Elizabeth Diggs | |
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Born | Tulsa, Oklahoma | 6 August 1939
Occupation | Playwright |
Alma mater | Brown University |
Notable works |
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Elizabeth Diggs is an American playwright. [1] She is a member of Ensemble Studio Theatre. [2]
Born in Tulsa, Oklahoma in 1939 to attorney James B. Diggs and Virginia Francis Diggs, [3] Diggs attended Brown University, where she first became involved with theatre. In 1960 she co-wrote Happily Never After, the annual Brownbrokers musical, with future partner Emily Arnold McCully. [4] She graduated in 1961. [5] After Brown, she earned a PhD from Columbia University and entered a period of political activism in the anti-war and feminism movements, [6] including the distinction of heading one of the first Women's Studies programs at Jersey City College, where she co-developed curriculum and oversaw the launch and expansion of the program. [7] She is a professor of dramatic writing at the Goldberg Department of Dramatic Writing at Tisch. [8]
Diggs' first major success was the play Close Ties, which premiered at Lexington Conservatory Theatre in August 1980. [9] The play starred notable stage actress Margaret Barker, Sofia Landon Geier and John Griesemer. It was directed by Barbara Rosoff. "A remarkable production of a lovely and loving play," said critic Jeffery Borak. The Knickerbocker News described it as "...beautiful, touching, gentle and heartwarming." [10] [11] A year later it was produced at Long Wharf Theatre, directed by Arvin Brown and once again starring Barker; [12] the actress had been friends with Diggs for several years, and the author crafted the role with Barker in mind. [13] In 1983, it was made into a television film. [14]
Her next play, Goodbye Freddy, was workshopped at Lexington Conservatory Theatre, [15] followed by its world premiere production at South Coast Repertory in 1983. Diggs won the CBS Dramatists Guild Prize for the play that May. [16] The play was produced at Portland Stage Company in December 1984, starring fellow Lexington Conservatory alumni Court Miller and Kit Flanagan, and directed by another alumni, Barbara Rosoff. [17] The production of Goodbye Freddy was later remounted in New York on September 20, 1985, starring Barbara Eda-Young and Michael Murphy in place of Court Miller, along with Walter Bobbie, Carole Monferdini, Nicholas Cortland and Kit Flanagan. [18] "As she demonstrated in Close Ties and the one-act Dumping Grounds, the playwright has a keen ear for dialogue and a watchful eye for those offhanded moments when characters accidentally reveal themselves," said New York Times critic Mel Gussow. [19]
American Beef, her third play, explores the dying myths of the American west, and was inspired by childhood visits to the Chapman-Barnard Ranch in Osage County, Oklahoma. [20] It was commissioned in 1985 for South Coast Repertory. Productions include 1987 world premiere at Gloucester Stage Company in Massachusetts followed by International City Theater in Long Beach, California. [21]
In October 1988, she premiered Saint Florence at Capital Repertory Theatre in Albany, NY. [22] "Both an instructive lesson from history and a compelling act of the imagination," said the review of the premiere in the New York Times. [23] Based on the life of Florence Nightingale, the production starred Claire Beckman. In 1990, it was produced at the Vineyard Theatre in New York. Re-titled Nightingale it was directed by John Rubinstein with Kathryn Pogson in the starring role. [24]
In 1996, she collaborated with composer Harvey Schmidt and lyricist Tom Jones, writing the book for the musical Mirette based on Emily Arnold McCully's Caldecott award-winning children's book Mirette on the High Wire . It opened in August 1996 at the Norma Terris Theatre [25] and later moved to the Goodspeed Opera House. [26]
Diggs also contributed to the first season of television series St. Elsewhere . Although writing for television was lucrative, she found the experience less fulfilling than theatre. [27]
Her daughter, with director Will Mackenzie, is documentary filmmaker Jenny Mackenzie. [28] She lives in Chatham with her partner, author Emily Arnold McCully. [29]
Summer and Smoke is a two-part, thirteen-scene play by Tennessee Williams, completed in 1948. He began working on the play in 1945 as Chart of Anatomy, derived from his short stories "Oriflamme" and the then-work-in-progress "Yellow Bird." The phrase "summer and smoke" probably comes from the Hart Crane poem "Emblems of Conduct" in the 1926 collection White Buildings. After a disappointing Broadway run in 1948, the play was a hit Off-Broadway in 1952. Williams continued to revise Summer and Smoke in the 1950s, and in 1964 he rewrote the play as The Eccentricities of a Nightingale.
Ethyl Eichelberger was an Obie award-winning American drag performer, playwright, and actor. He became an influential figure in experimental theater and writing, and wrote nearly forty plays portraying women such as Jocasta, Medea, Nefertiti, Clytemnestra, and Lucrezia Borgia. He became more widely known as a commercial actor in the 1980s.
Torch Song Trilogy is a collection of three plays by Harvey Fierstein rendered in three acts: International Stud, Fugue in a Nursery, and Widows and Children First! The story centers on Arnold Beckoff, a Jewish homosexual, drag queen, and torch singer who lives in New York City in the late 1970s and early 1980s. The four-hour play begins with a soliloquy in which he explains his cynical disillusionment with love.
Harriet Sansom Harris is an American actress known for her theater performances and for her portrayals of Bebe Glazer on Frasier and Felicia Tilman on Desperate Housewives.
Daphne Anne Angela Pleasence is an English actress. Trained in theatre, Pleasence's first major film role came in Hitler: The Last Ten Days (1973), followed by roles in horror films such as From Beyond the Grave and Symptoms (1974).
Emily Arnold McCully is an American writer and illustrator who is best known for children's books. She won the annual Caldecott Medal for U.S. picture book illustration in 1993 recognizing Mirette on the High Wire which she also wrote.
Aideen O'Kelly was an Irish actress of stage and television, who worked in both Ireland and the United States. She was nominated for a Drama Desk Award for her performance in Othello in 1982.
Woman of the Year is a musical with a book by Peter Stone and score by John Kander and Fred Ebb.
Edwin Sherin was an American-Canadian director and producer. He is best known as the director and executive producer of the NBC drama series Law & Order (1991–2005).
Caroline Eugenie Lagerfelt is a French-born American actress, long based in the United States, recognized for her roles on Sweet Magnolias, Gossip Girl, Six Degrees, Dirty Sexy Money, Nash Bridges and Beverly Hills, 90210.
Syracuse Stage is a professional non-profit theater company in Syracuse, New York, United States. It is the premier professional theater in Central New York. Each year, it offers several productions, including multiple collaborations between Syracuse Stage and the drama department of the Syracuse University College of Visual and Performing Arts.
Vivat! Vivat Regina! is a play written by Robert Bolt. It debuted at Chichester in 1970 and later at the Piccadilly Theatre London. Principal actors were Sarah Miles and Eileen Atkins. The play was directed by Peter Dews and designed by Carl Toms. Richard Pearson also played a role. Later, the play had a successful run on Broadway in 1972.
A Cup of Coffee is a play written by Preston Sturges in 1931 which Sturges adapted for his 1940 film Christmas in July.
Boesman and Lena is a small-cast play by South African playwright Athol Fugard, set in the Swartkops mudflats outside of Port Elizabeth in the Eastern Cape, that shows the effect of apartheid on a few individuals, featuring as characters a "Coloured" man and woman walking from one shanty town to another.
Cara Duff-MacCormick is a Canadian actress, predominantly in the theatre.
Capital Repertory Theatre is a 309-seat professional regional theatre in Albany, New York. Capital Rep is the only theatre in the Capital District that is a member of the League of Resident Theatres (LORT). As a member, it operates under collective bargaining agreements with Actors' Equity Association and other theatre worker unions.
Black-Eyed Susan is an American actress based in New York City, New York.
The Mirror Theater was founded by Sabra Jones in 1983, who was also the Founding Artistic Director. The first program of the theater was the Mirror Repertory Company (MRC). Founding members of the company included Eva Le Gallienne, John Strasberg, and Geraldine Page. Sabra Jones reached out to Ellis Rabb, artistic director of the APA Phoenix Repertory Company, John Houseman of the Mercury Theater, and Eva Le Gallienne of the Civic Repertory Theatre Company. The company was intended to be "an alternating repertory company in the classic sense" of actor-manager leadership, which Rabb, Houseman, and La Gallienne pioneered. Alternating repertory refers to when one company performs a variety of plays in the same season with the same actors, which was formerly a mainstay of theater tradition. This system has been attributed with helping actors grow in their craft through a wide variety of roles. MRC was funded in its inception primarily by philanthropist Laurance S. Rockefeller, with additional donations from philanthropists and actors such as Paul Newman, Al Pacino, Dustin Hoffman, and others.
Hello and Goodbye is a 1965 play by South African playwright Athol Fugard.
Court Miller (1952–1986) was an American actor most notable for starring in the Broadway production of Torch Song Trilogy.