City, and stars Liza Minnelli and Robert De Niro as a pair of musicians and lovers. The story is "about a jazz saxophonist and a pop singer (Minnelli) who fall madly in love and marry;" however, the "saxophonist's outrageously volatile personality places a continual strain on their relationship, and after they have a baby, their marriage crumbles," even as their careers develop on separate paths. The film marked the final screen appearance of actor Jack Haley.
El Topo is a 1970 Mexican acid Western film written, scored, directed by and starring Alejandro Jodorowsky. Characterized by its bizarre characters and occurrences, use of maimed and dwarf performers, and heavy doses of Judeo-Christian symbolism and Eastern philosophy, the film is about El Topo—a violent, black-clad gunfighter played by Jodorowsky—and his quest for enlightenment.
The term midnight movie is rooted in the practice that emerged in the 1950s of local television stations around the United States airing low-budget genre films as late-night programming, often with a host delivering ironic asides. As a cinematic phenomenon, the midnight screening of offbeat movies began in the early 1970s in a few urban centers, particularly in New York City with screenings of El Topo at the Elgin Theater, eventually spreading across the country. The screening of non-mainstream pictures at midnight was aimed at building a cult film audience, encouraging repeat viewing and social interaction in what was originally a countercultural setting.
Robert Moore was an American stage, film and television director and actor.
Viva is an American actress, writer and former Warhol superstar.
Blue Movie is a 1969 American erotic film written, produced and directed by Andy Warhol. It is the first adult erotic film depicting explicit sex to receive wide theatrical release in the United States, and is regarded as a seminal film in the Golden Age of Porn (1969-1984), which, before the legalization of pornography in Denmark on July 1, 1969, started on June 12, 1969 with the release of Blue Movie at the Elgin Theater, and later, the New Andy Warhol Garrick Theatre, in New York City. Blue Movie helped inaugurate the "porno chic" phenomenon, in which porn was publicly discussed by celebrities and taken seriously by film critics, in modern American culture, and shortly thereafter, in many other countries throughout the world. According to Warhol, Blue Movie was a major influence in the making of Last Tango in Paris, an internationally controversial erotic drama film starring Marlon Brando and released a few years after Blue Movie was made. Viva and Louis Waldon, playing themselves, starred in Blue Movie.
Tunnel was a nightclub located at 220 Twelfth Avenue, in the Chelsea neighborhood of Manhattan, New York City. It operated from 1986 to 2001.
Eliot Feld is an American modern ballet choreographer, performer, teacher, and director. Feld works in contemporary ballet. His company and schools, including the Feld Ballet and Ballet Tech, are involved in dance and dance education in New York City.
Benjamin D. Brantley is an American theater critic, journalist, editor, publisher, and writer. He served as the chief theater critic for The New York Times from 1996 to 2017, and as co-chief theater critic from 2017 to 2020.
The Shadow Box is a play written by actor Michael Cristofer. The play made its Broadway debut on March 31, 1977. It is the winner of the 1977 Pulitzer Prize for Drama and Tony Award for Best Play. The play was made into a telefilm, directed by Paul Newman in 1980.
The Joyce Theatre Foundation is a leading presenter of dance in New York City and nationally. It is runs, in part, from the Joyce Theater, a 472-seat dance performance venue located in the Chelsea neighborhood of Manhattan in New York City. The Joyce occupies the Elgin Theater, a former movie house that opened in 1941 and was gut-renovated and reconfigured in 1981–82.
Edward Lachman is an American cinematographer and director. He has primarily worked in independent film, and has served as director of photography on films by Todd Haynes, Ulrich Seidl, Wim Wenders, Steven Soderbergh and Paul Schrader. His other work includes Werner Herzog's La Soufrière (1977), Desperately Seeking Susan (1985), Sofia Coppola's The Virgin Suicides (1999), Robert Altman's final film A Prairie Home Companion (2006), and Todd Solondz's Life During Wartime (2009). He is a member of the American Society of Cinematographers.
Invocation of My Demon Brother (1969) is an 11-minute film photographed, directed and edited by Kenneth Anger. Its repetitive noise music soundtrack was composed by Mick Jagger playing a Moog synthesizer. It was filmed in San Francisco at the Straight Theater on Haight Street in Haight-Ashbury and at the William Westerfeld House.
Ben Barenholtz was a Polish-born American film producer, exhibitor, and distributor with a significant presence in the independent film scene since the late 1960s. In 1968 Barenholtz opened The Elgin Cinema in New York City which was known for its experimental midnight screenings of new filmmakers.
My Hustler is a 1965 American film by Andy Warhol, and Paul Morrissey. The film is propelled by the sonorous, magnetic acting of 30-year-old Ed Hood interacting with the blonde Hustler, Paul America.