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The decorative arts are arts or crafts whose aim is the design and manufacture of objects that are both beautiful and functional. This includes most of the objects for the interiors of buildings, as well as interior design, but typically excludes architecture. Ceramic art, metalwork, furniture, jewellery, fashion, various forms of the textile arts and glassware are major groupings.
Claire Zeisler was an American fiber artist who expanded the expressive qualities of knotted and braided threads, pioneering large-scale freestanding sculptures in this medium. Throughout her career Zeisler sought to create "large, strong, single images" with fiber.
Lowery Stokes Sims is an American art historian and curator of modern and contemporary art known for her expertise in the work of African, African American, Latinx, Native and Asian American artists such as Wifredo Lam, Fritz Scholder, Romare Bearden, Joyce J. Scott and others. She served on the curatorial staff of the Metropolitan Museum of Art, the Studio Museum in Harlem, and the Museum of Arts and Design. She has frequently served as a guest curator, lectured internationally and published extensively, and has received many public appointments. Sims was featured in the 2010 documentary film !Women Art Revolution.
Adam Lerner is the JoAnn McGrath Executive Director/CEO of Palm Springs Art Museum, a position he assumed in July 2021. In this capacity, he oversees the museum's permanent collection of over 12,000 art objects including the Architecture and Design Center, Edwards Harris Pavilion, and Frey House II. Formerly, he was the Director of the Museum of Contemporary Art Denver and Chief Animator in the Department of Fabrications. He was the founder and Executive Director of The Laboratory of Art and Ideas at Belmar until The Lab merged with the MCA Denver in March 2009.
Mary Walker Phillips, was an American textile artist, author and educator. She revolutionized the craft of hand knitting by exploring knitting as an independent art form. Her hand-knit tapestries and other creative pieces are exhibited in museums in the U.S. and Europe. She was honored as a fellow by the American Craft Council (ACC) in 1978.
The Museum of Arts and Design (MAD), based in Manhattan, New York City, collects, displays, and interprets objects that document contemporary and historic innovation in craft, art, and design. In its exhibitions and educational programs, the museum celebrates the creative process through which materials are crafted into works that enhance contemporary life.
Marilyn Minter is an American visual artist who is perhaps best known for her sensual paintings and photographs done in the photorealism style that blur the line between commercial and fine art. Minter currently teaches in the MFA department at the School of Visual Arts in New York City.
An alternative exhibition space is a space other than a traditional commercial venue used for the public exhibition of artwork. Often comprising a place converted from another use, such as a store front, warehouse, or factory loft, it is then made into a display or performance space for use by an individual or group of artists. According to art advisor Allan Schwartzman "alternative spaces were the center of American artistic life in the '70s."
Mildred Constantine Bettelheim was an American curator who helped bring attention to the posters and other graphic design in the collection of the Museum of Modern Art in the 1950s and 1960s
Joyce J. Scott is an African-American artist, sculptor, quilter, performance artist, installation artist, print-maker, lecturer and educator. Named a MacArthur Fellow in 2016, and a Smithsonian Visionary Artist in 2019, Scott is best known for her figurative sculptures and jewelry using free form, off-loom beadweaving techniques, similar to a peyote stitch. Each piece is often constructed using thousands of glass seed beads or pony beads, and sometimes other found objects or materials such as glass, quilting and leather. In 2018, she was hailed for working in new medium — a mixture of soil, clay, straw, and cement — for a sculpture meant to disintegrate and return to the earth. Scott is influenced by a variety of diverse cultures, including Native American and African traditions, Mexican, Czech, and Russian beadwork, illustration and comic books, and pop culture.
Women were professionally active in the academic discipline of art history in the nineteenth century and participated in the important shift early in the century that began involving an "Emphatically Corporeal Visual Subject", with Vernon Lee as a notable example. It is argued that in the twentieth century women art historians, by choosing to study women artists, "dramatically" "increased their visibility". It has been written that women artists pre-1974 were historically one of two groups; women art historians and authors who self-consciously address high school audiences through the publication of textbooks. The relative "newness" of this field of study for women, paired with the possibility of interdisciplinary focus, emphasizes the importance of visibility of all global women in the art history field.
Sunny A. Smith is an American artist who is based in Oakland, California. Smith's work draws from American history to create artworks which combine social practice, performance, and craft-based sculpture.
Shannon R. Stratton is a Canadian artist, writer and curator. She is currently executive director of Ox-Bow School of Art and Artists' Residency in Saugatuck, Michigan.
Wall Hangings was an exhibition of textile fiber art at Museum of Modern Art from 25 February to 4 May 1969. It was planned in 1966 and toured 11 cities in 1968–1969.
Indira Allegra is a multidisciplinary American artist and writer based in Oakland, California.
Glenn Adamson is an American curator, author, and historian whose research and work focuses on the intersections of design, craft, and contemporary art. Adamson is currently editor-at-large of The Magazine Antiques, editor of Journal of Modern Craft, a freelance writer and a curator. Adamson has held previous notable appointments as the Director of the Museum of Arts and Design, Head of Research at the Victoria and Albert Museum, and as Curator at the Chipstone Foundation.
Nanette L. Laitman was an art collector and philanthropist. She has been involved with the board of the Museum of Arts and Design (MAD) and its precursors in New York City for over 25 years. She became a member of the board in 1994 and board president in 2000. She was one of the main benefactors supporting MAD's relocation to 2 Columbus Circle in 2002. Laitman has also funded the Nanette Laitman Documentation Project for Craft and Decorative Arts in America at the Smithsonian's Archives of American Art.
Joan Livingstone is an American contemporary artist, educator, curator, and author based in Chicago. She creates sculptural objects, installations, prints, and collages that reference the human body and bodily experience.
Tracy Krumm is an American textile artist, craft educator, and curator based in St. Paul, Minnesota. Krumm's work combines metalworking and crochet; crafting items such as curtains and clothing out of metals and wire.
Hayward Ellis King (1928–1990) was an American painter, collagist, art dealer, and an arts administrator. He was a mid-20th century arts leader in San Francisco, California, a co-founder of Six Gallery, and served as the director of the Richmond Art Center. He was the first Black artist to serve as both director and curator of a major San Francisco Bay Area art gallery.
References
- 1 2 "Museum of Arts and Design Appoints Elissa Auther as Deputy Director of Curatorial Affairs & Chief Curator". Call For Curators. Retrieved 2023-06-18.
- 1 2 Reviews of String, Felt Thread: The Hierarchy of Art and Craft in American Art
- Chave, Anna C. (2011). "Review of String, Felt, Thread: The Hierarchy of Art and Craft in American Art". Signs. 36 (3): 762–764. doi:10.1086/657511. ISSN 0097-9740. JSTOR 10.1086/657511.
- Simpson, Mary C. (2011). "Review of String, Felt, Thread: The Hierarchy of Art and Craft in American Art". Woman's Art Journal. 32 (1): 67–68. ISSN 0270-7993. JSTOR 41331113.
- Anger, Jenny (2010-12-09). "Jenny Anger. Review of "String, Felt, Thread: The Hierarchy of Art and Craft in American Art" by Elissa Auther". Caa.reviews. doi: 10.3202/caa.reviews.2010.139 . ISSN 1543-950X.
- ↑ Mendelsohn, Meredith (2015-03-31). "Marilyn Minter's Seductive Paintings and Photographs Collected in First Major Retrospective". Architectural Digest. Retrieved 2023-12-27.
- ↑ Reviews of West of Center
- Rudnick, Lois (2013). "Review of West of Center: Art and the Counterculture Experiment in America, 1965-1977". Western American Literature. 47 (4): 436–437. ISSN 0043-3462. JSTOR 43023060.
- FRANCIS, JACQUELINE (2013). "Review of West of Center: Art and the Counterculture Experiment in America, 1965–1977". Journal of American Studies. 47 (2): 581–582. doi:10.1017/S0021875813000327. ISSN 0021-8758. JSTOR 24485551.