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Leopoldine Rysanek was an Austrian dramatic soprano.
Kerstin Margareta Meyer, CBE was a Swedish mezzo-soprano who enjoyed an international career in opera and concert. A long-time member of the Royal Swedish Opera and Hamburg State Opera, she appeared regularly at the Royal Opera House in London and international opera houses and festivals, including in world premieres such as Alexander Goehr's Arden Must Die and György Ligeti's Le Grand Macabre.
Elisabeth Höngen was a German operatic mezzo-soprano and singing-actress. She was particularly associated with Richard Wagner and Richard Strauss roles, and with Verdi's Lady Macbeth. From 1947 onward she was one of the Vienna State Opera's most prominent artists for nearly 30 years.
Hanna Schwarz is a German mezzo-soprano and contralto singer in opera and concert. In 1976 she performed the roles of Fricka and Erda in the centenary Jahrhundertring production at the Bayreuth Festival, directed by Patrice Chéreau.
Flora Perini was an Italian operatic mezzo-soprano who had a prominent opera career in Europe, South America, and the United States during the first half of the twentieth century. She sang a wide repertoire that encompassed works by verisimo composers like Mascagni, bel canto composers like Rossini and Bellini, the Italian grand operas of Verdi, the German operas of Strauss and Wagner, and the Russian operas of Rimsky-Korsakov. She sang in numerous premieres throughout her career, including creating the role of the Princess in the original 1918 production of Puccini's Suor Angelica.
Jean Madeira, née Jean Browning was an American contralto, particularly known for her work in late-romantic German repertoire such as the operas of Richard Wagner and Richard Strauss.
Marie-Louise Gilles is a German mezzo-soprano in opera and concert, a professor of voice, and an opera stage director.
Elisabeth Schärtel was a German operatic mezzo-soprano and contralto. A member of the Cologne Opera from 1959 to 1967, she performed leading parts at major European opera houses and regularly at the Bayreuth Festival.
Margarethe Bence was an American opera singer, who sang both mezzo-soprano and contralto parts and was mostly active in German and Austria, including international festivals such as the Bayreuth Festival and the Salzburg Festival. Her repertoire included music from Baroque to contemporary premieres.
Ruth Siewert was a German contralto and voice teacher. She performed roles by Richard Wagner at major opera houses in Europe and at the Bayreuth Festival, and was known as a singer of oratorio and Lied.
Elsa Cavelti was a Swiss operatic contralto and mezzo-soprano, temporarily also a dramatic soprano, who worked at German and Swiss opera houses and as an international guest. She was an academic voice teacher in Frankfurt.
Birgit Remmert is a German operatic mezzo-soprano and contralto who has appeared in major European opera houses, concert halls and festivals. She has performed title roles such as Dalila, Penthesilea, and Iokaste in an opera composed for her.
Ruth Hesse is a German dramatic mezzo-soprano. She was a member of the Deutsche Oper Berlin from 1962 to 1995, and appeared internationally, including the Bayreuth Festival and the Salzburg Festival. She appeared regularly at the Vienna State Opera from 1965 to 1988, and was appointed an Austrian Kammersängerin in 1982. In Berlin, she took part in the world premiere of Henze's Der junge Lord.
Liselotte Hammes is a German operatic soprano and academic voice teacher. While based at the Cologne Opera, she performed internationally. One of her signature roles is Sophie in Der Rosenkavalier by Richard Strauss, which she performed at the Glyndebourne Festival, among other European opera houses.
Catherine Julie "Ketty" Lapeyrette was a French contralto opera singer. She remained with the Paris Opera for 30 years, seldom performing outside France. From 1944, she taught at the Paris Conservatory.
Rut Berglund, also Ruth Berglund was a Swedish operatic mezzo-soprano and contralto, who was engaged in Germany from 1924 to 1944. She was personally appointed Kammersängerin by Adolf Hitler.
Hanna Ludwig was a German contralto and mezzo-soprano and an academic voice teacher. She participated in several roles at the first Bayreuth Festival after World War II and performed leading roles at major European opera houses, such as the title role of Der Rosenkavalier at the Vienna State Opera. She toured the world as a lieder singer. After retiring from the stage she turned to teaching in Ankara and, from 1971, at the Mozarteum.
Mihoko Fujimura is a Japanese operatic mezzo-soprano who made an international career based in Europe. She was recognized internationally after her 2002 debut at the Bayreuth Festival as Fricka in Wagner's Ring cycle. In concert, she performed in Verdi's Requiem and Mahler's Resurrection Symphony. In 2020, she made her debut at the Metropolitan Opera.
Bella Paalen, real name Isabella Pollak was an Austrian-American operatic soprano of Hungarian origin. She was engaged for 31 years at the k.-k. Hofoper in Vienna, later the State Opera, was appointed Kammersängerin there in 1933 and had to leave the country after the Anschluss because of her Jewish origins.
Erich Witte was a German stage actor, operatic tenor and opera director. He was based for almost five decades at the Berlin State Opera, and performed leading roles at major opera houses in Europe and at the Metropolitan opera. He participated in world premieres, including Louise Talma's Die Alkestiade and Alan Bush's Joe Hill.
